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Nick Harkaway

Nick Harkaway was born in Cornwall, UK in 1972. He is possessed of two explosively exciting eyebrows, which exert an almost hypnotic attraction over small children, dogs, and - thankfully - one ludicrously attractive human rights lawyer, to whom he is married.

He likes: oceans, mountains, lakes, valleys, and those little pigs made of marzipan they have in Switzerland at new year.

He does not like: bivalves. You just can't trust them.


“Joe, you did fine,” Mercer says. “You were great. But there is no question that we are in the shit. We are in the savage jungle. For some reason, which I do not yet apprehend, there are titans stirring in the deeps and shadows on the stairwell. As my youngest cousin Lawrence would say, we are up to our necks in podu. This, incidentally, is Reggie, who is one of my occasional thugs,” indicating the gnarled youth on his left. “Now retiring to become a vet, would you believe, but for the next ten minutes you can trust him with your life, only don’t, trust me instead. Anyway … good evening, and what the fuck is going on, and try the lamb, it’s excellent.”
Nick Harkaway
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“When your friend is decomposing, surely you owe it to them to inhale their death. To do otherwise seems impossible prim.”
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“It’s not that any sufficiently advanced technology is magic, it’s that any technology taking place beyond the threshold of our senses is.”
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“The game is fixed. Alwayas has been, always will be, and the only way out for a man is the gangster's road.”
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“Joshua Joseph has no real hatred of modern technology - he just mistrusts the effortless, textureless surfaces, and the ease with which it trains you to do things in the way most convenient to the machine. Above all, he mistrusts duplication. A rare thing becomes a commonplace thing. A skill becomes a feature. The end is more important than the means. The child of the soul gives place to a product of the system....For anything really important, Joe prefers something with a history, an item which can name the hand which assembled it and will warm to the one that deploys it. A thing of life, rather than one of the many consumer items which humans use to make more clutter; strange parasitic devices with their own little ecosystems.”
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“Just got to fnafflebrump caddwallame, all right?" Edie says, and no one pays attention. She learned at Lady Gravely's that nonsense which can be misheard is a very good way to lie without getting caught. People just insert whatever they think you must be doing, and - having lied to themselves on your behalf - are disinclined to check up on you.”
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“Mr. Pritchard! What are you doing? Is that O-soto-gari? No! It is not! It is a yak mating with a tractor! That is really very very not very good! My grandfather is weeping in Heaven, or he would if there were such a place, which there is not because religion is a mystification contrived by monarchists! Again! Again, and this time do it properly!”
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“Bollocks to should.”
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“Gonzo's father told his son to grieve without reservation or embarrassment until he could grieve solemnly and inwardly, and then finally to hang up his tears and wear them only occasionally, as befits the true men of the heart. Grief is not a thing to be ashamed of or suppressed, he told Gonzo. Nor yet is it a thing to cherish. Feel it, inhabit it and leave it behind. It is right, but it is not the end.”
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“It's usually best not to ask philosophers anything, precisely because they have the habit of what in the Persian language is called sanud: the profitless consideration of unsettling yet inconsequential things.”
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“Because for Gonzo, anything which may explode at any moment is clearly a girl.”
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“A woman who can eat a real bruschetta is a woman you can love and who can love you. Someone who pushes the thing away because it's messy is never going to cackle at you toothlessly across the living room of your retirement cottage or drag you back from your sixth heart attack by sheer furious affection. Never happen. You need a woman who isn't afraid of a faceful of olive oil for that.”
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“Are you addicted if there is simply no reason for you to do anything else?”
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“What will you tell him?""The truth."Fortismer thinks about that."Yes," he says at last. "Probably the best thing. Bloody deceptive, honesty.”
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“I'm really sorry I ate your dog.”
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“His grandfather was scathing about "speculative faith," which is the kind you get from worrying about the possibility that God exists and may be cross with you. Daniel Spork observed that God, if there is one, is well aware of the interior dialogue, and most likely unimpressed by it. Much better, he said, to get on with being the man you are, and hope like buggery that God thinks you did as well as could be expected. Hence all the lessons and strictures concealed in everyday objects. _Learn the shape of the world, know the mind of God._”
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“And don't tell me the end justifies the means because it doesn't. We never reach the end. All we ever get is means. That's what we live with.”
