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Miranda July

Miranda July (born February 15, 1974) is a performance artist, musician, writer, actress and film director. She currently resides in Los Angeles, California, after having lived for many years in Portland, Oregon. Born Miranda Jennifer Grossinger, she works under the surname of "July," which can be traced to a character from a "girlzine" Miranda created with a high school friend called "Snarla."

Miranda July was born in Barre, Vermont, the daughter of Lindy Hough and Richard Grossinger. Her parents, who taught at Goddard College at the time, are both writers. In 1974 they founded North Atlantic Books, a publisher of alternative health, martial arts, and spiritual titles. Miranda was encouraged to work on her short fiction by author and friend of a friend, Rick Moody.

Miranda grew up in Berkeley, California, where she first began writing plays and staging them at the all-ages club 924 Gilman. She later attended UC Santa Cruz, dropping out in her sophomore year. After leaving college, she moved to Portland, Oregon and took up performance art. Her performances were successful; she has been quoted as saying she has not worked a day job since she was 23 years old.

Filmmaking

Filmmaker Magazine rated her number one in their "25 New Faces of Indie Film" in 2004. After winning a slot in a Sundance workshop, she developed her first feature-length film, Me and You and Everyone We Know, which opened in 2005. The film won The Caméra d'Or prize in The Cannes Festival 2005.

Beginning in 1996, while residing in Portland, July began a project called Joanie4Jackie (originally called "Big Miss Moviola") which solicited short films by women, which she compiled onto video cassettes, using the theme of a chain letter. She then sent the cassette to the participants, and to subscribers to the series, and offered them for sale to others interested. In addition to the chain letter series, July began a second series called the Co-Star Series, in which she invited friends from larger cities to select a group of films outside of the chain letter submissions. The curators included Miranda July, Rita Gonzalez, and Astria Suparak. The Joanie4Jackie series also screened at film festivals and DIY movie events. So far, thirteen editions have been released, the latest in 2002.

At her speaking engagement at the Modern Times Bookstore in San Francisco's Mission District on May 16, 2007, July mentioned that she is currently working on a new film.

Music

She recorded her first EP for Kill Rock Stars in 1996, entitled Margie Ruskie Stops Time, with music by The Need. After that, she released two more full-length LPs, 10 Million Hours A Mile in 1997 and Binet-Simon Test in 1998, both released on Kill Rock Stars. In 1999 she made a split EP with IQU, released on K Records.

Screen Writer

Miranda co-wrote the Wayne Wang feaure length film "The Center of the World."

Multimedia

In 1998, July made her first full-length multimedia performance piece, Love Diamond, in collaboration with composer Zac Love and with help from artist Jamie Isenstein; she called it a "live movie." She performed it at venues around the country, including the New York Video Festival, The Kitchen, and Yo-yo a Go-go in Olympia. She created her next major full-length performance piece, The Swan Tool, in 2000, also in collaboration with Love, with digital production work by Mitsu Hadeishi. She performed this piece in venues around the world, including the Portland Institute for Contemporary Art, the International Film Festival Rotterdam, the Institute of Contemporary Arts in London, and the Walker Art Center in Minneapolis.

In 2006, after completing her first feature film, she went on to create another multimedia piece, Things We Don’t Understand and Definitely are Not Going To Talk About, which she performed in Los Angeles, San Francisco, and New York.

Her short story The Boy from Lam Kien was published in 2005 by Cloverfield Press, as a special-edition book.


