Milan Kundera photo

Milan Kundera

People best know Czech-born writer Milan Kundera for his novels, including

The Joke

(1967),

The Book of Laughter and Forgetting

(1979), and

The Unbearable Lightness of Being

(1984), all of which exhibit his extreme though often comical skepticism.

Since 1975, he lived in exile in France and in 1981 as a naturalized citizen.

Kundera wrote in Czech and French. He revises the French translations of all his books; people therefore consider these original works as not translations.

The Communist government of Czechoslovakia censored and duly banned his books from his native country, the case until the downfall of this government in the velvet revolution of 1989.


“If I hadn't met you, I'd certainly have fallen in love with him.”
Milan Kundera
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“People are going deaf because music is played louder and louder, but because they're going deaf, it has to be played louder still. ”
Milan Kundera
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“Nothing requires a greater effort of thought than arguments to justify the rule of non-thought. ”
Milan Kundera
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“Tell me, where in life is there a value that would make us consider suicide uncalled for on principle! Love? Or friendship? I guarantee that friendship is not a bit less fickle than love and it is impossible to build anything on it. Self-love? I wish it were possible.”
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“...he took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.”
Milan Kundera
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“Aren't we living in a world where heedless men only desire decapitated women?”
Milan Kundera
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“Man passes through the present with his eyes blindfolded. He is permitted merely to sense and guess at what he is actually experiencing. Only later when the cloth is untied can he glance at the past and find out what he has experienced and what meaning it has had.”
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“Facts mean little compared to attitudes. To contradict rumor or sentiment is as futile as arguing against a believer's faith in the Immaculate Conception. You have simply become a victim of faith, Comrade Assistant.”
Milan Kundera
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“There are moments in life when a man retreats defensively, when he must give ground, when he must surrender less important positions in order to protect the more important ones. But should it come to the very last, the most important one, at this point a man must halt and stand firm if he doesn't want to begin life all over again with idle hands and a feeling of being shipwrecked.”
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“It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made.”
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“Only after a while did it occur to me (in spite of the chilly silence which surrounded me) that my story was not of the tragic sort, but rather of the comic variety.At any rate that afforded me some comfort.”
Milan Kundera
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“A man is responsible for his ignorance.”
Milan Kundera
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“Jealousy isn't a pleasant quality, but if it isn't overdone (and if it's combined with modesty), apart from its inconvenience there's even something touching about it.”
Milan Kundera
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“The girl was grateful to the young man for every bit of flattery; she wanted to linger for a moment in its warmth and so she said, 'You're very good at lying.''Do I look like a liar?''You look like you enjoy lying to women,' said the girl, and into her words there crept unawares a touch of the old anxiety, because she really did believe that her young man enjoyed lying to women.”
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“Fortunately women have the miraculous ability to change the meaning of their actions after the event.”
Milan Kundera
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“The man raised his glass, 'To you!'Can't you think of a wittier toast?'Something was beginning to irritate him about the girl's game. Now sitting face to face with her, he realized it wasn't just the words which were turning her into a stranger, but that her whole persona had changed, the movements of her body and her facial expression, and that she unpalatably and faithfully resembled that type of woman whom he knew so well and for whom he felt some aversion.And so (holding his glass in his raised hand), he corrected his toast: 'O.K., then I won't drink to you, but to your kind, in which are combined so successfully the better qualities of the animal and the worse aspects of the human being.”
Milan Kundera
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“It was a curious game. This curiousness was evidenced, for example, in the fact that the young man, even though he himself was playing the unknown driver remarkably well, did not for a moment stop seeing his girl in the hitchhiker. And it was precisely this that was tormenting. He saw his girl seducing a strange man, and had the bitter privilege of being present, of seeing at close quarters how she looked and of hearing what she said when she was cheating on him (when she had cheated on him, when she would cheat on him). He had the paradoxical honor of being himself the pretext for her unfaithfulness.This was all the worse because he worshipped rather than loved her. It had always seemed to him that her inward nature was real only within the bounds of fidelity and purity, and that beyond these bounds she would cease to be herself, as water ceases to be water beyond the boiling point.”
