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Michael Ende

Michael Andreas Helmuth Ende was a German writer of fantasy and children's literature. He was the son of the surrealist painter Edgar Ende.

Ende was one of the most popular and famous German authors of the 20th century, mostly due to the enormous success of his children's books. However, Ende was not strictly a children’s author, as he also wrote books for adults. Ende claimed, "It is for this child in me, and in all of us, that I tell my stories," and that "[my books are] for any child between 80 and 8 years" (qtd. Senick 95, 97). Ende’s writing could be described as a surreal mixture of reality and fantasy. The reader is often invited to take a more interactive role in the story, and the worlds in his books often mirror our reality, using fantasy to bring light to the problems of an increasingly technological modern society.

Ende was also known as a proponent of economic reform, and claimed to have had the concept of aging money in mind when writing Momo. He was interested in and influenced by anthroposophy.

Die unendliche Geschichte (The Neverending Story) is Ende's best known work. Other books include Momo and Jim Knopf und Lukas der Lokomotivführer (Jim Button and Luke the Engine Driver). Michael Ende's works have been translated into more than 40 languages and sold more than 20 million copies, and have been adapted into motion pictures, stage plays, operas and audio books.

He died in Stuttgart of stomach cancer.

AKA:

Μίχαελ Έντε (Greek)