“Life is just this way, broken, and I am crazy to hope for something else.”
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“I made orange juice from concentrate and showed her the trick of squeezing the juice of one real orange into it. It removes the taste of being frozen. She marveled at this, and I laughed and said, Life is easy. What I meant was, Life is easy with you here, and when you leave, it will be hard again.”
Miranda July
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“i wondered if i would spend the rest of my life inventing complicated ways to depress myself..”
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“I looked out the window for other passengers in love with their drivers, but we were well disguised, we pretended boredom and prayed for traffic.”
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“We don't have intercourse anymore. I'm not complaining, it's my own fault. I lie there beside him and try to send signals to my vagina, but it's like trying to get cable channels on a Tv that doesn't have cable. My mind requests sex, but my vagina is just waiting for the next time it has to pee. It thinks its whole job in life is to pee.”
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“We don't really believe in mowing the lawn; we do it only to avoid unnecessary engagement with the neighbors.”
Miranda July
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“When she saw my messy desk, she said she was the same way, and there was no dust on the TV, and I was easy to love. People just need a little help because they are so used to not loving. It's like scoring the clay to make another piece of clay stick to it.”
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“She never inquired, but she never recoiled, either. This is a quality that I look for in a person, not recoiling.”
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“Two plus three is five, check the email, one plus seven is, check the email, eight, check the email, which comes to a total of, who the hell am I anyway, eighty five. This is how he dismembers his day, in the most painful way, moment by moment. A bigger man would just shoot it, put it out of its misery.”
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“She bludgeoned me with a look of such limitless compassion that I immediately began to cry.”
Miranda July
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“He breathed out the bitter air that makes women doubt everything, and I breathed it in, as I had always done. I expelled my dust, the powder of everything I had destroyed with doubt, and he pulled it into his lungs.”
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“That is my problem with life, I rush through it, like I'm being chased. Even things whose whole point is slowness, like drinking relaxing tea. When I drink relaxing tea I suck it down as if I'm in a contest for who can drink relaxing tea the quickest.”
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“Would she understand that time had stopped while she was gone.”
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“I looked at other couples and wondered how they could be so calm about it. They held hands as if they weren't even holding hands. When Steve and I held hands, I had to keep looking down to marvel at it. There was my hand, the same hand I've always had - oh, but look! What is it holding? It's holding Steve's hand! Who is Steve? My three-dimensional boyfriend. Each day I wondered what would happen next. What happens when you stop wanting, when you are happy. I supposed I would go on being happy forever. I knew I would not mess things up by growing bored. I had done that once before.”
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“This person realizes that staying home means blowing off everyone this person has ever known. But the desire to stay in is very strong. This person wants to run a bath and then read in bed.”
Miranda July
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“Quería perforarlo, hacerle un agujero y llenar ese agujero con mi cuerpo.”
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“I cried in English, I cried in french, I cried in all the languages, because tears are the same all around the world.”
Miranda July
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“And why had Deb's last boyfriend dumped her? I dumped him. Maybe you didn't French-kiss him enough. I promise you that wasn't it. Tell me how many times a day you kissed, and I'll say if it was enough. Four hundred. Not enough.”
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“I really did not feel okay about any of this, and there was really nothing I could do about any of it.”
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“I asked myself if I would kill my parents to save his life, a question I had been posing since I was fifteen. The answer always used to be yes. But in time, all those boys had faded away, and my parents were still there. I was now less and less willing to kill them for anyone; in fact, I worried for their health. In this case, however, I had to say yes. Yes, I would.”
Miranda July
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“I laughed and said, Life is easy. What I meant was, Life is easy with you here, and when you leave, it will be hard again.”
Miranda July
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“It is terrible to have to ask for anything ever. We wish we were something that needed nothing, like paint. But even paint needs repainting.”
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“I could not make a move without making love.”
Miranda July
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“I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one.”
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“Sometimes I would make left turns all the way around a block, and when I returned to the original intersection, I would feel disappointed to find all the drivers were new. It wasn't like a square dance, where you miraculously end up with your original partner, laughing and feeling giddily relieved to find him after dancing with everyone else in the world. Instead, they swung around and kept on going, some people were at work by now, or halfway to the airport. In fact, driving might be the thing most opposite of dancing.”
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“I went to the bedroom and lay on the floor, so as not to mess up the covers.”
Miranda July
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“We were excited about getting jobs; we hardly went anywhere without filling out an application. But once we were hired - as furniture sanders - we could not believe this was really what people did all day. Everything we had thought of as The World was actually the result of someone's job. Each line on the sidewalk, each saltine. Everyone had a rotting carpet and a door to pay for. Aghast, we quit. There had to be a more dignified way to live. We needed time to consider ourselves, to come up with a theory about who we were and set it to music.Something That Needs Nothing”
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“People are always breaking through, like in the Doors song 'Break on Through (To the Other Side)'. But I really had. I had broken through twice now, and my feeling about the universe was that it was porous and radical and you could turn it on, you could even fuck around with the universe.”
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“Some people need a red carpet rolled out in front of them in order to walk forward into friendship. They can't see the tiny outstretched hands all around them, everywhere, like leaves on trees.”
Miranda July
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“Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.”
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“... we had once called out hello into the cauldron of the world and then run away before anyone could respond.”
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“That day I carried the dream around like a full glass of water, moving gracefully so I would not lose any of it.”
Miranda July
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“Are you angry? Punch a pillow. Was it satisfying? Not hardly. These days people are too angry for punching. What you might try is stabbing. Take an old pillow and lay it on the front lawn. Stab it with a big pointy knife. Again and again and again. Stab hard enough for the point of the knife to go into the ground. Stab until the pillow is gone and you are just stabbing the earth again and again, as if you want to kill it for continuing to spin, as if you are getting revenge for having to live on this planet day after day, alone.”
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“Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.”
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“If there were a map of the solar system, but instead of stars it showed people and their degrees of separation, my star would be the one you had to travel the most light-years from to get to his. You would die getting to him.”
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“In the weeks that followed, we amazed ourselves. Our habits slid apart easily...And our very few intimacies were simply discontinued. Where did they go, those things we did? Were they recycled? Did some new couple in China do them? Were a Swedish man and woman foot to foot at this very moment? ”
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“It was a real whale, a photograph of a real whale. I looked into its tiny wise eye and wondered where that eye was now. Was it alive and swimming, or had it died long ago, or was it dying now, right this second? When a whale dies, it falls down through the ocean slowly, over the course of a day. All the other fish see it fall, like a giant statue, like a building, but slowly, slowly.”
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“Inelegantly, and without my consent, time passed.”
Miranda July
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“But, like ivy, we grow where there is room for us.”
Miranda July
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“He seemed to be waiting for me to move forward. Weren't we all.”
Miranda July
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“People tend to stick to their own size group because it's easier on the neck. Unless they are romantically involved, in which case the size difference is sexy. It means: I am willing to go the distance for you.”
Miranda July
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“Live the dream, Potato.”
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“What a terrible mistake to let go of something wonderful for something real.”
Miranda July
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“This pain, this dying, this is just normal. This is how life is. In fact, I realize, there never was an earthquake. Life is just this way, broken, and I am crazy for dreaming of something else.”
Miranda July
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“The idea that you might end up in a job that doesn't allow you to be who you are, over the course of a lifetime, is still one of the most chilling nightmares to me. It's a good metaphor for fears I have about losing my soul in some accidental, mundane way. So, to me, these jobs that my characters have are very loaded. They immediately suggest a complex character to me, a woman who is, say, a secretary, but also a vigilante on behalf of her own soul.”
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