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“Even in the game there lurks a lack of freedom; even in a game is a trap for the players.”
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“He looked at her and tried to discover behind her lascivious expression the familiar features that he loved tenderly. It was as if he were looking at two images through the same lens, at two images superimposed one on the other with one showing through the other. These two images showing through each other were telling him that everything was in the girl, that her soul was terrifyingly amorphous, that it held faithfulness and unfaithfulness, treachery and innocence, flirtatiousness and chastity. This disorderly jumble seemed disgusting to him, like the variety to be found in a pile of garbage. Both images continued to show through each other, and the young man understood that the girl differed only on the surface from other women, but deep down was the same as they: full of all possible thoughts, feelings, and vices, which justified all his secret misgivings and fits of jealousy. The impression that certain outlines delineated her as an individual was only a delusion to which the other person, the one who was looking, was subject--namely himself. It seemed to him that the girl he loved was a creation of his desire, his thoughts, and his faith and that the real girl now standing in front of him was hopelessly other, hopelessly alien, hopelessly ambiguous. He hated her.”
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“So she stood naked in front of the young man and at this moment stopped playing the game.”
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“She was aware that in love even the most passionate idealism will not rid the body's surface of its terrible, basic importance.”
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“(existential mathematics...) the degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting.” –p. 39”
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“But man, because he has only one life to live, cannot conduct experiments to test whether to follow his passion (compassion) or not.”
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“and I felt happy inside these songs (...) where sorrow is not lightness, laughter is not grimace, love is not laughable, and hatred is not timid, where people love with body and solu (...), where they dance in joy...”
Milan Kundera
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“La lutte de l'homme contre le pouvoir est la lutte de la mémoire contre l'oubli.”
Milan Kundera
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“All great novels, all true novels, are bisexual.”
Milan Kundera
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“No matter what people say, life is marvelous, if you want to know who gets mu goats, it's those killjoy pessimists, even if I have plenty to complain about, you don't hear a peep out of me, what for. I ask you, what for, when life can bring me a day like today; oh, how marvelous it all is: a strange town, and me here with you...”
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“It means what you are, wanting what you want and going after it without a sens od shame. People are slaves to rules.”
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“What I love in a woman is not what she is in and for herself, but the side of herself she turns towards me, what she is for me. I love her as character in our common love story. what wuld Hamlet be without the castle at Elsinore, without Ophelia, without all the concrete situations he goes through, what would he be without the text of his part? What would be left but an empty, dumb, illusory essence?”
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“Lucie had been many things to me: a child, a source of comfort, a balm, an escape from myself; she was literaly everything for me but a woman.”
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“There was nothing to be done. From then on, there were flowers waiting for me every time we met, and in the end I gave in, because I was disarmed by the spontaneity of giving and understood tha Lucie cared for it; perhaps her tongue-tied state, her lack of verbal eloquence, made her think of flowers as a form of speech; not in the sense of heavy-handed conventional flower symbolism, but in a sense still more archaic, more nebulous, more instinctive, prelinguistic; perhaps, having always been sparing of words, she longed for that mute stage of evolution when there were no words and people communicated by simple gestures”
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“And I loved her so much I couldn't conceive of ever parting from her; true, we never talked about marriage, but at least was asbolutely serious about marrying her one day”
Milan Kundera
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“In her presence I could dare everything: sincerity, emotion, pathos.”
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“By stablishing an acquaintance with Lucie, I too had set my destiny in motion; but I did not lose sight of it. Though we didn't meet very often, at least our mettings were fairly regular, and I knew she was capable of waiting several weeks and then greeting me as if we'd seen each other the day before”
Milan Kundera
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“I looked at her; I saw a slipshod permanet crumpling her hair into a shapeless mass of curls; I saw a brown overcoat, pitifully threadbare and a bit too shot; I saw a face both unobtrusively attractive and attractively unobtrusive; I sensed in this young woman tranquillity, simplicity and modesty, and I felt that these were qualities I needed; moreover, it seemed to me that we were very much akin: all I had to do was to go up and start talking to her and she would smile as if a long-lost brother had suddenly appeared before her.”
