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Michael Ondaatje

He was born to a Burgher family of Dutch-Tamil-Sinhalese-Portuguese origin. He moved to England with his mother in 1954. After relocating to Canada in 1962, Ondaatje became a Canadian citizen. Ondaatje studied for a time at Bishops College School and Bishop's University in Lennoxville, Quebec, but moved to Toronto and received his BA from the University of Toronto and his MA from Queen's University in Kingston, Ontario and began teaching at the University of Western Ontario in London, Ontario. In 1970 he settled in Toronto. From 1971 to 1988 he taught English Literature at York University and Glendon College in Toronto.

He and his wife, novelist and academic Linda Spalding, co-edit Brick, A Literary Journal, with Michael Redhill, Michael Helm, and Esta Spalding.

Although he is best known as a novelist, Ondaatje's work also encompasses memoir, poetry, and film.

Ondaatje has, since the 1960s, also been involved with Toronto's influential Coach House Books, supporting the independent small press by working as a poetry editor.

In 1988 Michael Ondaatje was made an Officer of the Order of Canada (OC) and two years later became a Foreign Honorary Member of the American Academy of Arts and Letters.

He has two children and is the brother of philanthropist, businessman, and author Christopher Ondaatje.

In 1992 he received the Man Booker Prize for his winning novel adapted into an Academy-Award-winning film, The English Patient.


