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Michael Francis Moore

Michael Moore is an American filmmaker, author and liberal political commentator. He is the director and producer of Bowling for Columbine, Fahrenheit 9/11, Sicko, and Capitalism: A Love Story, four of the top nine highest-grossing documentaries of all time.[3] In September 2008, he released his first free movie on the Internet, Slacker Uprising, documenting his personal crusade to encourage more Americans to vote in presidential elections.[4] He has also written and starred in the TV shows TV Nation and The Awful Truth.

Moore is a self-described liberal who has criticized globalization, large corporations, assault weapon ownership, the Iraq War, U.S. President George W. Bush and the American health care system in his written and cinematic works.

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“It is the responsiblity of every human to know their actions and the consequences of their actions and to ask questions and to question things when they are wrong.”
Michael Francis Moore
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“Those who had the remaining jobs would have to buy the cheapest stuff possible with their drastically reduced wages, and in order for the manufacturers to keep that stuff cheap, it would have to be made by fifteen-year-olds in China.”
Michael Francis Moore
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“One thing I learned as a journalist is that there is at least one disgruntled person in every workplace in America -- and at least double that number with a conscience. Hard as they try, they simply can't turn their heads away from an injustice when they see one taking place.”
Michael Francis Moore
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“The working people of the Flint area hated this rag, but it was our only daily so you read it. Everyone called it the "Flint Urinal." Editorially, the paper had historically been on the wrong side of every major social and political issue of the twentieth century -- "the wrong side" meaning: whatever side the union workers were on, the Urinal took the opposite position.”
Michael Francis Moore
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“I realized that this was the big secret of democracy -- that change can occur by starting off with just a few people doing something.”
Michael Francis Moore
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“It was the American middle class. No one's house cost more than two or three year's salary, and I doubt the spread in annual wages (except for the osteopath) exceeded more than five thousand dollars. And other than the doctor (who made house calls), the store managers, the minister, the salesman, and the banker, everyone belonged to a union. That meant they worked a forty-hour week, had the entire weekend off (plus two to four weeks' paid vacation in the summer), comprehensive medical benefits, and job security. In return for all that, the country became the most productive in the world and in our little neighborhood it meant your furnace was always working, your kids could be dropped off at the neighbors without notice, you could run next door anytime to borrow a half-dozen eggs, and the doors to all the homes were never locked -- because who would need to steal anything if they already had all that they needed?”
Michael Francis Moore
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“They convinced our mothers that if a food item came in a bottle -- or a can or a box or a cellophane bag -- then it was somehow better for you than when it came to you free of charge via Mother Nature....An entire generation of us were introduced in our very first week to the concept that phony was better than real, that something manufactured was better than something that was right there in the room. (Later in life, this explained the popularity of the fast food breakfast burrito, neocons, Kardashians, and why we think reading this book on a tiny screen with only three minutes of battery life left is enjoyable.”
Michael Francis Moore
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