Nick Hornby

“Why does reading freak people out so much? Sure, I could be pretty anti-social when we were on the road, but if I was playing a Gameboy hour after hour, no one would be on my case. In my social circle, blowing up space monsters is socially acceptable in a way that American Pastoral isn't.”

“And another way of explaining it is to say that shit happens, and there's no space too small, too dark and airless and fucking hopeless, for people to crawl into.”

“I read the fuck out of every book I can get my hands on.”

“I'm human. That's how humans spend their time, doing shitty things.”

“I'd never really had arguments like this before, arguments I couldn't understand properly, arguments where both sides were right and wrong all at the same time.”

“When I went back into the kitchen, I wanted to sit on my mum's lap. I know that sounds stupid and babyish , but I couldn't help it. On my sixteenth birthday, I didn't want to be sixteen, or fifteen or anyteen. I wanted to be three or four, and too young to make any kind of mess”

“Someone like my mum would say, Oh, you're just a kid, you don't know what love is.But I didn't think of anything else apart from being with Alicia, and the only time I felt like I was where I wanted to be was when I was with her. I mean, that may as well be love, mightn't it?”

“It seems to make a difference to some girls. If you say something that isn't sexist to the right sort ofgirl, she likes you more. Say one of your mates is going on about how all girls are stupid, and you say 'not all girls are stupid,' then it can make you look good. There have to be girls listening, though, obviously. Otherwise it's a waste of time.”

“So this is supposed to be about the how, and when, and why, and what of reading -- about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time.”

“She stopped typing. If she’d been using pen and paper, she would have screwed the paper up in disgust, but there wasn’t a satisfying equivalent with email, seeing as everything was designed to stop you making a mistake. She needed a fuck-it key, something that made a satisfying ka-boom noise when you thumped it.”

“We are never allowed to forget that some books are badly written; we should remember that sometimes they're badly read, too.”

“I took her outside on to a little roof terrace that looked like it never got the sun at nay time of the day r year, but there was a picnic table and a grill out there anyway. Those little grills are everywhere in England, right? To me they've come to represent the trumph of hope over circumstance, seeing as all you can do is peer at them out the window through the pissing rain.”

“When you get older, it feels like happy memories and sad memories are pretty much the same thing. It is all just emotion in the end. And any of it can make you weep.”

“Maybe the best thing to do with favorite books is to leave them be: to achieve such exalted position means that they entered your life at exactly the right time, in precisely the right place, and those conditions can never be recreated.”

“Ken didn't die for your benefit, you know. It's like everyone's a supporting actor in the flm of your life story." Of course. Isn't that how it works for everybody?”

“Sometimes you know you've got a chance with a girl because she wants to fight with you. If the world wasn't so messed up, it wouldn't be like that. If the world was normal, a girl being nice to you would be a good sign, but in the real world, it isn't.”

“Dialogue in the works of autobiography is quite naturally viewed with some suspicion. How on earth can the writer remember verbatim conversations that happened fifteen, twenty, fifty years ago? But 'Are you playing, Bob?' is one of only four sentences I have ever uttered to any Arsenal player (for the record the others are 'How's the leg, Bob?' to Bob Wilson, recovering from injury the following season; 'Can I have your autograph, please?' to Charlie George, Pat Rice, Alan Ball and Bertie Mee; and, well, 'How's the leg, Brian?' to Brian Marwood outside the Arsenal club shop when I was old enough to know better) and I can therefore vouch for its absolute authenticity.”

“Because . . . most of us think that the point is something to do with work, or kids, or family, or whatever. But you don't have any of that. There's nothing between you and despair, and you don't seem a very desperate person.' 'Too stupid.' 'You're not stupid. So why don't you ever put your head in the oven?' 'I don't know. There's always a new Nirvana album to look forward to, or something happening in NYPD Blue to make you want to watch the next episode.' 'Exactly.' 'That's the point? NYPD Blue? Jesus.' It was worse than he thought. 'No, no. The point is you keep going. You want to. So all the things that make you want to are the point. I don't know if you even realize it, but on the quiet you don't think life's too bad. You love things. Telly. Music. Food.”

“I don't think you can call it stalking when it's just phone calls and letters and emails and knocking on the door.”

“Songwriting is an art distinct from poetry.”

“It's just that none of us had the wit or talent to make them into songs. We made them into life, which much messier, and more time consuming, and leaves nothing for anybody to whistle.”

“Jess thought for a moment. 'You know those films where people fight up the top of the Empire State Building or up a mountain or whatever? And there's always that bit when the baddie slips off and the hero tries to save him, but, like, the sleeve of this jacket tears off and goes over and you hear him all the way down. Aaaaaaaaagh. That's what I want to do.' 'You want to watch me plunge to my doom.' 'I'd like to know that I've made the effort. I want to show people the torn sleeve.”

“And it's not like you never do anything wrong ever, is it?' said Marcus. 'I mean...' He had to be careful here. He knew he couldn't say too much or even anything at all about the hospital stuff. 'I mean how come I got to know Will in the first place?'Because you threw a bloody great baguette at a duck's head and killed it, basically,' said Will.”