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“A great deal has been said about love at first sight; I am perfectly aware of love's retrospective tendency to make a legend of itself, turn its beginnings into myth; so I don't want to assert that it was love; but I have no doubt there was a kind of clairvoyance at work: I immediately felt, sensed, grasped the essence of Lucie's being or, to be more precise, the essence of what she was later to become for me; Lucie had revealed herself to me the way religious truth reveals itself.”
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“But then he told himself: What does it really mean to be useful? Today's world, just as it is, contains the sum of the utility of all people of all times. Which implies: The highest morality consists in being useless.”
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“The only reason people want to be masters of the future is to change the past. They are fighting for access to the laboratories where photographs are retouched and biographies and histories rewritten.”
Milan Kundera
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“The bloody massacre in Bangladesh quickly covered over the memory of the Russian invasion of Czechoslovakia, the assassination of Allende drowned out the groans of Bangladesh, the war in the Sinai Desert made people forget Allende, the Cambodian massacre made people forget Sinai, and so on and so forth until ultimately everyone lets everything be forgotten.”
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“Do you realize that people don't know how to read Kafka simply because they want to decipher him? Instead of letting themselves be carried away by his unequaled imagination, they look for allegories — and come up with nothing but clichés: life is absurd (or it is not absurd), God is beyond reach (or within reach), etc. You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.”
Milan Kundera
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“Even though the sewer pipelines reach far into our houses with their tentacles, they are carefully hidden from view and we are happily ignorant of the invisible Venice of shit underlying our bathrooms, bedrooms, dance halls, and parliaments.”
Milan Kundera
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“Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass!The second tear says: How nice to be moved, together with all mankind, by children running on the grass!”
Milan Kundera
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“To put it another way, every love relationship is based upon unwritten conventions rashly agreed upon by the lovers during the first weeks of their love. On the one hand, they are living a sort of dream; on the other, without realizing it, they are drawing up the fine print of their contracts like the most hard-nosed of lawyers. O lovers! Be wary during those perilous first days! If you serve the other party breakfast in bed, you will be obliged to continue same in perpetuity or face charges of animosity and treason!”
Milan Kundera
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“We pass through the present with our eyes blindfolded. We are permitted merely to sense and guess at what we are actually experiencing. Only later when the cloth is untied can we glance at the past and find out what we have experienced and what meaning it has.”
Milan Kundera
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“She is sadder and sadder, and for a man there is no balm more soothing than the sadness he has caused a woman.”
Milan Kundera
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“The religion of orgasm: utilitarianism projected into sex life; efficiency versus indolence; coition reduced to an obstacle to be got past as quickly as possible in order to reach an ecstatic explosion, the only true goal of love-making and of the universe.”
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“Which doesn't mean, of course, that I'd stopped loving her, that I'd forgotten her, or that her image had paled; on the contrary; in the form of a quiet nostalgia she remained constantly within me; I longed for her as one longs for something definitively lost.”
Milan Kundera
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“The psychological and physiological mechanism of love is so complex that at a certain period in his life a young man must concentrate all his energy on coming to grips with it, and in this way he misses the actual content of the love: the woman he loves. (In this he is much like a young violinist who cannot concentrate on the emotional content of a piece until the technique required to play it comes automatically.)”
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“I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn't know who I was or wanted to be.”
Milan Kundera
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“Yes, suddenly I saw it clearly: most people deceive themselves with a pair of faiths: they believe in eternal memory (of people, things, deeds, nations) and in redressibility (of deeds, mistakes, sins, wrongs). Both are false faiths. In reality the opposite is true: everything will be forgotten and nothing will be redressed. The task of obtaining redress (by vengeance or by forgiveness) will be taken over by forgetting. No one will redress the wrongs that have been done, but all wrongs will be forgotten.”
Milan Kundera
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