Michael Cunningham

“She is overtaken by a sensation of unbeing. There is no other word for it.”

“This love of theirs, with its reassuring domesticity and its easy silences, its permanence, has yoked Sally directly to the machinery of mortality itself. Now there is a loss beyond imagining.”

“I am beginning to understand the true difference between youth and age. Young people have time to make plans and think of new ideas. Older people need their whole energy to keep up with what’s already been set in motion.”

“We’d hoped for love of a different kind, love that knew and forgave our human frailty but did not miniaturize our grander ideas of ourselves.”

“It's stores, it's the whole thing, all that shit everywhere, 'scuse me, that merchandise, all those goods, and ads screaming at you from all over the place, buy buy buy buy buy, and when somebody comes up to me with big hair and gobs of makeup on and says, `Can I help you?`, it's all I can do not to scream, `Bitch, you can't even help yourself.”

“But there are still the hours, aren't there? One and then another, and you get through that one and then, my god, there's another.”

“A stray fact: insects are not drawn to candle flames, they are drawn to the light on the far side of the flame, they go into the flame and sizzle to nothingness because they're so eager to get to the light on the other side.”

“Man," he said, "I'm not afraid of graveyards. The dead are just, you know, people who wanted the same things you and I want.""What do we want?" I asked blurrily."Aw, man, you know," he said. "We just want, well, the same things these people wanted.""What was that?"He shrugged. "To live, I guess," he said.”

“Silly humans. Banging on a tub to make a bear dance when we would move the stars to pity.”

“Maybe it’s not, in the end, the virtues of others that so wrenches our hearts as it is the sense of almost unbearably poignant recognition when we see them at their most base, in their sorrow and gluttony and foolishness. You need the virtues, too—some sort of virtues—but we don’t care about Emma Bovary or Anna Karenina or Raskolnikov because they’re good. We care about them because they’re not admirable, because they’re us, and because great writers have forgiven them for it.”

“we become the stories we tell ourselves”

“He is still, at times, astonished by her. She may be the most intelligent woman in England, he thinks. Her books may be read for centuries.”

“In heaven, Lucas would be beautiful. He’d speak a language everyone understood.”

“I wanted to be a writer, that's all. I wanted to write about it all. Everything that happens in a moment. The way the flowers looked when you carried them in your arms. This towel, how it smells, how it feels, this thread. All our feelings, yours and mine. The history of it, who we once were. Everything in the world. Everything all mixed up, like it's all mixed up now.”

“He says, 'I don't know if I can face this. You know. The party and the ceremony, and then the hour after that, and the hour after that.''You don't have to go to the party. You don't have to go to the ceremony. You don't have to do anything at all.''But there are still the hours, aren't there? One and then another, and then you get through that one and then, my god, there's another. I'm so sick.”

“Take me with you. I want a doomed love. I want streets at night, wind and rain, no one wondering where I am.”

“The art we produce lives in queasy balance with the art we can imagine the art the room expects.”

“What do you do when you're no longer the hero of your own story?”

“My little girl, oh, the daughter I never had. Now tell me, angel, are you fucking anybody new?”

“Zoe loved Trancas's mother. She respected her exhausted and ironic hope for rebirth.”

“The point of sex is... Sex doesn't have a point.”

“...and when somebody comes up to me with big hair and gobs of makeup on and says, 'Can I help you,' it's all I can do not to scream, 'Bitch, you can't even help yourself.”

“Morning, Peter,” she callsfrom the back, in her exaggerated German accent. Mawning, Pedder.She’s been in the States more than fifteen years now, but heraccent has gotten heavier. Uta is a member of what seems to be agrowing body of defiantly unassimilated expatriates. She on onehand disdains her country of origin (Darling, the word “lugubrious”comes to mind) but on the other seems to grow more German (morenot-American) with every passing year....Because Uta is German, utterly German, which of course is probably why she leftthere, and insists that she’ll never go back.”

“...sanity involves a certain measure of impersonation, not simply for the benefit of husband and servants but for the sake, first and foremost, of one's own convictions.”