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“He hates chain stores and fast-food restaurants, mass-produced items and fashionable clothes - any instance of something that is repeated across the world regardless of local context. These things deny the uniqueness of each moment and each person. They function as if we were all printed out of plastic like egg boxes, and they try to make us function the same way. They are the intrusion of perfection into our grubby, smelly, sweaty living place.”
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“The trouble with shooting people, Edie Banister now remembers, is that it's so hard to do just one.”
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“We were deluged together in the raw, unbalanced Stuff of the universe. Inevitable consequence:My own little reification.I was made flesh, and in the process taken from him. I was never supposed to be real. How terrifying to confide your every doubt to an imaginary companion, to bequeath to him every alternative, and then one day turn and see him standing before you. Gonzo must be feeling so hollow inside, with me spun out and separated from him. It must be quiet and empty in there.And that, of course, is how I survived being shot. Freshly minted, new, I wasn’t real enough to die.”
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“I need bruschetta (that's "broo-SKET-uh," not "brushetter," a slender piece of ciabatta toasted and brushed with garlic and oil and covered in fresh tomato and basil-- the chunks inevitably fall off the bread and the olive oil runs over your lips and down your chin. The whole thing is delicious, deeply physical and delightfully undignified, and a woman who can eat a real bruschetta is a woman you can love and who can love you. Someone who pushes the thing away because it's messy is never going to cackle at you toothlessly across the living room of your retirement cottage or drag you back from your sixth heart attack by sheer furious affection. Never happen. You need a woman who isn't afraid of a faceful of olive oil for that)”
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“Piracy is robbery with violence, often segueing into murder, rape and kidnapping. It is one of the most frightening crimes in the world. Using the same term to describe a twelve-year-old swapping music with friends, even thousands of songs, is evidence of a loss of perspective so astounding that it invites and deserves the derision it receives.”
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“Something else emerges from this discussion about us as human individuals: we're not fixed, stable intellects riding along peering at the world through the lenses of our eyes like the pilots of people-shaped spacecraft. We are affected constantly by what's going on around us. Whether our flexibility is based in neuroplasticity or in less dramatic aspects of the brain, we have to start acknowledging that we are mutable, persuadable and vulnerable to clever distortions, and that very often what we want to be is a matter of constant effort rather than attaining a given state and then forgetting about it. Being human isn't like hanging your hat on a hook and leaving it there, it's like walking in a high wind: you have to keep paying attention. You have to be engaged with the world.”
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“Like casinos, large corporate entities have studied the numbers and the ways in which people respond to them. These are not con tricks - they're not even necessarily against our direct interests, although sometimes they can be - but they are hacks for the human mind, ways of manipulating us into particular decisions we otherwise might not make. They are also, in a way, deliberate underminings of the core principle of the free market, which derives its legitimacy from the idea that informed self-interest on aggregate sets appropriate prices for items. The key word is 'informed'; the point of behavioural economics - or rather, of its somewhat buccaneering corporate applications - is to skew our perception of the purchase to the advantage of the company. The overall consequence of that is to tilt the construction of our society away from what it should be if we were making the rational decisions classical economics imagines we would, and towards something else.”
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“Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change... Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don't like simply because it's been written somewhere?”
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“This, not incidentally, is another perfect setting for deindividuation: on one side, the functionary behind a wall of security glass following a script laid out with the intention that it should be applied no matter what the specific human story may be, told to remain emotionally disinvested as far as possible so as to avoid preferential treatment of one person over another - and needing to follow that advice to avoid being swamped by empathy for fellow human beings in distress. The functionary becomes a mixture of Zimbardo's prison guards and the experimenter himself, under siege from without while at the same time following an inflexible rubric set down by those higher up the hierarchical chain, people whose job description makes them responsible, but who in turn see themselves as serving the general public as a non-specific entity and believe or have been told that only strict adherence to a system can produce impartial fairness. Fairness is supposed to be vested in the code: no human can or should make the system fairer by exercising judgement. In other words, the whole thing creates a collective responsibility culminating in a blameless loop. Everyone assumes that it's not their place to take direct personal responsibility for what happens; that level of vested individual power is part of the previous almost feudal version of responsibility. The deindividuation is actually to a certain extent the desired outcome, though its negative consequences are not.”
