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Norton Juster

Norton Juster was an architect and planner, professor emeritus of design at Hampshire College, and the author of a number of highly acclaimed children's books, including The Dot and the Line, which was made into an Academy Award-winning animated film. He collaborated with Sheldon Harnick on the libretto for an opera based on The Phantom Tollbooth. The musical adaptation, with a score by Arnold Black, premiered in 1995. An amateur cook and professional eater, Mr. Juster lived with his wife in Amherst, Massachusetts.


“You see, it's really quite simple. A simile is just a mode of comparison employing 'as' and 'like' to reveal the hidden character or essence of whatever we want to describe, and through the use of fancy, association, contrast, extension, or imagination, to enlarge our understanding or perception of human experience and observation.”
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“... what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.”
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“And remember, also...that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.”
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“There are other advantages," continued the child. "For instance, if one rat were cornered by nine cats, on the average, each cat would be ten percent rat and the rat would be ninety percent cat. If you happened to be a rat, you can see how much nicer it would make things.”
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“You see," he continued, beginning to feel better, "once there was no time at all, and people found it very inconvenient. They never knew wether they were eating lunch or dinner, and they were always missing trains. So time was invented to help them keep track of the day and get to places where they should. When they began to count all the time that was available, what with 60 seconds in a minute and 60 minutes in an hour and 24 hours in a day and 365 days in a year, it seemed as if there was much more than could ever be used. 'If there's so much of it, it couldn't be very valuable,' was the general opinion, and it soon fell into dispute. People wasted it and even gave it away. Then we were giving the job of seeing that no one wasted time again," he said, sitting up proudly. "It's hard work but a noble calling. For you see"- and now he was standing on the seat, one foot on the windshield, shouting with his ams outstretched- "it is our most valuable possession, more precious than diamonds. It marches on, it and tide wait for no man, and-" At that point in the speech the car hit a bump in the road and the watchdog collapsed in a heap on the front seat with his alarm ringing furiously.”
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“You must excuse my gruff conduct,” the watchdog said, after they’d been driving for some time, “but you see it’s traditional for watchdogs to be ferocious.”
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“The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all."How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever.""Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn)."Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again."Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish."Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs.""Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then.""But it hardly seems worth while," said Milo softly."WORTH WHILE!" the man roared indignantly."All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite."Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant."Then why bother?" asked Tock, whose alarm suddenly began to ring."Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh."Then you must -----" gasped Milo."Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.”
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“You see. . . it's really quite strenuous doing nothing all day, so once a week we take a holiday and go nowhere, which was just where we were going when you came along. Would you care to join us?”
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“Why, did you know that if a beaver two feet long with a tail a foot and a half long can build a dam twelve feet high and six feet wide in two days, all you would need to build Boulder Dam is a beaver sixty-eight feet long with a fifty-one-foot tail?""Where would you find a beaver that big?" grumbled the Humbug as his pencil point snapped."I'm sure I don't know," he replied, "but if you did, you'd certainly know what to do with him.”
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“In this box are all the words I know…Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is to use them well and in the right places.”
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“But just because you can never reach it, doesn’t mean that it’s not worth looking for.”
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“How can you see something that isn't there?" yawned the Humbug, who wasn't fully awake yet. "Sometimes, it's much simpler than seeing things that are,"he said. "For instance, if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones.""Then where is Reality?" barked Tock. "Right here,"cried Alec, waving his arms.”
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“I know one thing for certain; it is much harder to tell whether you are lost than whether you were lost, for, on many occasions, where you are going is exactly where you are. On the other hand, if you often find that where you've been is not at all where you should have gone, and, since it's much more difficult to find your way back from someplace you've never left, I suggest you go there immediately and then decide.”
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“You see, to tall men I'm a midget, and to short men I'm a giant; to the skinny ones I'm a fat man, and to the fat ones I'm a thin man.”
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“Whether or not you find your own way, you're bound to find some way. If you happen to find my way, please return it, as it was lost years ago. I imagine by now it's quite rusty.”
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“I don't know of any wrong road to Dictionopolis, so if this road goes to Dictionopolis at all it must be the right road, and if it doesn't it must be the right road to somewhere else, because there are no wrong roads to anywhere. Do you think it will rain?”
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“So many things are possible just as long as you don't know they're impossible.”
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“You must never feel badly about making mistakes ... as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.”
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“Let me try once more," Milo said in an effort to explain. "In other words--""You mean you have other words?" cried the bird happily. "Well, by all means, use them. You're certainly not doing very well with the ones you have now.”
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“There are no wrong roads to anywhere.”
