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Mikhail Lermontov

Mikhail Yuryevich Lermontov (Михаил Юрьевич Лермонтов), a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", was the most important Russian poet after Alexander Pushkin's death. His influence on later Russian literature is still felt in modern times, not only through his poetry, but also by his prose.

Lermontov died in a duel like his great predecessor poet, Aleksander Pushkin.

Even more so tragically strange (if not to say fatalistic) that both poets described in their major works fatal duel outcomes, in which the main characters (Onegin and Pechorin) were coming out victorious.


“I love enemies, though not in the Christian way. They amuse me, excite my blood. Being always on one’s guard, catching every glance, the significance of every word, guessing at intentions, frustrating their plots, pretending to be tricked, and suddenly, with a shove, upturning the whole enormous and arduously built edifice of their cunning and schemes—that’s what I call life.”
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“My heart was tightening painfully, as it had after our first parting. Oh, how I was glad of this feeling! Could it be that youth wishes to return to me with its wholesome storms, or is this only its departing glance, its last gift, as a keepsake . . . ?”
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“Tell me,” she finally whispered, “is it fun for you to torture me? . . . I should really hate you. Ever since we have known each other, you have given me nothing but suffering . . .” Her voice trembled, she leaned toward me, and lowered her head onto my breast.“Perhaps,” I thought, “this is exactly why you loved me: joys are forgotten, but sadness, never . . .”
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“It was clear that he was in love, because he became even more gullible than before. ”
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“Women only love those that they don’t know.”
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“Oh vanity! You are the lever with which Archimedes wanted to raise the earthly globe!”
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“I have an unfortunate character; whether it is my upbringing that made me like that or God who created me so, I do not know. I know only that if I cause unhappiness to others, I myself am no less happy. I realize this is poor consolation for them - but the fact remains that it is so. In my early youth, after leaving the guardianship of my parents, I plunged into all the pleasures money could buy, and naturally these pleasures grew distasteful to me. Then I went into high society, but soon enough grew tired of it; I fell in love with beautiful society women and was loved by them, but their love only aggravated my imagination and vanity while my heart remained desolate... I began to read and to study, but wearied of learning, too; I saw that neither fame nor happiness depended on it in the slightest, for the happiest people were the ignorant, and fame was a matter of luck, to achieve which you only had to be shrewd...”
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“Mon cher, je haïs les hommes pour ne pas les mépriser car autrement la vie serait une farce trop dégoûtante.”
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“Afraid of decision, I buried my finer feelings in the depths of my heart and they died there.”
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“What of it? If I die, I die. It will be no great loss to the world, and I am thoroughly bored with life. I am like a man yawning at a ball; the only reason he does not go home to bed is that his carriage has not arrived yet.”
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“I was modest--they accused me of being crafty: I became secretive. I felt deeply good and evil--nobody caressed me, everybody offended me: I became rancorous. I was gloomy--other children were merry and talkative. I felt myself superior to them--but was considered inferior: I became envious. I was ready to love the whole world--none understood me: and I learned to hate.”
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“There are two men in me--one lives in the full sense of the word, the other reasons and passes judgment on the first. The first will perhaps take leave of you and the world forever in an hour now; and the second . . . the second?”
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“Can it be, thought I, that my sole mission on earth is to destroy the hopes of others? Ever since I began to live and act, fate has somehow associated me with the last act of other people's tragedies, as if without me no one could either die or give way to despair! I have been the inevitable character who comes in at the final act, involuntarily playing the detestable role of the hangman or the traitor. What has been fate's object in all this? Has it destined me to be the author of middle-class tragedies and family romances--or a purveyor of tales for, say, the Reader's Library? Who knows? Are there not many who begin life by aspiring to end it like Alexander the Great, or Lord Byron, and yet remain petty civil servants all their lives?”