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“Modernism isn't a design ethos any more, it's an economy of scale, and a marketing tool to sell the ordinary as something special, the sexless as erotic. A technological device without a specific, personalized identity has a subtext: it asserts the value of instrumentality. Its design is a reflection of its role... The anonymity of these objects is part of what they are: interchangeable commodities whose uniqueness in so far as they possess any is created by what is done with them. Function is an identity. And that identity is something we are encouraged to incorporate into our perception of self, that anonymity is proposed as something to emulate. Whimsy and uniqueness are indulgences.”
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“Intellectual property, more than ever, is a line drawn around information, which asserts that despite having been set loose in the world - and having, inevitably, been created out of an individual's relationship with the world - that information retains some connection with its author that allows that person some control over how it is replicated and used.In other words, the claim that lies beneath the notion of intellectual property is similar or identical to the one that underpins notions of privacy. It seems to me that the two are inseparable, because they are fundamentally aspects of the same issue, the need we have to be able to do something by convention that is impossible by force: the need to ringfence certain information. I believe that the most important unexamined notion - for policymakers and agitators both - in these debates is that they are one: you can't persuade people on the one hand to abandon intellectual property (a decision which, incidentally, would mean an even more massive upheaval in the way the world runs than we've seen so far since 1990) and hope to keep them interested in privacy. You can't trash privacy and hope to retain a sense of respect for IP.”
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“Privacy is a protection from the unreasonable use of state and corporate power. But that is, in a sense, a secondary thing. In the first instance, privacy is the statement in words of a simple understanding, which belongs to the instinctive world rather than the formal one, that some things are the province of those who experience them and not naturally open to the scrutiny of others: courtship and love, with their emotional nakedness; the simple moments of family life; the appalling rawness of grief. That the state and other systems are precluded from snooping on these things is important - it is a strong barrier between the formal world and the hearth, extended or not - but at root privacy is a simple understanding: not everything belongs to everyone.”
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“A desire for privacy does not imply shameful secrets; Moglen argues, again and again, that without anonymity in discourse, free speech is impossible, and hence also democracy. The right to speak the truth to power does not shield the speaker from the consequences of doing so; only comparable power or anonymity can do that.”
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“Dressing, I chose the second shirt, the one softened in the mouth of a trained and perfumed albino hippopotamus and made entirely of pigeon's wool, because it goes better with the shoes than the one stitched with baby hair.”
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“I hover over the expensive Scotch and then the Armagnac, but finally settle on a glass of rich red claret. I put it near my nose and nearly pass out. It smells of old houses and aged wood and dark secrets, but also of hard, hot sunshine through ancient shutters and long, wicked afternoons in a four-poster bed. It's not a wine, it's a life, right there in the glass.”
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“Newton's work on gravity led to the discovery of the Lagrange point, a place where opposing forces cancel one another out, and a body may remain at relative rest. This is where I am right now; the forces in my life confound one another. Better, for the moment, to be here and now, without history or future.”
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“Nowhere have I ever heard of Satan taking the form of an avuncular hippie. No doubt he could. It just seems inefficient.”
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“If we one day cease to exist, what will be remarkable is that we were ever here at all.”
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“I do not know, at this point, whether Joshua Joseph Spork is the man of my life. He could be. I have given it considerable thought. The jury is still out. The issue between you and me is that you wish to deprive me of the opportunity to find out. Joe Spork is not yours to give or to withhold from me, Mr. Cummerbund. He is mine, until I decide otherwise. You have caused him grief, sullied his name, and you have hurt him. If anyone is going to make him weep, or lie about him, or even do bad things to him, it is me.”
