Nicolás Guillén
Nicolás Cristóbal Guillén Batista was a Cuban poet, journalist, political activist, and writer. He is best remembered as the national poet of Cuba.
Guillén was born in Camagüey, Cuba. He studied law at the University of Havana, but he soon abandoned a legal career and worked as a typographer and journalist.
His poetry was published in various magazines from the early 1920s and his first collection, Motivos de son, appeared in 1930. West Indies, Ltd., published in 1934, was Guillén's first collection of poetry with political implications.[2] Cuba's dictatorial Machado regime had been overthrown in 1933, but political repression in the following years intensified. In 1936, with other editors of Mediodía, Guillén was arrested on trumped-up charges, and spent some time in jail. In 1937 he joined the Communist Party and made his first trip abroad–to attend a Congress of Writers and Artists in Spain. During his travels in the country he covered Spain's Civil War as a magazine reporter.
Guillén returned to Cuba via Guadeloupe. He stood as a Communist in the local elections of 1940. The following year he was refused a visa to enter the United States, but he travelled widely over the next twenty years – in South America, China and Europe. Guillén's poetry was increasingly becoming imbued with issues of cross-cultural Marxist dialectic. He was prevented by the Batista government from entering Cuba in 1953, but was welcomed back by Fidel Castro after the revolution, becoming appointed president of the Unión Nacional de Escritores de Cuba–the National Cuban Writers' Union–in 1961. He also wrote some evocative and poignant poetry highlighting social conditions, such as "Problemas de Subdesarrollo" and "Dos Niños". He was awarded the Stalin Peace Prize in 1954, which was later renamed for Lenin under de-Stalinization and also the Laureate Of The International Botev Prize in 1976. He was the inaugural winner of Cuba's National Prize for Literature (1983).
Nicolás Guillén died in 1989 at age 87 and was buried in the Colon Cemetery, Havana. His nephew was experimental Cuban filmmaker Nicolás Guillén Landrián (1938–2003).
“Tanto tren con tu cuerpo,tanto tren;tanto tren con tu boca,tanto tren;tanto tren con tu sojo,tanto tren...”
“¿Puedes vender cielo,el cielo azul a veces,o gris también a veces,una parcela de tu cielo,el que compraste, piensas tú, con los árboles]de tu huerto, como quien compra el techo con la casa?]¿Puedes venderme un dólarde cielo, dos kilómetrosde cielo, un trozo, el que tú piensas,de tu cielo?”
“...la pureza de quien no llegó a ser lo suficientemente impuro para saber qué cosa es la pureza.”
“GuitarraFueron a cazar guitarras,bajo la luna llena.Y trajeron ésta,pálida, fina, esbelta,ojos de inagotable mulata,cintura de abierta madera.Es joven, apenas vuela.Pero ya cantacuando oye en otras jaulasaletear sones y coplas.Los sonesombres y las coplasolas.Hay en su jaula esta inscripción:Cuidado: sueña.”GuitarThey went out hunting guitarsunder the full moonand brought back this one:pale, elegant, shapely,eyes of inexhaustible mulatta,a waist of open wood.She’s young, she barely flies.But already she singswhen she hears the flutterof sones and coupletsin other cages.The somber sones and the lonely couplets.There is this inscription on her cage:Beware: she dreams.”