Neal Shusterman photo

Neal Shusterman

Award-winning author Neal Shusterman grew up in Brooklyn, New York, where he began writing at an early age. After spending his junior and senior years of high school at the American School of Mexico City, Neal went on to UC Irvine, where he made his mark on the UCI swim team, and wrote a successful humor column. Within a year of graduating, he had his first book deal, and was hired to write a movie script.

In the years since, Neal has made his mark as a successful novelist, screenwriter, and television writer. As a full-time writer, he claims to be his own hardest task-master, always at work creating new stories to tell. His books have received many awards from organizations such as the International Reading Association, and the American Library Association, as well as garnering a myriad of state and local awards across the country. Neal's talents range from film directing (two short films he directed won him the coveted CINE Golden Eagle Awards) to writing music and stage plays – including book and lyrical contributions to “American Twistory,” which is currently playing in Boston. He has even tried his hand at creating Games, having developed three successful "How to Host a Mystery" game for teens, as well as seven "How to Host a Murder" games.

As a screen and TV writer, Neal has written for the "Goosebumps" and “Animorphs” TV series, and wrote the Disney Channel Original Movie “Pixel Perfect”. Currently Neal is adapting his novel Everlost as a feature film for Universal Studios.

Wherever Neal goes, he quickly earns a reputation as a storyteller and dynamic speaker. Much of his fiction is traceable back to stories he tells to large audiences of children and teenagers -- such as his novel The Eyes of Kid Midas. As a speaker, Neal is in constant demand at schools and conferences. Degrees in both psychology and drama give Neal a unique approach to writing. Neal's novels always deal with topics that appeal to adults as well as teens, weaving true-to-life characters into sensitive and riveting issues, and binding it all together with a unique and entertaining sense of humor.

Of Everlost, School Library Journal wrote: “Shusterman has reimagined what happens after death and questions power and the meaning of charity. While all this is going on, he has also managed to write a rip-roaring adventure…”

Of What Daddy Did, Voice of Youth Advocates wrote; "This is a compelling, spell-binding story... A stunning novel, impossible to put down once begun.

Of The Schwa Was Here, School Library Journal wrote: “Shusterman's characters–reminiscent of those crafted by E. L. Konigsburg and Jerry Spinelli–are infused with the kind of controlled, precocious improbability that magically vivifies the finest children's classics.

Of Scorpion Shards, Publisher's Weekly wrote: "Shusterman takes an outlandish comic-book concept, and, through the sheer audacity and breadth of his imagination makes it stunningly believable. A spellbinder."

And of The Eyes of Kid Midas, The Midwest Book Review wrote "This wins our vote as one of the best young-adult titles of the year" and was called "Inspired and hypnotically readable" by School Library Journal.

Neal Shusterman lives in Southern California with his children Brendan, Jarrod, Joelle, and Erin, who are a constant source of inspiration!


