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Mohsin Hamid

Mohsin Hamid is the author of four novels,

Moth Smoke

,

The Reluctant Fundamentalist

,

How to Get Filthy Rich in Rising Asia

, and

Exit West

, and a book of essays,

Discontent and Its Civilizations

.

His writing has been featured on bestseller lists, adapted for the cinema, shortlisted for the Man Booker Prize, selected as winner or finalist of twenty awards, and translated into thirty-five languages.

Born in Lahore, he has spent about half his life there and much of the rest in London, New York, and California.


“It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books . . .”
Mohsin Hamid
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“It is remarkable indeed how we human beings are capable of delighting in the mating call of a flower while we are surrounded by the charred carcasses of our fellow animals.”
Mohsin Hamid
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“Det er forbløffende hvor stemningsfull kunstig belysning kan være når det har begynt å mørkne, hvordan den kan påvirke oss følelsmessig, selv nå, ved begynnelsen av det enogtyvende århundre, i byer så store og godt opplyst som denne.”
Mohsin Hamid
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“He was a man who discovered love through his penis.”
Mohsin Hamid
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“For if there were a list of cosmic things that unite us, reader and writer, visible as it scrolled up into the distance, like the introduction to some epic science-fiction film, then shining brightly on that list would be the fact that we exist in a financial universe that is subject to massive gravitational pulls from states. States tug at us. States bend us. And, tirelessly, states seek to determine our orbits.”
Mohsin Hamid
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“There are two social classes in Pakistan," Professor Superb said to his unsuspecting audience, gripping the podium with both hands as he spoke. "The first group, large and sweaty, contains those referred to as the masses. The second group is much smaller, but its members exercise vastly greater control over their immediate environment and are collectively termed the elite. The distinction between members of these two groups is made on the basis of control of an important resource:air-conditioning. You see, the elite have managed to re-create for themselves the living standards of say, Sweden without leaving the dusty plains of the subcontinent. They're a mixed lot - Punjabi and Pathans, Sindhis and Baluchis, smugglers , mullahs, soldiers, industrialists - united by their residence in an artificially cooled world. They wake up in air-conditioned houses, drive air-conditioned cars to air-conditioned offices, grab lunch in air-conditioned restaurants (rights of admission reserved), and at the end of the day go home to an air-conditioned lounges to relax in front of their wide-screen TVs. And if they should think about the rest of the people, the great uncooled, and become uneasy as they lie under their blankets in the middle of the summer, there is always prayer, five times a day, which they hope will gain them admittance to an air-conditioned heaven, or at the very least, a long, cool drink during a fiery day in hell.”
Mohsin Hamid
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“The gun of the father is always the undoing of the son.”
Mohsin Hamid
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“But you can always justify killing animals on the grounds that you want to eat them, or wear them, or that they smell bad, look funny, bother you, threaten you, and have the bad luck of being in your way. What about killing humans? Well aside from a few die-hard individualists on the fringe, the general consensus among people these days seems to be that eating and wearing other people is just not on. Wearing a suit which costs as much as a farmer will make in his lifetime is acceptable, but actually putting his eyeballs on a string and letting them dangle above tastefully exposed cleavage is bad form.”
Mohsin Hamid
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“Fat" is a small word which belies its size in the girth of its connotations. Fat implies a certain ungainliness, an inefficiency, a sense of immobility, a lack of industry, an unpleasant, unaesthetic quality; unmotivated, unloved, unnatural, unusual, uninspired, unhappy, unlikely to go places or to fit, under the ground with a heart attack at fifty-five. In short, fat somewhat paradoxically involves the lack of many attributes which, you must concede, are generally held to be good.”
Mohsin Hamid
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“It is the first visit in many years for your son, finally a citizen of his new country and free to travel, and you try to suppress your undercurrent of resentment at his decision to absent himself from your presence in so devastatingly severe a manner. You feel a love you know you will never be able to adequately explain or express to him, a love that flows one way down the generations, not in reverse, and is understood and reciprocated only when time has made of a younger generation an older one.”
Mohsin Hamid
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“We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees. Writers and readers seek a solution to the problem that time passes, that those who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.”
Mohsin Hamid
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“Some of my relatives held on to imagined memories the way homeless people hold onto lottery tickets. Nostalgia was their crack cocaine, if you will, and my childhood was littered with the consequences of their addiction : unserviceable debts, squabbles over inheritances, the odd alcoholic or suicide.”
Mohsin Hamid
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“I tried not to dwell on the comparison; it was one thing to accept that New York was more wealthy than Lahore, but quite another to swallow the fact that Manila was as well.”
Mohsin Hamid
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“[O]ver sufficiently long a term, as everyone knows, there is nothing that does not have as its consequence death.”
Mohsin Hamid
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“...човек невинаги може да възстанови личните си граници, след като е допуснал да бъдат размити и прекрачени от друго човешко същество в процеса на романтична връзка: колкото и да се опитваме не можем да възвърнем онази автономност на личността, която сме си въобразявали че притежаваме”
Mohsin Hamid
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“Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much.But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.”
Mohsin Hamid
