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Monica Ali

Monica Ali is a British writer of Bangladeshi origin. She is the author of Brick Lane, her debut novel, which was shortlisted for the Man Booker Prize for Fiction in 2003. Ali was voted Granta's Best of Young British Novelists on the basis of the unpublished manuscript.

She lives in South London with her husband, Simon Torrance, a management consultant. They have two children, Felix (born 1999) and Shumi (born 2001).

She opposes the British government’s attempt to introduce the Racial and Religious Hatred Act 2006. She discusses this in her contribution to Free Expression Is No Offence, a collection of essays published by Penguin in 2005.


“Nishi's sister, who was sixteen years old, had gone for a "holiday" in Sylhet and returned six months later with a husband and a swelling belly. Nishi, strong on forward-planning skills, was taking evasive action: she was going on a holiday of her own and she would return when she was twenty-five. At that ancient age the danger of marriage was over.”
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“She had another English word. She carried it all the way down the corridor.”
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“And the city itself was just a glow on the dark earth...”
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“The boys wore jeans, or tracksuits with big ticks on them as if their clothing had been marked by a teacher who valued, above all else, conformity.”
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“Life made its pattern around and beneath and through her.”
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“I can’t stay,” said Chanu, and they clung to each other inside a sadness that went beyond words and tears, beyond that place, those causes and consequences, and became a part of their breath, their marrow, to travel with them from now to wherever they went.”
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“He would not come again. This was good. No. This was bad. At least it was an end.”
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“And so they entwined their lives to drink from the pools of each other’s sadness. From these special watering holes, each man drew strength.”
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“In the only way that pain can be truly remembered, through a new pain.”
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“In the rainy season, back home, when the land had given way to water and the buffaloes grew webbed feet, when the hens took to the roofs, when marooned goats teetered on minuscule islands, when the women splashed across on the raised walkway to the cooking hut and found they could no longer kindle a dung-and-husk fire and looked to their reserves, when the rain rang louder than cow bells, rice was the means, the giver of life.”
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“The air was hot and wet, as if it had absorbed the sweat of countless bodies. It dripped also with scandal.”
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“Her words were as sharp as an eyeful of sand. She never raised her voice. It was the kind of voice that never needed to be raised. It cut words to a fine point and launched them decisively (page 88).”
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“You can spread your soul over a paddy field, you can whisper to a mango tree, you can feel the earth between your toes and know that this is the place, the place where it begins and ends. But what can you tell to a pile of bricks? The bricks will not be moved (page 87).”
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“A pair of schoolchildren,pale as rice and loud as peacocks,cut over the road and hurtled down a side street,galloping with joy or else with terror (p. 55).”
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“Tevis being childless meant you felt a little sorry for her, and a bit jealous. Probably the same way she felt about you.”
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“I don't know which is more nutty. All this stuff I do outside of work, or the stuff I do all week.”
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“The thing about getting older is that you don't need everything to be possible any more, you just need things to be certain.”
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“She touched his hand for the last time. "Oh, Karim, that we have already done. But always there was a problem between us. How can I explain? I wasn't me, and you weren't you. From the very beginning to the very end, we didn't see things. What we did--we made each other up." p. 382”
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“Sometimes I look back and I am shocked. Everyday of my life I have prepared for success, worked for it, waited for it, and you don't notice how the days pass until nearly a lifetime is finished. Then it hits you--the thing you have been waiting for has already gone by. And it was going in the other direction. It's like I've been waiting on the wrong side of the road for a bus that was already full." p. 265”
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“Sinking, sinking, drinking water. When everyone in the village was fasting a long month,when not a grain, not a drop of water passed between the parched lips of any able-bodied man, woman or child over the age of ten, when the sun was hotter than the cooking pot and dusk was just a febrile wish, the hypocrite went down to the pond to duck his head, to dive and sink, to drink and sink a little lower. p. 105”
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“It's a success story," said Chanu, exercising his shoulders. "But behind every story of immigration success there lies a deeper tragedy."Kindly explain this tragedy."I'm talking about the clash between Western values and our own. I'm talking about the struggle to assimilate and the need to preserve one's identity and heritage. I'm talking about children who don't know what their identity is. I'm talking about the feelings of alienation engendered by a society where racism is prevalent. I'm talking about the terrific struggle to preserve one's own sanity while striving to achieve the best for one's family. I'm talking--" p. 88”
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“If God wanted us to ask questions, he would have made us men.”
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“Kadang keadaan ternyata tidak seburuk yang disangka. Kadang-kadang hal buruk yang disangka akan datang malah tidak datang sama sekali. Kalian hanya harus menunggu dan melihat keadaan.”
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“Apa yang tidak kuketahui-saat masih muda dulu-ada dua jenis cinta. Jenis yang bermula begitu dahsyatnya dan pelan-pelan menghilang, yang terasa seperti tak akan pernah habis lalu suatu hari tahu-tahu ludes. Lalu ada jenis yang tadinya tidak disadari, tetapi terus tumbuh sedikit demi sedikit setiap harinya, seperti kerang yang menghasilkan mutiara, bulir demi bulir, sebuah permata dari pasir.”
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“An hour and forty-five minutes before Nazneen's life began-began as it would proceed for quite some time, that is to say uncertainly-her mother, Rupban, felt an iron fist squeeze her belly.”
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