“A well-told lie is worth a thousand facts”
Michael Ondaatje
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“Do you understand the sadness of geography?”
Michael Ondaatje
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“In spite of this, our table's status on the Oronsay continued to be minimal, while those at the Captain's Table were constantly toasting to one another's significance. That was a small lesson I learned on the journey. What is interesting and important happens mostly in secret, in places where there is no power. Nothing much of lasting value ever happens at the head table, held together by familiar rhetoric. Those who already have power continue to glide along in the familiar rut they have made for themselves.”
Michael Ondaatje
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“...if you do not plunder the past, the absence feeds on you”
Michael Ondaatje
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“The important thing is to be able to live in a place or a situation where you must use your sixth sense all the time.”
Michael Ondaatje
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“Jung was absolutely right about one thing. We are occupied by gods. The mistake is to identify with the god occupying you.”
Michael Ondaatje
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“There was a time when I could have slept with his friend Briffa, for instance. Around him the air was always fraught with possibilities.”
Michael Ondaatje
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“The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human.”
Michael Ondaatje
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“There is so much to know and we can only guess. Guess around him. To know him from these stray actions I am told about by those who loved him. And yet, he is still one of those books we long to read whose pages remain uncut. We are still unwise. It is not that he became too complicated but that he had reduced himself to a few things around him and he gave them immense meaning and significance.”
Michael Ondaatje
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“She loves most the wet colours of his neck when he bathes. And his chest with with its sweat which her fingers grip when he is over her, and the dark, tough arms in the darkness of his tent, or one time in her room when light from the valley's city, finally free of curfew, rose among them like twilight and lit the colour of his body.”
Michael Ondaatje
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“Some people you just had to embrace, in some way or another, had to bite into the muscle, to remain sane in their company. You needed to grab their hand and clutch it like a downer so they would pull you into their midst. Otherwise they, walking casually down the street towards you, almost about to wave, would leap over a wall and be gone for months.”
Michael Ondaatje
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“-I think you are inhuman. If I leave you, who will you go to? Would you find another lover?I said nothing.-Deny it,damn you!”
Michael Ondaatje
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“Everything that ever happened to me that was important happened in the desert.”
Michael Ondaatje
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“Because we want to know things, how the pieces fit. Talkers seduce, words direct us into corners. We want more than anything to grow and change. Brave new world.”
Michael Ondaatje
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“I went mad before he did, you killed everything in me. Kiss me,will you. Stop defending yourself.”
Michael Ondaatje
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“Over the years, confusing fragments, lost corners of stories, have a clearer meaning when seen in a new light, a different place.”
Michael Ondaatje
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“So we came to understand that small and important thing, that our lives could be large with interesting strangers who would pass us without any personal involvement.”
Michael Ondaatje
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“We are expanded by tears, we are told, not reduced by them.”
Michael Ondaatje
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“But what did we really know, even of one another? We never thought of a future. Our small solar system - what was it heading towards? And how long would each of us mean something to the others?”
Michael Ondaatje
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“There is a story, always ahead of you. Barely existing. Only gradually do you attach yourself to it and feed it. You discover the carapace that will contain and test your character. You will find in this way the path of your life.”
Michael Ondaatje
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“And it would be a spare life he would be certain to lead as a schoolteacher in some urban location. But he had a serenity that came with the choice of the life he wanted to live. And this serenity and certainty I have seen only among those who have the armour of books close by.”
Michael Ondaatje
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“I am someone who has a cold heart. If I am beside a great grief I throw barriers up so the loss cannot go too deep or too far. There is a wall instantly in place, and it will not fall.”
Michael Ondaatje
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“I thought I was being loved because I was being altered.”
Michael Ondaatje
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“Love is so small it can tear itself through the eye of a needle”
Michael Ondaatje
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“And all the names of the tribes, the nomads of faith who walked in the monotone of the desert and saw brightness and faith and colour. The way a stone or found metal box or bone can become loved and turn eternal in a prayer. Such glory of this country she enters now and becomes a part of. We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves. I wish for all of this to be marked on my body when I am dead. I believe in such cartography—to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience. All I desired was to walk upon such an earth that had no maps.”
Michael Ondaatje
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“If he closes his eyes he sees the streets of Asia full of fire. It rolls across cities like a burst map, the hurricane of heat withering bodies as it meets them, the shadow of humans suddenly in the air. This tremor of Western wisdom.”
Michael Ondaatje
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“The jackal with one eye that looks back and one that regards the path you consider taking. In his jaws are pieces of the past he delivers to you, and when all of that time is fully discovered it will prove to have been already known.”
Michael Ondaatje
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“After that month in Cairo she was muted, read constantly, kept more to herself, as if something had occurred or she realized suddenly that wondrous thing about the human being, it can change. She did not have to remain a socialite who had married an adventurer. She was discovering herself. It was painful to watch, because Clifton could not see it, her self-education.”
Michael Ondaatje
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“Caravaggio was constantly diverted by the human element during burglaries. Breaking into a house during Christmas, he would become annoyed if the Advent calendar had not been opened up to the date to which it should have been.”
Michael Ondaatje
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“So many nurses had turned into emotionally disturbed handmaidens of the war, in their yellow-and-crimson uniforms with bone buttons.”
Michael Ondaatje
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“All his life he has avoided permanent intimacy. Till this war he has been a better lover than husband. He has been a man who slips away, in the way lovers leave chaos, the way thieves leave reduced houses.”
Michael Ondaatje
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“...some people you just had to embrace, in some way or another, had to bite into the muscle, to remain sane in their company. You needed to grab their hair and clutch it like a drowner so they would pull you into their midst.”
Michael Ondaatje
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“I was fourteen then. He was eighteen. Everything is biographical, Lucien Freud says. What we make, why it is made, how we draw a dog, who it is we are drawn to, why we cannot forget. Everything is collage, even genetics. There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border that we cross.”
Michael Ondaatje
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“But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character --- the way a person took on and recognized in himself the smile of a lover. Individuals are seen only in the context of these swirling social tides.”
Michael Ondaatje
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“Half a page --- and the morning is already ancient.”
Michael Ondaatje
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“A woman should never learn to sew, and is she can she shouldn't admit to it”
Michael Ondaatje
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“How can you smile as though your whole life hasn't capsized”
Michael Ondaatje
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“I am not in love with him, I am in love with ghosts. So is he, he's in love with ghosts.”
Michael Ondaatje
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“Seas move away, why not lovers? The harbours of Ephesus, the rivers of Heraclitus disappear and are replaced by estuaries of silt. The wife of Candaules becomes the wife of Gyges. Libraries burn.”
Michael Ondaatje
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“I have been seeing dragons again.Last night, hunched on a beaver dam,one held a body like a badly held cocktail;his tail, keeping the beat of a waltz,sent a morse of ripples to my canoe.They are not richly brightbut muted like dawnsor the vague sheen on a fly's wing.Their old flesh drags in foldsas they drop into grey pools,strain behind a tree.Finally the others saw one today, trapped,tangled in our badminton net.The minute eyes shuddered deep in the creased facewhile his throat, strangely fierce, stretchedto release an extinct burning inside:pathetic loud whispers as four of usand the excited spaniel surrounded him.”
Michael Ondaatje
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“He never used words or reason. He just moved dangerously among us.”
Michael Ondaatje
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“In the morning she found pieces of a birdchopped and scattered by the fanblood sprayed onto the mosquito net,its body leaving paths on the wallslike red snails that drifted down in lumps.She could imagine the featherswhile she had sleptfalling around herlike slow rain.”
Michael Ondaatje
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“He came to this country like a torch on fire and he swallowed air as he walked forward and he gave out light”
Michael Ondaatje
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“...how many of us have a moved heart that shies away to a different angle, a millimetre or even less from the place where it first existed, some repositioning unknown to us.”
Michael Ondaatje
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“A minimál látótér gyönyörűsége”
Michael Ondaatje
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“To rest was to receive all aspects of the world without judgment. A bath in the sea, a fuck with a soldier who never knew your name. Tenderness toward the unknown and anonymous, which was tenderness to the self.”
Michael Ondaatje
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“There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border that we cross.”
Michael Ondaatje
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“when someone speaks he looks at a mouth, not eyes and their colors, which, it seems to him, will always alter depending on the light of a room, the minute of the day. Mouths reveal insecurity or smugness or any other point on the spectrum of character. For him they are the most intricate aspect of faces. He's never sure what an eye reveals. but he can read how mouths darken into callousness, suggest tenderness. One can often misjudge an eye from its reaction to a simple beam of sunlight.”
Michael Ondaatje
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“How does this happen? To fall in love and be disassembled.”
Michael Ondaatje
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“He was a man who wrote, who interpreted the world. Wisdom grew out of being handed just the smallest sliver of emotion. A glance could lead to paragraphs of theory.”
Michael Ondaatje
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