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Nicole Krauss

Nicole Krauss is the author of the international bestseller The History of Love, which was published by W.W. Norton in 2005. It won the William Saroyan International Prize for Writing, France’s Prix du Meilleur Livre Ėtranger, was named #1 book of the year by Amazon.com, and was short-listed for the Orange, Médicis, and Femina prizes. Her first novel, Man Walks Into a Room, was a finalist for the Los Angeles Times Book Award for First Fiction. In 2007, she was selected as one of Granta’s Best Young American Novelists, and in 2010 The New Yorker named her one of the 20 best writers under 40.

Her fiction has been published in The New Yorker, Harper’s, Esquire, and Best American Short Stories, and her books have been translated into more than thirty-five languages. She recently completed a Cullman Fellowship at the New York Public Library. She lives in Brooklyn, New York.


“How was it possible to wake up every day and be recognizable to another when so often one was barely recognizable to oneself?”
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“Tell me, was I the sort of person who took your elbow when cars passed on the street, touched your cheek while you talked, combed your wet hair, stopped by the side of the road in the country to point out certain constellations, standing behind you so that you had the advantage of leaning and looking up?”
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“He spoke of human solitude, about the intrinsic loneliness of a sophisticated mind, one that is capable of reason and poetry but which grasps at straws when it comes to understanding another, a mind aware of the impossibility of absolute understanding. The difficulty of having a mind that understands that it will always be misunderstood.”
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“... I had the elated, otherworldly feeling I sometimes get entering the sphere of another's life, when for a moment changing my banal habits and living like that seems entirely possible, a feeling that always dissolves by the next morning, when I wake up to the familiar, unmovable shapes of my own life.”
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“In the beginning it was always the same. But. I kept trying. Then one day I accidentally moved as the shutter clicked. A shadow appeared. The next time I saw the outline of my face, and a few weeks later my face itself. It was the opposite of disappearing.”
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“I walked down my snow covered street. Out of habit I turned and checked for my footsteps. When I arrived at my building I looked for my name on the buzzers. And because I know that sometimes I see things that aren't there, after dinner I called Information to ask if I was listed.(25)”
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“As the rifles were pointed at his chest he wondered if what he had taken for the richness of silence was really the poverty of never being heard. He had thought the possibilities of human silence were endless.”
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“Somewhere in the far north of Canada there wuld be snow, falling soundlessly overy the Beaufort Sea, falling over the Artic without a soul to see it. What kind of weather was that, Samson wondered, and how was one to use this information except as proof that the world was too much to bear?”
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“Without memories to cloud it, the mind perceives with absolute clarity. Each observation stands out in stark relief. In the beginning, when there's not yet a smudge, the slate still blank, there is only the present moment: each vital detail, shocked color, the fall of light. Like film stills. The mind relentlessly open to the world, deeply impressed, even hurt by it: not yet gauzed by memory.”
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“But see, the incredible thing about people is that we forget," Ray continued. "Time passes and somehow the hope creeps back and sooner or later someone else comes along all over again. We go through our lives like that, and either we just accept the lesser relationship -- it may not be total understanding, but it's pretty good -- or we keep trying for the perfect union, trying and failing, leaving behind us a trail of broken hearts, our own included. In the end, we die as alone as we were born, having struggled to understand others, to make ourselves understood, but having failed in what we once imagined was possible.”
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“Once upon a time, there was a boy. He lived in a village that no longer exists, in a house that no longer exists, on the edge of a field that no longer exists, where everything was discovered, and everything was possible. A stick could be a sword, a pebble could be a diamond, a tree, a castle. Once upon a time, there was a boy who lived in a house across the field, from a girl who no longer exists. They made up a thousand games. She was queen and he was king. In the autumn light her hair shone like a crown. They collected the world in small handfuls, and when the sky grew dark, they parted with leaves in their hair.Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.”
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“Every year, the memories I have of my father become more faint, unclear, and distant. once they were vivid and true, then they became like photographs, and now they are more like photographs of photographs.”
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“I know sometimes things are hard with Mum." "She misses Dad," I said, which was like pointing out that a sky-scraper is tall. Uncle Julian nodded.”
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“When we went into the ocean, I watched his body as he dove into the waves, and it gave me a feeling in my stomach that wasn't an ache but something different.”
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“What about you? Are you happiest and saddest right now that you've ever been?" "Of course I am." "Why?" "Because nothing makes me happier and nothing makes me sadder than you.”
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“Only now that my son was gone did I realize how much I'd been living for him. When I woke up in the morning it was because he existed, and when I ordered food it was because he existed, and when I wrote my book it was because he existed to read it.”
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“...and at the table next to her was a little boy in a soccer uniform sitting with his mother who told him, The plural of elf is elves. A wave of happiness came over me. It felt giddy to be part of it all. To be drinking a cup of coffee like a normal person. I wanted to shout out: The plural of elf is elves! What a language! What a world!”
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“That he liked to think of himself as a philosopher. That he questioned all things, even the most simple, to the extent that when someone passing him on the street raised his hat and said, 'Good day,' Litvinoff often paused so long to weigh evidence that by the time he'd settled on an answer the person had gone on his way, leaving him standing alone.”
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“All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist.”
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“Bruno, my old faithful. I haven't sufficiently described him. Is it enough to say he is indescribable? No. Better to try and fail than not to try at all.”
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“There were many things they simply didn't talk about: between them, silence was not so much a form of evasion as a way for solitary people to exist in a family.”
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“Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about.”
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“When they write my obituary. Tomorrow. Or the next day. It will say, Leo Gursky is survived by an apartment full of shit”