“Outside the house is a world where the shelves are stocked, where radio waves are full of music, where young men walk the streets again, men who have deprievation and a fear worse than death, who have willingly given up their early twenties and now, thinking of thirty and beyond, haven't any time to spare.”

“What she wants to say has to do not only with joy but with the penetrating, constant fear that is joy's other half.”

“One of the troubles with love is, you can't talk about it without feeling like you keep cueing old songs.”

“There are times when you don't belong and you think you're going to kill yourself. Once I went to a hotel. Later that night I made a plan. The plan was I would leave my family when my second child was born. And that's what I did. I got up one morning, made breakfast, went to the bus stop, got on a bus. I'd left a note. I got a job in a library in Canada. It would be wonderful to say you regretted it. It would be easy. But what does it mean? What does it mean to regret when you have no choice? It's what you can bear. There it is. No-one's going to forgive me. It was death. I chose life." -Laura Brown-”

“I don't think two people could have been happier than we have been.”

“It was either the wind or the spirit of the house itself, briefly unsettled by our nocturnal absence but to old to be surprised by the errands born from the gap between what we can imagine and what we can in fact create.”

“She could have had a life as potent and dangerous as literature itself.”

“I remember one morning getting up at dawn. There was such a sense of possibility. You know, that feeling. And I... I remember thinking to myself: So this is the beginning of happiness, this is where it starts. And of course there will always be more...never occurred to me it wasn't the beginning. It was happiness. It was the moment, right then.”

“I suppose at heart it was the haircut that did it; that exploded the ordinary order of things and showed me the possibilities that had been there all along, hidden among the patterns in the wallpaper. In a different age, we used to take acid for more or less the same reason.”

“I was living my own future and my brother's lost one as well. I represented him here just as he represented me there, in some unguessable other place. His move from life to death might resemble my stepping into the kitchen - into its soft nowhere quality and foggy hum. I breathed the dark air. If I had at that moment a sense of calm kindly death while my heart beat and my lungs expanded, he might know a similar sense of life in the middle of his ongoing death.”

“I'm talking about a little truth-in-packaging here. To be perfectly frank, you don't quite look like yourself. And if you walk around looking like someone other than who you are, you could end up getting the wrong job, the wrong friends, who knows what-all. You could end up with somebody else's life."I shrugged again, and smiled. "This is my life," I said. "It doesn't seem like the wrong one.”

“I’m not this unusual,” she said. “It’s just my hair.”She looked at Bobby and she looked at me, with an expression at once disdainful and imploring. She was forty, pregnant, and in love with two men at once. I think what she could not abide was the zaniness of her life. Like many of us, she had grown up expecting romance to bestow dignity and direction.“Be brave,” I told her. Bobby and I stood before her, confused and homeless and lacking a plan, beset by an aching but chaotic love that refused to focus in the conventional way. Traffic roared behind us. A truck honked its hydraulic horn, a monstrous, oceanic sound. Clare shook her head, not in denial but in exasperation. Because she could think of nothing else to do, she began walking again, more slowly, toward the row of trees.”

“How are you feeling, man?" he asks me."Great," I tell him, and it is purely the truth. Doves clatter up out of a bare tree and turn at the same instant, transforming themselves from steel to silver in the snow-blown light. I know at that moment that the drug is working. Everything before me has become suddenly, radiantly itself. How could Carlton have known this was about to happen? "Oh," I whisper. His hand settles on my shoulder."Stay loose, Frisco," he says. "There's not a thing in this pretty world to be afraid of. I'm here."I am not afraid. I am astonished. I had not realized until this moment how real everything is. A twig lies on the marble at my feet, bearing a cluster of hard brown berries. The broken-off end is raw, white, fleshly. Trees are alive."I'm here," Carlton says again, and he is.”