“If you have to ask then you don't deserve an answer.”
Neal Shusterman
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“I almost told her everything right then. I wanted to tell her about the Wolves, and how I was supposed to hate them, but when you spend your days with evil, some of it is bound to soak into your clothes, like cigar smoke in a closed room.”
Neal Shusterman
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“Little Red, Little Red, what's in the chip bag, Little Red?" And in the same singsong voice I answered, "Nothing at all, Nothing at all, Nothing at all but your grandpa's head.”
Neal Shusterman
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“Maybe that had been his plan all along, or maybe not. But one thing's for certain- now that I had said it, it was his plan.”
Neal Shusterman
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“I smell fear," he said with a quiet intensity. "But not nearly enough.”
Neal Shusterman
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“We want what you no longer want.”
Neal Shusterman
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“I have no idea,' he tells her, and there is such a spark in his eye when he says it, she can tell having no idea is exactly the way he wants it.”
Neal Shusterman
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“Anger is only our friend when we know its caliber and how to aim it.”
Neal Shusterman
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“Lord, if what I'm doing is wrong, then by all means strike me down. Otherwise set me free.”
Neal Shusterman
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“There's a quickening of her heart when she sees him. She tells herself it's anger.”
Neal Shusterman
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“You have robbed me, and everyone here, of their purpose. That's not salvation, that's damnation.”
Neal Shusterman
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“It made my blood boil so hot, my brain stopped working right.”
Neal Shusterman
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“He only wishes there were something that would heal the scars in his mind, which he can still feel. He sees his mind now as an archipelago of islands that he labors to build bridges between - and while he's had great success engineering the most spectacular of bridges, he suspects there are some islands that he'll never reach.”
Neal Shusterman
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“He (Connor) will only do the wrong thing when it's the right thing to do. - Risa”
Neal Shusterman
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“At last, he allows himself the wonderful luxury of hope.”
Neal Shusterman
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“History is written by the victors--and when there is no victors, it all winds up in the corporate shredders.”
Neal Shusterman
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“How many kids are in the Graveyard?""A bunch.""Who sends your supplies?""George Washington. Or is it Abraham Lincoln? I forget.""How often do you receive new arrivals?""About as often as you beat your wife.”
Neal Shusterman
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“Teenage rebellion is for suburban schoolchildren. Get over it.”
Neal Shusterman
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“Happiness is a vector. It can only be defined by the speed at which you're moving away from pain.”
Neal Shusterman
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“Either things happen for a reason, or they happen for no reason at all. Either one's life is a thread in a glorious tapestry or humanity is just a hopelessly tangled knot.”
Neal Shusterman
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“All this time, Lev ever realized what he needed. He did not need to be adored or pitied. He needed to be forgiven. Not by God, who is all forgiving. Not by people like Marcus and Pastor Dan, who would always stand by his side. He needed to be forgiven by an unforgiving world.”
Neal Shusterman
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“Eventually your body will learn the alliances it has to make with itself,' Kenny had said - as if Cam was a factory full of strike-prone workers, or worse, a clutch of slaves forced into unwanted labor.”
Neal Shusterman
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“You look spectacluar, Cam.' She smoothes out his shirt and straightens his tie. 'You look like the shining star you are!''Let's hope I don't give birth to complex elements.'She looks at him quizzically.'Supernova,' he says. 'If I'm a shining star, let's hope I don't blow up.”
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“Whether consciousness is implanted in us by something divine, or whether it is created by the efforts of our brains, the end result is the same. We are.”
Neal Shusterman
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“The measure of a man is not how much he suffers in the test, but how he comes out at the end.”
Neal Shusterman
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“The eternally sleeping princess, thinks Cam. But I shall free you from those poisoned brambles that surround your heart. And then you will have no choice but to love me.”
Neal Shusterman
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“Words don't hurt you." Which is one of the hugest criminal lies perpetrated by adults against children in this world. Because words hurt more than any physical pain.”
Neal Shusterman
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“Good thing about bad rubbish is you can make the stench go away just by covering it up. It never comes back as long as you keep a tight lid on it.”
Neal Shusterman
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“You tell your brother he's gonna pay for that car in silver.”
Neal Shusterman
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“Live by your impulses, and you'll be just like them. You're better than that, aren't you, Red?”
Neal Shusterman
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“Makes sense, the earth is quick to consume the flesh of things that ain't natural.”
Neal Shusterman
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“Love, Allie concluded, wasn't blind, it simply saw alternate dimensions.”
Neal Shusterman
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“Wars are often waged not because of what we believe, but because of the things we want others to believe.”
Neal Shusterman
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“Then Jix locked eyes with him and said very calmly, "If you hit her, I will open my mouth wide enough to swallow you whole, force you through my bowels, then out my other end."Avalon scowled at him. "You can't do that.""Try me," Jix said. Avalon backed off, then angrily stormed away, and Jix winked at Jill. "One in five.”
