Michel Faber

“Falling in love: how does it work? Over the years we gather the odd clue, but nothing adds up. We’d like to think we have a picture of our future partner projected in our mind, all their qualities recorded as if on film, and we just search the planet for that person until we find them, sitting in Casablanca waiting to be recognised. But in reality our love lives are blown around by career and coincidence, not to mention lack of nerve on given occasions, and we never have respectable reasons for anything until we have to make them up afterwards for the benefit of our curious friends.”

“Yes, seven years old she was, when she finally plucked up the courage to ask her mother what Christmas was all about, and Mrs Castaway replied (once only, after which the subject was forever forbidden): ‘It’s the day Jesus Christ died for our sins. Evidently unsuccessfully, since we’re still paying for them.”

“Sugar leans her chin against the knuckles of the hand that holds the pen. Glistening on the page between her silk-shrouded elbows lies an unfinished sentence. The heroine of her novel has just slashed the throat of a man. The problem is how, precisely, the blood will flow. Flow is too gentle a word; spill implies carelessness; spurt is out of the question because she has used the word already, in another context, a few lines earlier. Pour out implies that the man has some control over the matter, which he most emphatically doesn’t; leak is too feeble for the savagery of the injury she has inflicted upon him. Sugar closes her eyes and watches, in the lurid theatre of her mind, the blood issue from the slit neck. When Mrs Castaway’s warning bell sounds, she jerks in surprise.Hastily, she scrutinises her bedroom. Everything is neat and tidy. All her papers are hidden away, except for this single sheet on her writing-desk.Spew, she writes, having finally been given, by tardy Providence, the needful word.”

“Sunlight is bad,' he wheezes. 'It's the exact same stuff as breeds maggots in wounded soldiers' legs. And when there's no war on, it fades wallpaper.”

“Reassurance is such a sad, mad thing. Deep inside, everyone knows the truth.”

“She sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board.”

“Isn't Heaven reward enough, without needing to see the damned punished?”

“History indulges strange whims in the way it dresses its women.”

“Why are there such long words in the world, Miss?’ enquires Sophie, when the mineralogy lesson is over.‘One long difficult word is the same as a whole sentence full of short easy ones, Sophie,’ says Sugar. ‘It saves time and paper.’ Seeing that the child is unconvinced, she adds, ‘If books were written in such a way that every person, no matter how young, could understand everything in them, they would be enormously long books. Would you wish to read a book that was a thousand pages long, Sophie?’Sophie answers without hesitation.‘I would read a thousand million pages, Miss, if all the words were words I could understand.”

“...to her, all familiar responses smell of entrapment. Sharing an old joke, singing an old song - these are admissions of defeat, of being satisfied with one's lot. In the sky, the Fates are watching, and when they hear such things, they murmur amongst themselves: Ah yes, that one is quite content as she is; changing her lot would only confuse her.”

“We're moving towards such a strange time.A time when all our moral choices will be complicated and compromised by our love of progress”

“He ought to have conceded that she was a flower not destined to open, a hothouse creation, no less beautiful, no less woth having, He should have admired her, praised her and, at the close of day, let her be.”

“A single day spent doing things which fail to nourish the soul is a day stolen, mutilated, and discarded in the gutter of destiny.”

“Nowadays, her life is more like a newspaper: aimless, up-to-date and full of meaningless events”

“Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.”

“But miracles are not for the asking; they come only when the stern eyes of God droop shut for a moment, and Our Lady takes advantage of His inattention to grant an illicit mercy. God...is an Anglican, whereas Our Lady is of the True Faith; the two of Them have an uneasy relationship, unable to agree on anything, except that if They divorce, the Devil will leap gleefully into the breach.”

“Participating in Society in not a thing one can do naturally; one has to rehearse for it.”

“All along the street, keys rattle in key-holes as each shop's ornate metal clothing is stripped away...It's as if, having unlocked the chastity of shutters and doors, they can't see the point in maintaining any shred of modesty.”

“Few know what year it is, or even that eighteen and a half centuries are supposed to have passed since a Jewish troublemaker was hauled away to the gallows for disturbing the peace”

“I am a fallen woman, but I assure you: I did not fall. I was pushed.”