“I wanted a settled life and a shocking one. Think of Van Gogh, cypress trees and church spires under a sky of writhing snakes. I was my father's daughter. I wanted to be loved by someone like my tough judicious mother and I wanted to run screaming through the headlights with a bottle in my hand. That was the family curse. We tended to nurse flocks of undisciplined wishes that collided and canceled each other out. The curse implied that if we didn't learn to train our desires in one direction or another we were likely to end up with nothing. Look at my father and mother today.I married in my early twenties. When that went to pieces I loved a woman. At both of those times and at other times, too, I believed I had focused my impulses and embarked on a long victory over my own confusion. Now, in my late thirties, I knew less than ever about what I wanted. In place of youth's belief in change I had begun to feel a nervous embarrassment that ticked inside me like a clock. I'd never meant to get this far in such an unfastened condition. (p.142)”

“A sensation rose in him, a high tingling of his blood. There came a wave, a wind that recognized him, that did not love him or hate him. He felt what he knew as the rising of his self, the shifting innerness that yearned and feared, that was more familiar to him than anything could ever be. He knew that an answering substance gathered around him, emanating from the trees and the stars.He stood staring at the constellations. Walt had sent him here, to find this, and he understood. He thought he understood. This was his heaven. It was not Broadway or the horse on wheels. It was grass and silence; it was a field of stars. It was what the book told him, night after night. When he died he would leave his defective body and turn into grass. He would be here like this, forever. There was no reason to fear it, because it was part of him. What he'd thought of as his emptiness, his absence of soul, was only a yearning for this.”

“He wanted to tell her that he was inspired and vigilant and recklessly alone, that his body contained his unsteady heart and something else, something he felt but could not describe: porous and spiky, shifting with flecks of thought, with urge and memory; salted with brightness, flickerings of white and green and pale gold; something that loved stars because it was made of the same substance.”

“She knew she was going to have trouble believing in herself, in the room of her house, and when she glanced over at this new book on her nightstand, stacked atop the one she finished last night, she reached for it automatically, as if reading were the singular and obvious first task of the day, the only viable way to negotiate the transit from sleep to obligation.”

“You want to give him the book of his own life, the book that will locate him, parent him, arm him for the changes.”

“She's had a long life. Now she's going to the Lord." "Frankly it creeps me out a little when you say things like that," Simon said. "It shouldn't. If you don't like 'Lord,' pick another word. She's going home. She's going back to the party. Whatever you like." "I suppose you have some definite ideas about an afterlife." "Sure. We get reabsorbed into the earthly and celestial mechanism." "No heaven?" "That's heaven." "What about realms of glory? What about walking around in golden slippers?" "We abandon consciousness as if we were waking from a bad dream. We throw it off like clothes that never fit us right. It's an ecstatic release we're physically unable to apprehend while we're in our bodies. Orgasm is our best hint, but it's crude and minor by comparison.”

“Her cake is a failure, but she is loved anyway. She is loved, she thinks, in more or less the way the gifts will be appreciated: because they have been given with good intentions , because they exist, because they are part of a world in which one wants what one gets.”

“Mensen zijn dom. Op een trommel slaan om een beer aan het dansen te krijgen, terwijl we de sterren zouden willen ontroeren.”

“There is no one there to see it. The world is doing what it always does, demonstrating itself to itself. The world has no interest in the little figures that come and go, the phantoms that worry and worship, that rake the graveled paths and erect the occasional rock garden, the bronze boy-man, the hammered cup for snow to fall into.”

“What did Shakespeare say? Or little lives are rounded with a sleep.”

“Beauty - the beauty Peter craves - is this, then: a human bundle of accidental grace and doom and hope. Mizzy must have hope, he must, he wouldn't shine like this if he were in true despair, and of course he's young, who in this world despairs more exquisitely than the young, it's something the old tend to forget.”

“The Taylors have this gift for imperturbable presence. They are not nervous talkers. The Harrises, on the other hand, have always been constant talkers, not so much for the sake of entertainment or information but because if a silence caught and held for too long they might have fallen into a bottomless sullen discord, a frozen mutual quietude that could never be broken because there never had been and never would be a shared topic of sufficient reviving urgency (not at least one either of his parents could bear to broach), and so they needed to hydroplane forward together on an ever-replenished slick of remark and opinion...”

“He believes that a real work of art can be owned but should not be subject to capture; that it should radiate such authority, such bizarre but confident beauty (or unbeauty) that it can't be undone by even the most ludicrous sofas or side tables. A real work of art should rule the room, and the clients should call up not to complain about the art but to say that the art has helped them understand how the room is all a horrible mistake, can Peter suggest a designer to help them start over again.”