“Human passions have mysterious ways, in children as well as grown-ups. Those affected by them can’t explain them, and those who haven’t known them have no understanding of them at all.”
Michael Ende
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“Questo, ecco, proprio questo era ciò che lui aveva sognato tanto spesso e che sempre aveva desiderato da quando era caduto in preda alla sua passione: una storia che non dovesse mai avere fine. Il libro di tutti i libri.”
Michael Ende
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“If you have never spent whole afternoons with burning ears and rumpled hair, forgetting the world around you over a book, forgetting cold and hunger--If you have never read secretly under the bedclothes with a flashlight, because your father or mother or some other well-meaning person has switched off the lamp on the plausible ground that it was time to sleep because you had to get up so early--If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless--If such things have not been part of your own experience, you probably won't understand what Bastian did next.”
Michael Ende
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“They look like good, strong hands.”
Michael Ende
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“Those who still think that listening isn’t an art should see if they can do it half as well.”
Michael Ende
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“When it comes to controlling human beings there is no better instrument than lies. Because, you see, humans live by beliefs. And beliefs can be manipulated. The power to manipulate beliefs is the only thing that counts.”
Michael Ende
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“Reluctantly Bastian's thoughts turned back to reality. He was glad the Neverending Story had nothing to do with that.He didn't like books in which dull, cranky writers describe humdrum events in the very humdrum lives of humdrum people. Reality gave him enough of that kind of thing, why should he read about it? Besides, he couldn't stand it when a writer tried to convince him of something. And these humdrum books, it seemed to him, were always trying to do just that.Bastian liked books that were exciting or funny, or that made him dream. Books where made-up characters had marvelous adventures, books that made him imagine all sorts of things.Because one thing he was good at, possibly the only thing, was imagining things so clearly that he almost saw and heard them.”
Michael Ende
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“Only the right name gives beings and things their reality. A wrong name makes everything unreal. That's what lies do.”
Michael Ende
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“It's asking us our names," Falkor reported."I'm Atreyu!" Atreyu cried."I'm Falkor!" cried Falkor.The boy without a name was silent.Atreyu looked at him, then took him by the hand and cried: "He's Bastian Balthazar Bux!""It asks," Falkor translated, "why he doesn't speak for himself.""He can't," said Atreyu. "He has forgotten everything."Falkor listened again to the roaring of the fountain."Without memory, it says, he cannot come in. The snakes won't let him through."Atreyu replied: "I have stored up everything he told us about himself and his world. I vouch for him."Falkor listened."It wants to know by what right?""I am his friend," said Atreyu.”
Michael Ende
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“Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time.Calendars and clocks exist to measure time, but that signifies little because we all know that an hour can seem as eternity or pass in a flash, according to how we spend it.Time is life itself, and life resides in the human heart. ”
Michael Ende
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“The Nothing is spreading," groaned the first. "It's growing and growing, there's more of it every day, if it's possible to speak of more nothing. All the others fled from Howling Forest in time, but we didn't want to leave our home. The Nothing caught us in our sleep and this is what it did to us.""Is it very painful?" Atreyu asked. "No," said the second bark troll, the one with the hole in his chest. "You don't feel a thing. There's just something missing. And once it gets hold of you, something more is missing every day. Soon there won't be anything left of us.”
Michael Ende
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“Wer niemals ganze Nachmittage lang mit glühenden Ohren und verstrubbeltem Haar über einem Buch saß und las und las und die Welt um sich her vergaß, nicht mehr merkte, daß er hungrig wurde oder fror -Wer niemals heimlich beim Schein einer Taschenlampe unter der Bettdecke gelesen hat, weil Vater oder Mutter oder sonst irgendeine besorgte Person einem das Licht ausknipste mit der gutgemeinten Begründung, man müsse jetzt schlafen, da man doch morgen so früh aus den Federn sollte -Wer niemals offen oder im geheimen bitterliche Tränen vergossen hat, weil eine wunderbare Geschichte zu Ende ging und man Abschied nehmen mußte von den Gestalten, mit denen man gemeinsam so viele Abenteuer erlebt hatte, die man liebte und bewunderte, um die man gebangt und für die man gehofft hatte, und ohne deren Gesellschaft einem das Leben leer und sinnlos schien -Wer nichts von alledem aus eigener Erfahrung kennt, nun, der wird wahrscheinlich nicht begreifen können, was Bastian jetzt tat.”
Michael Ende
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“Bastian looked at the book.'I wonder,' he said to himself, 'what's in a book while it's closed. Oh, I know it's full of letters printed on paper, but all the same, something must be happening, because as soon as I open it, there's a whole story with people I don't know yet and all kinds of adventures, deeds and battles. And sometimes there are storms at sea, or it takes you to strange cities and countries. All those things are somehow shut in a book. Of course you have to read it to find out. But it's already there, that's the funny thing. I just wish I knew how it could be.'Suddenly an almost festive mood came over him.He settled himself down, picked up the book, opened it to the first page, and began to read...”
Michael Ende
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“There are many kinds of joy, but they all lead to one: the joy to be loved.”
Michael Ende
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“As they advanced (towards the fountain) one after another of Bastian's Fastastican gifts fell away from him. The strong, handsome, fearless hero became the small, fat, timid boy.(...) But then he jumped into the crystal-clear water... He drank till his thrist was quenched. And joy filled him from head to foot, the joy of living and the joy of being himself. He was new born. And the best part of it was that he was now the very person he wanted to be. If he had been free to choose, he would have chosen to be no one else.”
Michael Ende
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“For a while Bastian stood motionless. He was so stunned by what he had just heard that he couldn't decide what to do... What he had hoped was his ruin and what he had feared his salvation.”
Michael Ende
