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Michael Chabon


“All male friendships are essentially quixotic: they last only so long as each man is willing to polish the shaving-bowl helmet, climb on his donkey, and ride off after the other in pursuit of illusive glory and questionable adventure.”
Michael Chabon
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“Love great first lines and paragraphs. From The Yiddish Policemen's Union:Nine months Landsman's been flopping at the Hotel Zamenhof without any of his fellow residents managing to get themselves murdered. Now somebody has put a bullet in the brain of the occupant of 208, a yid who was calling himself Emanuel Lasker. ”
Michael Chabon
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“I closed my eyes and I thought of the lash of her skirt snapping around her as she danced one evening in a bar on the South Side to a jukebox that was playing “Barefootin’,” of the downy slope of her neck and the declivity in her nightgown as she bent to wash her face in the bathroom sink, of a tuna salad sandwich she’d handed me one windy afternoon as we sat at a picnic table in Lucia, California, and looked out for the passage of whales, and I felt that I loved Emily insofar as I loved those things – beyond reason, and with a longing that made me want to hang my head – but it was a love that felt an awful lot like nostalgia. ”
Michael Chabon
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“Nothing is boring exept to people who aren't really paying attention.”
Michael Chabon
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“Nothing that had ever happened to him, not the shooting of Oyster, or the piteous muttering expiration of John Wesley Shannenhouse, or the death of his father, or internment of his mother and grandfather, not even the drowning of his beloved brother, had ever broken his heart quite as terribly as the realization, when he was halfway to the rimed zinc hatch of the German station, that he was hauling a corpse behind him”
Michael Chabon
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“He thought of his own by-now legendary novel, American Disillusionment, that cyclone which, for years, had woven its erratic path across the flatlands of his imaginary life, always on the verge of grandeur or disintegration, picking up characters and plotlines like houses and livestock, tossing them aside and moving on. It had taken the form, at various times, of a bitter comedy, a stoical Hemingwayesque tragedy, a hard-nosed lesson in social anatomy like something by John O’Hara, a bare-knuckles urban Huckleberry Finn. It was the autobiography of a man who could not face himself, an elaborate system of evasion and lies unredeemed by the artistic virtue of self-betrayal”
Michael Chabon
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“Back in the summer of 1941, they had stood to lose so much, it seemed, through the shame and ruination of exposure. Sammy could not have known that one day he would come to regard all the things that their loving each other had seemed to put at so much risk – his career in comic books, his relations with his family, his place in the world – as the walls of a prison, an airless, lightless keep from which there was no hope of escape….He recalled his and Tracy’s parting at Penn Station on the morning of Pearl Harbor, in the first-class compartment of the Broadway Limited, their show of ordinary mute male farewell, the handshake, the pat on the shoulder, carefully tailoring and modulating their behavior through there was no one at all watching, so finely attuned to the danger of what they might lose that they could not permit themselves to notice what they had”
Michael Chabon
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“It was, in part, a longing – common enough among the inventors of heroes – to be someone else; to be more than the result of two hundred regimens and scenarios and self-improvement campaigns that always ran afoul of his perennial inability to locate an actual self to be improved”
Michael Chabon
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“They lay there for a few seconds, in the dark, in the future, listening to the fabulous clockwork of their hearts and lungs, and loving each other”
Michael Chabon
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“It never takes longer than a few minutes, when they get together, for everyone to revert to the state of nature, like a party marooned by a shipwreck. That's what a family is. Also the storm at sea, the ship, and the unknown shore. And the hats and the whiskey stills that you make out of bamboo and coconuts. And the fire that you light to keep away the beasts.”
Michael Chabon
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“There was something unmistakably exultant about the mess that Rosa had made. Her bedroom-studio was at once the canvas, journal, museum, and midden of her life. She did not “decorate” it; she infused it.”
Michael Chabon
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“There is one sure means in life of ensuring that you are not ground into paste by disappointment, futility and disillusionment. And that is always to ensure, to the utmost of your ability, that you are doing it solely for the money.”