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“Touch is a freaky thing when you're not used to it. It makes you feel all kinds of things.”
Neal Shusterman
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“What can fingerprints mean when they’re not necessarily yours?”
Neal Shusterman
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“The fact is, 100 percent of you will still be alive, just in a divided state.”
Neal Shusterman
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“If someone had told Allie that she would commit a premeditated act of murder, she would not have believed it. She would have spouted off all the reasons how she could never be capable of such a thing—that no matter how dire the circumstances, she would find a better way. She was so naive, so arrogant to think that the laws of necessity and unthinkable circumstance could not apply to her. She could tell herself that this was an act of mercy, but that would be a lie. This was an act of war. An act of terrorism. It was nothing less than an assassination.If I do this, Allie told herself, I am no better than Mary. I will have sunk to the worst possible place a person can go. After this moment, I will be a cold-blooded killer and it can never be taken back.So the question was, did Allie Johnson have the strength to sacrifice all that was left of her innocence if it meant she might save the world?”
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“How easy is murder when one calls it by a different name? How much easier is it for the conscience to condone “reaping” than “killing”—and when one knows that death isn’t the end, does it stop the killing hand for fear of retribution, or does it simply make it easier to kill, because, if life continues, how can murder be murder at all?”
Neal Shusterman
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“His existence had always been comfortable, he had always held a clear picture of himself, his duties, and his place in a world. He saw that world as a place so full of turning gears he had no hope of comprehending how things fit together, so why even try?Now things were different, however. Now he wasn’t just looking out from inside of the clockwork. Instead, he was actually seeing the final motion of the escapement—the ticking hands of the clock itself.And it was a doomsday clock.Both his feline and human instincts told him to let it be. It was not his problem, or his place to interfere. If the living world was destined to fall, let it happen, let it pass into history once and for all. Who was he to try to save it?But on the other hand, if the living world were lost, then there would never again be great cats to furjack . . . and couldn’t it be that hearing the actual ticking of the clock gave one the responsibility to stop it?”
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“You are so obtuse!" Brontë says, exasperated.I am calm in my response. "Do you mean stupid, or angular? You need to be more specific with your insults.”
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“Allie took Nick and Mikey into the vault, and they sat there, a summit meeting of three questionable superpowers: a skinjacker, an ex-ogre, and a part-time monster.”
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“When I touched that boy, I felt something. Something awful. Something I can’t describe.”“We all felt it,” Nick said.“You may have felt it, but I caused it.” Then both his eyes seemed to go far away. “Something changed out there. I don’t know what it was, but something in the world changed because that kid didn’t deserve what I did to him—and the powers that be know that I did it.” Nick watched as a tear fell from his Everlost eye and disappeared through the living world table.“What if,” said Nick, not even sure what he was going to say yet, “what if you were that kid and you were told you could change the world, but you would have to sacrifice yourself to do it?”Clarence chuckled at the thought. “I believe that question was already asked a long time ago, and that creepy kid did not look anything like Jesus to me.”“But you do think that something changed. . . .”“I don’t know whether it’s good or bad.”“What if it’s neither?” suggested Nick. “What if we get to make it one or the other?”
Neal Shusterman
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“Your friend Mikey knew what my touch could do, but he didn’t tell me. He turned me into a murderer. Worse than a murderer.”“I think,” said Nick, “they call that manslaughter or wrongful death, don’t they? I mean, when it’s an accident or out of ignorance, or something.”Clarence turned to Nick, studying him with his Everlost eye. “You’re a lot smarter than you were back in the cage,” Clarence said. “You look better too. Back then you were a thing, now you’re almost a person.”“Thanks . . . but ‘almost’ is still ‘almost.’”“Yeah, well, we’re all almost something.”
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“We move in and out of darkness and light all our lives. Right now I'm pleased to be in the light.”
Neal Shusterman
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“He felt a fluttering inside his chest that he mistook for an air pocket - probably left from when he pushed himself through the cage. He had no way of knowing that the fluttering was a single beat from the fleeting memory of a heart.”
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“Picking locks was not a skill he had ever cultivated, but he persisted day after day, turning the tip of his talon into different ways of approaching a keyhole. He never tired, and he ever gave up...because if there was any justice in the universe, he wouldn't be trapped here forever.”
Neal Shusterman
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“But honey, there are some things that must never be said out loud.”
Neal Shusterman
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“In short, there are mysteries of science and of soul that will never be understood no matter how hard we measure, no matter how strongly we believe, no matter how deep our think tanks and how high our aspirations. But as anyone will tell you—for we all know this within our hearts—the impossible happens and grand cosmic mysteries are solved on a regular basis, although most of the time the solutions lead to even greater mysteries.”
Neal Shusterman
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“Love turns a heart to crystal...Much more valuable, but much more fragile.”
Neal Shusterman
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