Michelle Richmond
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I grew up in Alabama and have lived in California for 20 years, with a two-year stint in Paris. My 2017 literary thriller, the Sunday Times bestseller THE MARRIAGE PACT, examines marriage under the extreme pressure of constant monitoring from a powerful organization called The Pact. The Pact promises to help couples have a happy, lasting marriage...but the punishments for breaking the rules are severe. THE MARRIAGE PACT is available in 31 languages.
My latest novel, THE WONDER TEST, a suburban suspense novel set in Silicon Valley (Grove Atlantic in, 2021) was an Amazon Best Book of July. In a starred review, Booklist called THE WONDER TEST "a gripping blend of danger and sharp social commentary on high-stakes education, the 1%, and suburban tropes." The first in a series, THE WONDER TEST introduces a tough and spirited new protagonist, FBI agent Lina Connerly, and her teenaged son Rory.
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You can also read my true stories of living in Paris, traveling, and writing at wanderingwriter.substack.com
My previous books include the New York Times bestseller THE YEAR of FOG, GOLDEN STATE, HUM: STORIES, NO ONE YOU KNOW, DREAM OF THE BLUE ROOM, and THE GIRL IN THE FALL-AWAY DRESS (stories).
I like to write about ordinary people in crisis: a kidnapping (The Year of Fog), a hostage situation (Golden State), a decades-old murder that became a true crime sensation (No One You Know). My novels are often set in San Francisco and the Bay Area, where I've made my home, but my books also take inspiration from many of the places I've lived and traveled. My story collection HUM (2014) features Americans caught up in espionage, surveillance, and all manner of marital crimes.
If you love discovering new books, or if you've enjoyed any of my books, I'd love to send you my author newsletter! It includes notes on what I'm reading, and dispatches from the writing life. You can sign up for the newsletter at http://michellerichmond.com.
Back story: I knew I wanted to be a writer for almost as long as I can remember, way back when I was a kid growing up in Alabama. I used to write skits to perform for my parents with my two sisters. After graduating from a huge public school in downtown Mobile, I studied journalism and creative writing at the University of Alabama, then worked in advertising, as well as in restaurants and a tanning salon (!) for a few years before enrolling in an MFA program in creative writing. I bounced around the South for a while and lived in New York City for a couple of years, with a brief work stint in Beijing, before settling in Northern California in 1999. I've been writing here in the fog ever since.
My first book, The Girl in the Fall-Away Dress was a short story collection that I wrote during my years waitressing and doing other odd jobs in Knoxville and Atlanta. My first novel, Dream of the Blue Room, was inspired by my time in Beijing. My second novel, The Year of Fog, gathered many rejections before being acquired by a young editor at Bantam. The Year of Fog was a life-changing book in that in allowed me to connect with readers in ways I'd never quite imagined, and it gave me the freedom to pursue writing full time. Writing is my dream job. It's a job I do alone in a quiet room, but because it allows me to connect with readers, it never feels lonely.
“Tragedy, in its full and life-altering form, happened to other people.”
“Some people have a gift for making you feel okay, just by the fact of their presence.”
“As the years progress and we experience more and more, the mini-narratives that make up our lives are distorted, corrupted, so that every one of us is left with a false history, a self-created fiction about the live we have led. pg 163”
“I have a hunch that our obsession with photography arises from an unspoken pessimism; it is our nature to believe the good things will not last. . . But photos provide a false sense of security> like our flawed memory, they are guaranteed to fade. . . . We take photographs in order to remember, but it is in the nature of a photograph to forget (pg 157)”
“A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.”
“We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.”
“To be a writer you have to write -- and no academic degree is going to do the writing for you. ”
“It's rather disconcerting to sit around a table in a critique of someone else's work, only to realize that the antagonist in the story is none other than yourself, and no one present thinks you're a very likable character.”
“...You find a way, somehow to get through the most horrible things, things you think would kill you. You find a way and you move through the days, one by one, in shock, in despair, but you move. The days pass, one after the other, and you go along with them - occasionally stunned, and not entirely relieved, to find that you are still alive.”