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“He wanted to be loved for being just what he was. In this community of Yskalnari there was harmony, but no love.He no longer wanted to be the greatest, strongest or cleverest. He had left all that far behind. He longed to be loved just as he was, good or bad, handsome or ugly, clever or stupid, with all his faults - or possibly because of them.But what was he actually? He no longer knew. So much have been given to him in Fantastica, and now, among all these gifts and powers, he could no longer find himself.”
Michael Ende
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“One may enter the literary parlor via just about any door, be it the prison door, the madhouse door, or the brothel door. There is but one door one may not enter it through, which is the child room door. The critics will never forgive you such. The great Rudyard Kipling is one of a number of people to have suffered from this. I keep wondering to myself what this peculiar contempt towards anything related to childhood is all about.”
Michael Ende
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“What will happen when my heart stops beating?" Momo asked.When that moment comes," said the professor, "time will stop for you as well. Or rather, you will retrace your steps through time, through all the days and nights, myths and years of your life, until you go out through the great, round, silver gate you entered by."What will I find on the other side?"The home of the music you've sometimes faintly heard in the distance, but by then you'll be part of it. You yourself will be a note in its mighty harmonies.”
Michael Ende
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“Time is life itself, and life resides in the human heart.”
Michael Ende
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“You see, Momo... it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept... And then you hurry. You work faster and faster, and every time you look up there seems to be just as much to sweep as before, and you try even harder…, and you panic, and in the end you're out of breath and have to stop-and still the street stretches away in from of you.”
Michael Ende
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“When a person is only half an ass like me, and not a complete one, she senses certain things.”
Michael Ende
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“I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica."Dame Eyola gave him a long look. No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there."After a short silence she added: "But every way that leads there is the right one.”
Michael Ende
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“You wish for something, you've wanted it for years, and you're sure you want it, as long as you know you can't have it. But if all at once it looks as though your wish might come true, you suddenly find yourself wishing you had never wished for any such thing.”
Michael Ende
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“Mi existencia es incomprensible y ridícula”
Michael Ende
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“Porque el tiempo es vida, y la vida nace en el corazón.”
Michael Ende
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“Nothing can happen more than once, but everything must happen one day; Over hill and dale, wood and stream, my dying voice will blow away. . .”
Michael Ende
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“If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless.If such things have not been part of your own experience, you probably won't understand what Bastian did next.”
Michael Ende
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“People never seemed to notice that, by saving time, they were losing something else. No one cared to admit that life was becoming ever poorer, bleaker and more monotonous. The ones who felt this most keenly were the children, because no one had time for them any more. But time is life itself, and life resides in the human heart. And the more people saved, the less they had.”
Michael Ende
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“...it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept. And then you start to hurry. You work faster and faster and every time you look up there seems to be just as much left to sweep as before, and you try even harder, and you panic, and in the end you're out of breath and have to stop--and still the street stretches away in front of you. That's not the way to do it.You must never think of the whole street at once, understand? You must only concentrate on the next step, the next breath, the next stroke of the broom, and the next, and the next. Nothing else.That way you enjoy your work, which is important, because then you make a good job of it. And that's how it ought to be.And all at once, before you know it, you find you've swept the whole street clean, bit by bit. what's more, you aren't out of breath. That's important, too...”
Michael Ende
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“Man kann davon überzeugt sein, sich etwas zu wünschen - vielleicht jahrelang - solang man weiß, dass der Wunsch unerfüllbar ist. Steht man aber plötzlich vor der Möglichkeit, dass der Wunschtraum Wirklichkeit wird, dann wünscht man sich nur noch eins: Man hätte es sich nie gewünscht.”
Michael Ende
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“Once someone dreams a dream, it can't just drop out of existence. But if the dreamer can't remember it, what becomes of it? It lives on in Fantastica, deep under earth. There are forgotten dreams stored in many layers. The deeper one digs, the closer they are. All Fantastica rests on a foundation of forgotten dreams.”
Michael Ende
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“And there in the snow lay the pictures, like jewels bedded in white silk. They were paper-thin sheets of colored transparent isin glass of every size and shape, some round, some square, some damaged, some intact, some as large as church windows, others as small as snuffbox miniatures.”
Michael Ende
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“There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.”
Michael Ende
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“Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.”
Michael Ende
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“Soon some of the plants were as big as fruit trees. There were fans of long emerald-green leaves, flowers resembling peacock tails with rainbow-colored eyes, pagodas consisting of sumperimposed unbrellas of violet silk. Thick stems were interwoven like braids. Since they were transparent, they looked like pink glass lit up from within. Some of the blooms looked like clusters of blue and yellow Japanese lanterns. And little by little, as the luminous night growths grew denser, they intertwined to form a tissue of soft light.”
Michael Ende
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“...little creatures they were who seemed to have been blown from glass.”
Michael Ende
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“Its whole expanse was covered with tall, juicy grass, and when the wind blew, great waves passed over it with a sound like troubled water. (The Grassy Ocean)”
Michael Ende
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“Just as the setting sun turned the clouds to liquid gold.”
Michael Ende
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