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“But it wasn't the right season to lift off. Not yet. I sat in my apartment and looked out over the city, and I just didn't feel any passion to write about the place. I didn't give a damn about local politics; I wasn't moved by the issues. I missed home. And I was frustrated by people who actually thought the world was a centre and that centre was here. ‘The world's a sphere, everyone,’ I wanted to say. ‘The centre of a sphere doesn't lie on its surface. Look up the word 'superficial', when you have a chance.”
Mohsin Hamid
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“And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me?As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.”
Mohsin Hamid
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“I commit her to memory. When I'm alone, I feel a strange yearning, the hunger of a man fasting not because he believes but because he's ashamed. Not the cleansing hunger of the devout, but the feverish hunger of the hypocrite. I let her go every evening only because there's nothing I can do to stop her.”
Mohsin Hamid
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“I push against the tree and run away, stumbling, the unreal night playing with me, gravity pulling from below, behind, above, making me fall. And I run through a world that is rotating, conscious of the earth's spin, of our planet twirling as it careens through nothingness, of the stars spiraling above, of the uncertainty of everything, even ground, even sky. Mumtaz never calls out, although a thousand and one voices scream in my mind, sing, whisper, taunt me with madness.”
Mohsin Hamid
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“And with a last stardrop, a last circle, I arrive, and she's there, chemical wonder in her eyes.”
Mohsin Hamid
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“I walk in the direction she tells me. I feel my pores opening, sweat and heat radiating out of my body. A firefly dances in the distance, leaving tracers, and if I turn my head from side to side, I see long yellow-green streaks that cut through my vision and burn in front of my retinas even after the light that sparked them has gone.I emerge from the mango grove into a field. In the distance unseen trucks pass with a sound like the ocean licking the sand. A tracery of darkness curls into a starry sky, a solitary pipal tree making itself known by an absence of light, like a flame caught in a photographer's negative, frozen, calling me.”
Mohsin Hamid
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“You're a watchful guy. you know where that comes from?" I shook my head. "It comes from feeling out of place," he said. "Believe me. I know.”
Mohsin Hamid
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“I felt suddenly very young - or perhaps I felt my age.”
Mohsin Hamid
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“Time only moves in one direction. Remember that. Things always change.”
Mohsin Hamid
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“She attracted people to her; she had presence, an uncommon magnetism. Documenting her effect on her habitat, a naturalist would likely have compared her to a lioness: strong, sleek, and invariably surrounded by her pride.”
Mohsin Hamid
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“If you have ever, sir, been through a breakup of a romantic relationship that involved great love, you will perhaps understand what I experienced. There is in such situations usually a moment of passion during which the unthinkable is said; this is followed by a sense of euphoria at finally being liberated; the world seems fresh as if seen for the first time then comes the inevitable period of doubt, the desperate and doomed backpedaling of regret; and only later, once emotions have receded, is one able to view with equanimity the journey through which one has passed.”
Mohsin Hamid
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“I responded to the gravity of an invisible moon at my core, and I undertook journeys I had not expected to take.”
Mohsin Hamid
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“The mountain trembled like an earthquake. Dust flew into the sky. And the rock turned dark red, like the color of blood'. 'How would you know?' Asks Sindhi cap. 'You only have a black and white television'.'But it's a very good one. You can almost see colours.”
Mohsin Hamid
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“As a society, you were unwilling to reflect upon the shared pain that united you with those who attacked you. You retreated into myths of your own difference, assumptions of your own superiority. And you acted out these beliefs on the stage of the world, so that the entire planet was rocked by the repercussions of your tantrums, not least my family, now facing war thousands of miles away.”
Mohsin Hamid
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“When the uncertain future becomes the past, the past in turn becomes uncertain.”
Mohsin Hamid
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“The poets say some moths will do anything out of love for a flame[...]The moth takes off again, and we both step back, because he's circling at eye level now and seems to have lost rudder control, smacking into the wall on each round. He circles lower and lower, spinning around the candle in tighter revolutions, like a soap sud over an open drain. A few times he seems to touch the flame, but dances off unhurt.Then he ignites like a ball of hair, curling into an oily puff of fumes with a hiss. The candle flame flickers and dims for a moment, then burns as bright as before.Moth Smoke Lingers.”
Mohsin Hamid
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“It seems an obvious thing to say, but you should not imagine that we Pakistanis are all potential terrorists, just as we should not imagine that you Americans are all undercover assassins.”
Mohsin Hamid
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“In a subway car, my skin would typically fall in the middle of the color spectrum. On street corners, tourists would ask me for directions. I was, in four and a half years, never an American; I was immediately a New Yorker.”
Mohsin Hamid
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“You're never rude,' she said, smiling, 'and I think it's good to be touchy sometimes. It means you care.”
Mohsin Hamid
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“One ought not to encourage beggars, and yes, you are right, it is far better to donate to charities that address the causes of poverty rather than to him, a creature who is merely its symptom.”
Mohsin Hamid
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“Maximum return was the maxim to which we returned.”
Mohsin Hamid
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“She was struggling against a current that brought her inside herself.”
Mohsin Hamid
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“The ruins proclaim the building was beautiful.”
Mohsin Hamid
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“Darashikoh was inside, for all the world a tastefully dressed patron of the shop, but he carried death in his undershorts and hunger in his heart.”
Mohsin Hamid
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