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“Joe Spork opens the door. The man departs. Joe turns to Polly to say something about how they’re obviously not going to Portsmouth, and finds an oyster knife balanced on his cheek, just under his eye.“Can we be very clear,” Polly Cradle murmurs, “that I am not your booby sidekick or your Bond girl? That I am an independent supervillain in my own right?”Joe swallows. “Yes, we can,” he says carefully.“There will therefore be no more ‘Say hello, Polly’?”“There will not.”
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“Mercer,” Polly says, “we are now going to hug. As a group. The experience will be very un-English. It will be good for you. Do not speak, at all, especially not in an attempt to diffuse the emotional intensity of the situation.”They hug, somewhat awkwardly, but with great feeling.“Well,” Mercer says, after a moment, “that was certainly—”“I will hit you with a shovel,” Polly Cradle murmurs.”
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“Mercer opens hi mouth to argue, and Bastion Banister chooses this moment to open his mouth and snap at the circling bee. To his own evident surprise, he captures it, and there’s a curious little glonking noise as he swallows it whole. Mercer cringes slightly, as if expecting the dog to explode.Nothing happens.“All right,” Polly Cradle says, and then, pro forma, “Bastion, you’re a very naughty boy.”“Yes,” Mercer says acidly. “The dog has consumed a possibly lethal technological device of immense sophistication, deprived us of our only piece of tangible evidence and possibly doomed us all to some sort of arcane scientific retaliative strike. By all means, chide him severely with your voice. That will solve everyone’s problems.”
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“I shall now explain my plan. You may then speak, but only to amend the detail. The broad outline is not subject to negotiation. Are you ready? Good … I propose to have sex with you. I believe it will be excellent sex. Your obedience on one particular issue of timing it will be required to make it unforgettable sex. I will explain that issue as we go. At the moment, I wish to hear your inevitable objection to the general sex part of this plan.”
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“Never mind, never mind, let's get to the part where we smite the unrighteous. I've brought my most alarming teeth!”
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“Photography is without mercy--though it's nonsense to say it does not lie. Rather, it lies in a particular, capricious way which makes beggars of ministers and gods of cat's meat men.”
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“My loss of faith is sudden, and it's not so much a conversion as a reappraisal. Children are still modeling the world, still understanding how it works; their convictions are malleable, like their bones. Thus, I experience no sudden horrible wrench as my belief is uprooted, but rather a feeling like the right pair of glasses being put in front of my face after some time wearing someone else's.”
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“Crotch biting menace:I have my mouth in close proximity to your genitals.Oh thou man who talks to my mistress over coffee.Do not irk or trifle with me! I possess but one tooth, oh, yes, for the rest were buried long ago in the flesh of sinners.Behold my jaws, upper and lower in righteous, symmetrical poverty.Move not, man of clocks, and heed my mistress, for she cherishes me, even in my foul old age.”
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“A cherry pie is . . . ephemeral. From the moment it emerges from the oven it begins a steep decline: from too hot to edible to cold to stale to mouldy, and finally to a post-pie state where only history can tell you that it was once considered food. The pie is a parable of human life.”
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“Children, bored and opinionated, are scholars of the most dogmatic stripe.”
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“I am Nemesis, meting out just deserts”
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“Thus Gonzo, incendiarist and leader of men.”
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“The sergeants are shunted forward and they blink and stare up at Gonzo as he leans on the edge of his giant mixing bowl. MacArthur never addressed his troops from a mixing bowl--not even one made from a spare geodesic radio emplacement shell--and certainly de Gaulle never did. But Gonzo Lubitsch does, and he does it as if a whole long line of commanders were standing at his shoulder, urging him on."Gentlemen," says Gonzo softly, "holidays are over. I need an oven, and I need one in about twenty minutes, or these fine flapjacks will go to waste, and that is not happening."And something about this statement and the voice in which he says it makes it clear that this is simply true. One way or another, this thing will get done. Under a layer of grime and horror, these two are soldiers, and more, they are productive, can-do sorts of people. Rustily but with a gratitude which is not so far short of worship, they say "Yes, sir" and are about their business.”
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“A warsheep would be a cross between a dolphin and a small, limber elephant.”
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