Michael Chabon
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“The other day as I was stepping out of Star Grocery on Claremont Avenue with some pork ribs under my arm, the Berkeley sky cloudless, a smell of jasmine in the air, a car driving by with its window rolled down, trailing a sweet ache of the Allman Brothers' "Melissa," it struck me that in order to have reached only the midpoint of my life I will need to live to be 92. That's pretty old. If you live to be ninety-two, you've done well for yourself. I'd like to be optimistic, and I try to take care of my health, but none of my grandparents even made it past 76, three killed by cancer, one by Parkinson's disease. If I live no longer than any of them did, I have at most thirty years left, which puts me around sixty percent of the way through my time. I am comfortable with the idea of mortality, or at least I always have been, up until now. I never felt the need to believe in heaven or an afterlife. It has been decades since I stopped believing-a belief that was never more than fitful and self-serving to begin with-in the possibility of reincarnation of the soul. I'm not totally certain where I stand on the whole "soul" question. Though I certainly feel as if I possess one, I'm inclined to disbelieve in its existence. I can live with that contradiction, as with the knowledge that my time is finite, and growing shorter by the day. It's just that lately, for the first time, that shortening has become perceptible. I can feel each tiny skyward lurch of the balloon as another bag of sand goes over the side of my basket.”
Michael Chabon
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“When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another's skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness - and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments. No doubt all of this is not true remembrance but the ruinous work of nostalgia, which obliterates the past, and no doubt, as usual, I have exaggerated everything.”
Michael Chabon
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“It struck me that the chief obstacle to marital contentment was this perpetual gulf between the well-founded, commendable pessimism of women and the sheer dumb animal optimism of men, the latter a force more than any other responsible for the lamentable state of the world.”
Michael Chabon
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“Undressing her was an act of recklessness, a kind of vandalism, like releasing a zoo full of animals, or blowing up a dam.”
Michael Chabon
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“You would never do anything like that, would you?" my wife asked him. "You would never hurt animals."Our son shook his head, looking offended by the question. He might have been lying, but my knowledge of his belief system, composed of equal parts off-kilter Far Side animal-centrism and a dark Captain Nemoesque contempt for humanity, inclined me to think he was telling the truth. Gigantic fish pulling the limbs from cruel little boys, that might be something you could get him to sign on for.”
Michael Chabon
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“Literature, like magic, has always been about the handling of secrets, about the pain, the destruction, and the marvelous liberation that can result when they are revealed. Telling the truth when the truth matters most is almost always a frightening prospect. If a writer doesn't give away secrets, his own or those of the people he loves; if she doesn't court disapproval, reproach, and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth.”
Michael Chabon
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“It holds my essential stuff, including a book—for true contentment, one must carry a book at all times, and great books so rarely fit, my friends, into one's pocket[…]”
Michael Chabon
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“That's the best thing about writing, when you're in that zone, you're porous, ready to absorb the solution. ”
Michael Chabon
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“Not only would I never want to belong to any club that would have me for a member--if elected I would wear street shoes onto the squash court and set fire to the ballroom curtains.”
Michael Chabon
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“I thought, I fanced, that in a moment, I would be standing on nothing at all, and for the first time in my life, I needed the wings none of us has.”
Michael Chabon
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“The brake and gas were rigged to suit a man of his stature, and he handled them like Horowitz sailing through a storm of Liszt.”
Michael Chabon
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“Shprintzl Rudashevsky’s wide face takes on a philosophical, even mystic, blankness. She looks like she’s wetting her pants and enjoying the warmth.”
Michael Chabon
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“Naomi was a tough kid, so much tougher than Landsman ever needed to be. She was two years younger, close enough for everything Landsman did or said to constitute a mark that must be surpassed or a theory to disprove. She was boyish as a girl and mannish as a woman. When some drunken fool asked if she was a lesbian, she would say, “In everything but sexual preference.”
Michael Chabon
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“He was never unfaithful to Bina. But there is no doubt that what broke the marriage was Landsman’s lack of faith.”
Michael Chabon
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“Jesus Fucking Christ,” she says with that flawless hardpan accent of hers. It is an expression that always strikes Landsman as curious, or at least as something that he would pay money to see.”
Michael Chabon
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“He allowed the world to wind him in the final set of chains, and climbed, once and for all, into the cabinet of mysteries that was the life of an ordinary man.”
Michael Chabon
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“All novels are sequels; influence is bliss.”
Michael Chabon
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“Bina, thank you. Bina, listen, this guy. His name wasn't Lasker. This guy-'She puts a hand to his mouth. She has not touched him in three years. It probably would be too much to say that he feels the darkness lift at the touch of her fingertips against his lips. But it shivers, and light bleeds in among the cracks.”