“Marcus couldn’t believe it. Dead. A dead duck. OK, he'd been trying to hit it on the head with a piece of sandwich, but he tried to do all sorts of things, and none of them had ever happened before. He'd tried to get te highest score on the Stargazer machine in the kebab shop on Hornsey Road--nothing. He's tried to read Nicky’s thoughts by staring at the back of his head every maths lesson for a week--nothing. It really annoyed him that the only thing he'd ever achieved was something he hadn't really wanted to do that much in the first place. And anyway, since when did hitting a bird with a sandwich kill it? Kids must spend half their lives throwing things at the ducks in Regent's Park. How come he managed to pick a duck that pathetic? There must have been something wrong with it. It was probably about to die from a heart attack or something; it was just a coincidence. But if it was, nobody would believe him. If there were any witnesses, they'd only have seen the bread hit the duck right on the back of the head, and then seen it keel over. saw it die. They'd put two and two together and make five, and he'd be imprisoned for a crime he never committed. ... "What's that floating next to it?" Will asked. "Is that the bread you threw at it?" Marcus nodded unhappily. "That's not a sandwich, that's a bloody french loaf. No wonder it keeled over. That would've killed me.”

“Forse noi viviamo troppo protesi verso un apice, dico noi che assorbiamo emozioni da mattina a sera, e di conseguenza non riusciamo a sentirci semplicemente contenti: noi dobbiamo essere o disperati o al settimo cielo e questi stati d'animo sono difficili da raggiungere in una relazione stabile e solida.”

“Sarcasm and compassion are two of the qualities that make life on Earth tolerable.”

“You see the profound effect literature can have on life? Who says it's all a waste of time? If only I could produce one book that left someone with that kind of ferocious grievance. If you have read one of my books, you probably feel cheated out of however much money it might have cost you, and you'll certainly begrudge the time you wasted on it. But even at my most bullish and self-aggrandizing, I can't quite make myself believe that I've actually wrecked someone's life. Any documentary evidence to the contrary will be gratefully received.”

“my friends don't seem to be friends at all but people whose phone numbers I haven't lost.”

“You spend Christmas at somebody's house, you worry about their operations, you give them hugs and kisses and flowers, you see them in their dressing gown...and then bang, that's it. Gone forever. And sooner or later there will be another mum, another Christmas, more varicose veins. They're all the same. Only the addresses, and the colors of the dressing gown, change.”

“If the price you have to pay for a sin is so high that you end up wanting to kill yourself and committing suicide is an even worse sin, then Someone's done his sums wrong. Someone's overcharging.”

“listen, pal. I came here because I knew how worried you must be. But if you're going to talk to me like that, I'll fuck off home." The word racist brightened a little: the Anglo- Saxon was striking back against the Roman invader.”

“What really matters is what you like, not what you are like”

“Over the last couple of years, the photos of me when I was a kid... well, they've started to give me a little pang or something - not unhappiness, exactly, but some kind of quiet, deep regret... I keep wanting to apologize to the little guy: "I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.”

“I work it out. It is the act of reading itself I miss, the opportunity to retreat further and further from the wold until I have found some space, some air that isn't stale, that hasn't been breathed by my family a thousand times already.”

“It's love this and love that but of couse it's so easy to love someone you don't know, whether it's George Clooney or Monkey. Staying civil to someone with whom you've ever shared Christmas turkey- now there's a miracle.”

“I burst into tears and I cry and cry until it feels as though it is not salt and water being squeezed from my eyes, but blood.”

“What you don't catch a glimpse of on your wedding day- because how could you?- is that some days you will hate your spouse, that you will look at him and regret ever exhchanging a word with him, let alone a ring and bodily fluids.”

“Do you ever do that thing where you lie in bed and you can't sleep so you end up writing out recent conversation you've had? So they look like a play?'Well you should. It's fun. I keep them. Look through them, sometimes.”

“There have been times recently, since the begining of our troubles, when the site of David awake active, conscious, walking and talking has made me want to retch, so acute is my loathing of him.”

“So now what? What happens when words fail us?”

“I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?”

“Not for the first time in my life, and certainly not for the last, a self-righteous gloom had edged out all semblance of logic. ”

“And mostly all I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do. ”

“It's no wonder we're all such a mess, is it? We're like Tom Hanks in Big. Little boys and girls trapped in adult bodies and forced to get on with it. ”

“I used to believe, although I don't now, that growing and growing up are analogous, that both are inevitable and uncontrollable processes. Now it seems to me that growing up is governed by the will, that one can choose to become an adult, but only at given moments. These moments come along fairly infrequently -during crises in relationships, for example, or when one has been given the chance to start afresh somewhere- and one can ignore them or seize them.”

“I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it.”

“Sorry Maureen.”

“It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’ve got to pick at it, keep it alive and in turmoil, you’ve got to pick at it and unravel it until it all comes apart and you’re compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.”

“I used to think--and given the way we ended up, maybe I still do--that all relationships need the kind of violent shove that a crush brings, just to get you started and to push you over the humps. And then, when the energy from that shove has gone and you come to something approaching a halt, you have to look around and see what you've got. It could be something completely different, it could be something roughly the same, but gentler and calmer, or it could be nothing at all.”

“He loved Nirvana, but at his age they were kind of a guilty pleasure. All that rage and pain and self-hatred! Will got a bit...fed up sometimes, but he couldn't pretend it was anything stronger than that. So now he used loud angry rock music as a replacement for real feelings, rather than as an expression of them, and he didn't even mind very much. What good were real feelings anyway?”