“There is no perfection but in chance”
“Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.”
“What it must feel like to lie back with cut wrists in a warm bath, a voluptuous dwindling feeling.”
“The wind seems to be blowing through the gaps in the conversation like the rushing of empty space.”
“She starkly sees her inanimate future blocked out before her right through to her own end—without him... ...and worst of all, she knows she will be asked about him and be called upon to talk about him and tell the story again and again...her jaws will work without end with all that talking her jaws will chew up the ravel of all her remaining life, telling the same story until it becomes bare and alien and something blunt to her; more the belonging of other people, and no longer hers. Now she has to live ordinarily...she's going to have to numb herself if she's going to go on—no going on from this point without getting numb.”
“Echoing streets melt into dark autumn rooms—melt to black plastic bags inflated by the wind and spinning on playground blacktop like free-floating punctuation...the horizon is just a line and past it there's only black dark...that rolls toward her as she walks in its direction...smooth-worn wooden chairs at the bakery where ella sits tea on the table in front of her, it's getting dark but the girl behind the counter hasn't turned on a single light yet...Ella animal staring into the street: “Did I ever touch him?”
“The sky all at once is overhead dim and grey, puzzle of blocks sprawl, their own horizon; the city looks like a cemetery full of weak daylight, cool and a little wrong, making Ella feel a little put upon, like leap-year day—nothing in itself, but a nudge jostling every other day.”
“Anyone could say that a miracle is something impossible, but they say it thoughtlessly, mindlessly, because most people have such weak imaginations they couldn’t possibly understand what they’re saying when they say that a miracle is something impossible. Ask anyone what that means, what it means to see a miracle, and they will say that it’s something impossible, but they mean that a miracle is something formerly believed to be impossible that turns out not to be, not to be impossible, in other words, but possible after all. If this were really true, then miracles would be the most ordinary things in the world, the most uninspiring things in the world, and what can one expect from people who have never been anything but ordinary and uninspired.”