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“For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love...”
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“The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces.”
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“Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person's silence.”
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“If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms - if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body - it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside was much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs up : all artifacts of ancient gestures. Holding hands, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s body to make ourselves understood.”
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“In life we sit at the table and refuse to eat, and in death we are eternally hungry.”
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“...our eyes locked in one of those looks that sometimes happen between strangers, when both wordlessly agree that reality contains sinkholes whose depths neither can ever hope to fathom.”
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“Only later did I come to understand that to be a mother is to be an illusion. No matter how vigilant, in the end a mother can't protect her child - not from pain, or horror, or the nightmare of violence, from sealed trains moving rapidly in the wrong direction, the depravity of strangers, trapdoors, abysses, fires, cars in the rain, from chance.”
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“. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.”
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“I've reached the age where bruises are formed from failures within rather than accidents without.”
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“...I continued to sit there hour after hour watching the unrelenting rain slosh against the glass, thinking of our life together, Lotte's and mine, how everything in it was designed to give a sense of permanence, the chair against the wall that was there when we went to sleep and there again when we awoke, the little habits that quoted from the day before and predicted the day to come, though in truth it was all just an illusion, just as solid matter is an illusion, just as our bodies are an illusion, pretending to be one thing when really they are millions upon millions of atoms coming and going, some arriving while others are leaving us forever, as if each of us were only a great train station, only not even that since at least in a train station the stones and the tracks and the glass roof stay still while everything else rushes through it, no, it was worse than that, more like a giant empty field where every day a circus erected and dismantled itself, the whole thing from top to bottom, but never the same circus, so what hope did we really have of ever making sense of ourselves, let alone one another?”
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“I’ve always liked the feeling of traveling light; there is something in me that wants to feel I could leave wherever I am, at any time, without any effort. The idea of being weighed down made me uneasy, as if I lived on the surface of a frozen lake and each new trapping of domestic life - a pot, a chair, a lamp - threatened to be the thing that sent me through the ice.”
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“All these years Litvinoff had imagined he was so much like his friend. He’d prided himself on what he considered their similarities. But the truth was that he was no more like the man fighting a fever in bed ten feet away than he was like the cat that had just slunk off: they were different species.”
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“Part of me is made of glass, and also, I love you.”
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“...we take comfort in the symmetries we find in life because they suggest a design where there is none.”
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“("Let's stand under a tree," she said. "Why?""Because it's nicer.""Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives.""That's stupid.""Why's it stupid?""Because we're not married.""Should we hold hands?""We can't.""But why?""Because, people will know.""Know what?""About us.""So what if they know?""It's better when it's a secret.""Why?""So no one can take it from us.")”
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“He died alone because he was too embarrassed to phone anyone.”
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“Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.”
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“He learned to live with the truth. Not to accept it, but to live with it. It was like living with an elephant. His room was tiny, and every morning he had to squeeze around the truth just to get to the bathroom. To reach the armoire to get a pair of underpants he had to crawl under the truth, praying it wouldn't choose that moment to sit on his face. At night, when he closed his eyes, he felt it looming above him.”
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“The truth was I'd given up waiting long ago. The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces. Or better to say, in my face. Grammar of my life: as a rule of thumb, wherever there appears a plural, correct for singular. Should I ever let slip a royal We put me out of my misery with a swift blow to the head.”
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“Holy shit, Bird," I whispered through my teeth. "At least try to be normal. You have to at least try.”
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“15. WHENEVER I WENT OUT TO PLAY, MY MOTHER WANTED TO KNOW EXACTLY WHERE I WAS GOING TO BEWhen I'd come in, she'd call me into her bedroom, take me in her arms, and cover me with kisses. She'd stroke my hair and say, 'I love you so much,' and when I sneezed she'd say, 'Bless you, you know how much I love you, don't you?' and when I got up for a tissue she'd say, 'Let me get that for you I love you so much,' and when I looked for a pen to do my homework she'd say, 'Use mine, anything for you,' and when I had an itch on my leg she'd say, 'Is this the spot, let me hug you,' and when I said I was going up to my room she'd call after me, 'What can I do for you I love you so much,' and I always wanted to say, but never said: Love me less.”
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“I want to say somewhere: I've tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in.”
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“When will you learn that there isn't a word for everything?”
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“Loneliness: there is no organ that can take it all.”
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“HOW ANGELS SLEEP. Unsoundly. They toss and turn, trying to understand the mystery of the living. They know so little about what it's like to fill a new prescription for glasses and suddenly see the world again, with a mixture of disappointment and gratitude ... Also, they don't dream. For this reason, they have one less thing to talk about. In a backward way, when they wake up they feel as if there is something they are forgetting to tell each other. There is disagreement among the angels as to whether this is a result of something vestigial, or whether it is the result of the empathy they feel for the Living, so powerful it sometimes makes them weep. In general, they fall into these two camps on the subject of dreams. Even among the angels, there is the sadness of division.”
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“I forced myself to picture the last moments. The penultimate breath. A final sigh. And yet. It was always followed by another.”
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“The way Misha tells it, he drove like a blind man, giving the car almost full independence to feel its way along, bumping off things, only giving the wheel a spin with the tips of this fingers when the situation verged on life threatening.”
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