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“Yes, such has been my lot since childhood. Everyone read signs of non-existent evil traits in my features. But since they were expected to be there, they did make their appearance. Because I was reserved, they said I was sly, so I grew reticent. I was keenly aware of good and evil, but instead of being indulged I was insulted and so I became spiteful. I was sulky while other children were merry and talkative, but though I felt superior to them I was considered inferior. So I grew envious. I was ready to love the whole world, but no one understood me, and I learned to hate. My cheerless youth passed in conflict with myself and society, and fearing ridicule I buried my finest feelings deep in my heart, and there they died. I spoke the truth, but nobody believed me, so I began to practice duplicity. Having come to know society and its mainsprings, I became versed in the art of living and saw how others were happy without that proficiency, enjoying for free the favors I had so painfully striven for. It was then that despair was born in my heart--not the despair that is cured with a pistol, but a cold, impotent desperation, concealed under a polite exterior and a good-natured smile. I became a moral cripple; I had lost one half of my soul, for it had shriveled, dried up and died, and I had cut it off and cast it away, while the other half stirred and lived, adapted to serve every comer. No one noticed this, because no one suspected there had been another half. Now, however, you have awakened memories of it in me, and what I have just done is to read its epitaph to you. Many regard all epitaphs as ridiculous, but I do not, particularly when I remember what rests beneath them.”
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“Do you know, Princess," said I with a shade of annoyance, "that one should never spurn a repentant sinner, for out of sheer desperation he may become twice as sinful . . . ”
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“No, I'm not Byron, it's my roleTo be an undiscovered wonder,Like him, a persecuted wand'rer,But furnished with a Russian soul.I started sooner, sooner ending,My mind will never reach so high;Within my soul, beyond the mending,My shattered aspirations lie:Dark ocean answer me, can anyPlumb all your depth with skillful trawl?Who will explain me to the many?I... perhaps God? No one at all?”
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“I was lying, but I wanted to rouse him. I have an inborn urge to contradict; my whole life has been a mere chain of sad and futile opposition to the dictates of either heart or reason. The presence of an enthusiast makes me as cold as a midwinter's day, and, I believe, frequent association with a listless phlegmatic would make me an impassioned dreamer.”
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“The history of a man's soul, even the pettiest soul, is hardly less interesting and useful than the history of a whole people; especially when the former is the result of the observations of a mature mind upon itself, and has been written without any egotistical desire of arousing sympathy or astonishment. Rousseau's Confessions has precisely this defect – he read it to his friends.”
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“Saya tadinya bersedia mencintai seluruh dunia, tapi tak seorang pun mengerti saya: jadi saya belajar membenci”
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“Wanita cuma mencintai orang yang tidak mereka kenal”
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“...منذ نظم الشعراء شعراً..ومنذ أن قرأت النساء هذا الشعر ( ويجب أن نشكر لهن ذلك أعمق الشكر) سُميت النساء ملائكة، وبلغت هذه التسمية من التكرار أنهن من بساطة قلوبهن صدقنها، ناسيات أن هؤلاء الشعراء أنفسهم يمكن أن يضعوا نيرون (الإمبراطور المجنون الذي أحرق روما) في مصاف أنصاف الآلهة، في سبيل مال يحصلون عليه.”
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“Many a calm river begins as a turbulent waterfall, yet none hurtles and foams all the way to the sea.”
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“Mon cher je meprise les femmes pur ne pas les aimer, car autrement la vie serait un melodrame trop ridicule.”
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“If only people thought a little more about it, they would see that life is not worrying about so much.”
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“He turned away and offered his hand in parting. She didn't take it or say anything. But from where I was behind the door I could see her face through the crack. I pitied her to see how deathly pale that sweet little face had gone. Hearing no answer, Pechorin took a few steps towards the door. He was trembling, and I might say I think he was fit to do what he'd threatened as a joke. That's the sort of man he was, there was no knowing him.”
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“Out of life's storm I carried only a few ideas - and not one feeling.”
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“Happy people are ignoramuses and glory is nothing else but success, and to achieve it one only has to be cunning.”
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“my love had grown one with my soul; it became darker, but did not go out”
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“I know a rock in a highland's ravine,On which only eagles might ever be seen,But a black wooden cross o'er a precipice reigns,It rots and it ages from tempests and rains.And many years have gone without any hints,From times when it was seen from faraway hills.And its every arm is raised up to the sky,As if catching clouds or going to fly.Oh, if I were able to rise there and stay,Then how I'd cry there and how I'd pray;And then I would throw off real life's chainsAnd live as a brother of tempests and rains!”
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“We survive on novelty, so much less demanding than commitment.”
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