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“And now," he continued, speaking to Milo, "where were you on the night of July 27?" "What does that have to do with it?" asked Milo."It's my birthday, that's what," said the policeman as he entered "Forgot my birthday" in his little book. "Boys always forget other people's birthdays.”
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“Oh dear, all those words again," thought Milo as he climbed into the wagon with Tock and the cabinet members. "How are you going to make it move? It doesn't have a--" "Be very quiet," advised the duke, "for it goes without saying.”
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“Perhaps you'd care for a synonym bun," suggested the duke.”
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“You can't improve sound by having only silence. The problem is to use each at the proper time.”
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“The Mathemagician nodded knowingly and stroked his chin several times. “You’ll find,” he remarked gently, “that the only thing you can do easily is be wrong, and that’s hardly worth the effort.”
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“And, as you've discovered, so many things are possible just as long as you don't know they're impossible.”
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“Does everyone grow the way you do?" puffed Milo when he had caught up."Almost everyone," replied Alec, and then he stopped a moment and thought. "Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up towards the sky. But we do our best to discourage awkward things like that.""What happens to them?" insisted Milo."Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars." And with that he skipped off once again toward the waiting woods.”
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“So many things are possible as long as you don't know they're impossible.”
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“Have you ever heard a blindfolded octopus unwrap a cellophane-covered bathtub?”
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“if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones.”
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“Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.”
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“We never choose which words to use, for as long as they mean what they mean to mean, we don’t care if they make sense or nonsense.”
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“What you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.”
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“Just because you have a choice, it doesn't mean that any of them 'has' to be right.”
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“Expectations is the place you must always go to before you get to where you're going.”
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“Where is the sound?" someone hastily scribbled on the blackboard, and they all waited anxiously for the reply. Milo caught his breath, picked up the chalk, and explained simply, "It's on the tip of my tongue.”
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“Ah, this is fine," he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved on one side were the words "WHY NOT?" "That's a good reason for almost anything - a bit used perhaps, but still quite serviceable.”
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“You can swim all day in the Sea of Knowledge and not get wet.”
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“Everybody is so terribly sensitive about the things they know best.”
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“It's bad enough wasting time without killing it.”
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“And remember, also," added the Princess of Sweet Rhyme, "that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.”
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“For instance," said the boy again, "if Christmas trees were people and people were Christmas trees, we'd all be chopped down, put up in the living room, and covered in tinsel, while the trees opened our presents.""What does that have to do with it?" asked Milo."Nothing at all," he answered, "but it's an interesting possibility, don't you think?”
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“...it's very much like your trying to reach infinity. You know that it's there, you just don't know where-but just because you can never reach it doesn't mean that it's not worth looking for.”
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“Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up toward the sky. But we do our best to discourage awkward things like that." "What happens to them?" insisted Milo."Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars.”
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“It has been a long trip," said Milo, climbing onto the couch where the princesses sat; "but we would have been here much sooner if I hadn't made so many mistakes. I'm afraid it's all my fault.""You must never feel badly about making mistakes," explained Reason quietly, "as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.”
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“As the cheering continued, Rhyme leaned forward and touched Milo gently on the shoulder. "They're cheering for you," she said with a smile. "But I could never have done it," he objected, "without everyone else's help." "That may be true," said Reason gravely, "but you had the courage to try; and what you can do is often simply a matter of what you *will* do." "That's why," said Azaz, "there was one very important thing about your quest that we couldn't discuss until you returned. "I remember," said Milo eagerly. "Tell me now." "It was impossible," said the king, looking at the Mathemagician. "Completely impossible," said the Mathemagician, looking at the king. "Do you mean----" said the bug, who suddenly felt a bit faint. "Yes, indeed," they repeated together; "but if we'd told you then, you might not have gone---and, as you've discovered, so many things are possible just as long as you don't know they're impossible." And for the remainder of the ride Milo didn't utter a sound.”
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“You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.”
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“The only thing you can do easily is be wrong, and that's hardly worth the effort.”
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“...it's not just learning that's important. It's learning what to do with what you learn and learning why you learn things that matters.”
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“But why do only unimportant things?" asked Milo, who suddenly remembered how much time he spent each day doing them."Think of all the trouble it saves," the man explained, and his face looked as if he'd be grinning an evil grin--if he could grin at all. "If you only do the easy and useless jobs, you'll never have to worry about the important ones which are so difficult. You just won't have the time. For there's always something to do to keep you from what you really should be doing, and if it weren't for that dreadful magic staff, you'd never know how much time you were wasting.”
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