Michael Chabon
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“. . .I really ought to have recognized it for what it was and, perhaps, to have stopped right there - for it was nostalgia, and what inspires nostalgia has been dead a long time”
Michael Chabon
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“This was the writer's true doppelgänger, I thought; not some invisible imp of the perverse who watched you from the shadows, periodically appearing, dressed in your clothes and carrying your house keys, to set fire to your life; but rather the typical protagonist of your work -- Roderick Usher, Eric Waldensee, Francis Macomber, Dick Diver -- whose narratives at first reflected but in time came to determine your life's very course.”
Michael Chabon
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“When some drunken fool asked if she was a lesbian, she would say, 'In everything but sexual preference.”
Michael Chabon
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“Entertainment has a bad name...The word wears spandex, pasties, a leisure suit studded with blinking lights. ”
Michael Chabon
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“...he stank more than any human joe had ever smelled, as if he had been dipped in some ungodly confection of camembert and rancid gasoline brewed up in a spit-filled cuspidor.”
Michael Chabon
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“A hope fulfilled is already half a disappointment.”
Michael Chabon
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“I smoked and looked down at the bottom of Pittsburgh for a little while, watching the kids playing tiny baseball, the distant figures of dogs snatching at a little passing car, a miniature housewife on her back porch shaking out a snippet of red rug, and I made a sudden, frightened vow never to become that small, and to devote myself to getting bigger and bigger and bigger.”
Michael Chabon
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“It drains the bars and cafes after hours, concentrates the wicked and the guilty along its chipped Formica counter, and thrums with the gossip of criminals, policemen, shtarkers,and schlemiels, whores and night owls ... three or four floaters, solitaries, and drunks between benders lean against the sparkly resin counter, sucking the tea from their shtekelehs and working the calulations of their next big mistake.”
Michael Chabon
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“Poor little librarians of the world, those girls, secretly lovely, their looks marred forever by the cruelty of a pair of big dark eyeglasses!”
Michael Chabon
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“Every generation loses the Messiah it has failed to deserve.”
Michael Chabon
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“Every hour that passes, another hundredweight of sand is poured in through a tiny hole in Landsman's soul. After his eyes are closed, what happens is never quite sleep, and the thoughts that plague him, though atrocious, are never quite dreams.”
Michael Chabon
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“...Landsman doesn't buy that. Bina never stopped wanting to redeem the world. She just let the world she was trying to redeem get smaller and smaller until at one point, it could be bounded in the hat of a hopeless policeman.”
Michael Chabon
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“And in that moment he felt- for the first time that optimistic and cheerful boy allowed himself to feel- how badly made life was, how flawed. No matter how richly furnished you made it, with all the noise and variet of Something, Nothing always found a way in, seeped through the cracks and patches. Mr. Feld was right; life was like baseball, filled with loss and error, with bad hops and wild pitches, a game in which even champions lost almost as often as they won and even the best hitters were put out 70 percent of the time”
Michael Chabon
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“Bina rolls her eyes, hands on her hips, glances at the door. Then she comes over and drops her bag and plops down beside him. How many times, he wonders, can she have enough of him, already, and still have not quite enough?”
Michael Chabon
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“The exaltation of understanding; then understanding's bottomless regret.”
Michael Chabon
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“Landsman recognizes the expression on Dick's face...The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motorcycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.”
Michael Chabon
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“But the boy had a gift. And it was in the nature of a gift that it be endlessly given. ”
Michael Chabon
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“But there was always a shortfall, wasn't there? Between the match that the Holy One, blessed be He, envisioned and the reality of the situation under the chuppah. Between commandment and observance, heaven and earth, husband and wife, Zion and Jew. They called that shortfall 'the world.' Only when Messiah came would the breach be closed, all separations, distinctions, and distances collapsed. Until then, thanks be unto His Name, sparks, bright sparks, might leap across the gap, as between electric poles. And we must be grateful for their momentary light.”
Michael Chabon
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“The truth of some promises is not as important as whether or not you can believe in them, with all your heart.”
Michael Chabon
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“The magician seemed to promise that something torn to bits might be mended without a seam, that what had vanished might reappear, that a scattered handful of doves or dust might be reunited by a word, that a paper rose consumed by fire could be made to bloom from a pile of ash. But everyone knew that it was only an illusion. The true magic of this broken world lay in the ability of things it contained to vanish, to become so thoroughly lost, that they might never have existed in the first place.”
Michael Chabon
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