Orson Scott Card photo

Orson Scott Card

Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead, which are widely read by adults and younger readers, and are increasingly used in schools.

Besides these and other science fiction novels, Card writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Rachel and Leah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts.

Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he teaches occasional classes and workshops and directs plays. He recently began a long-term position as a professor of writing and literature at Southern Virginia University.

Card currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, and their youngest child, Zina Margaret.

For further details, see the author's Wikipedia page.

For an ordered list of the author's works, see Wikipedia's List of works by Orson Scott Card.

http://us.macmillan.com/author/orsons...


“Dona Crista laughed a bit. "Oh, Pip, I'd be glad for you to try. But do believe me, my dear friend, touching her heart is like bathing in ice."I imagine. I imagine it feels like bathing in ice to the person touching her. But how does it feel to her? Cold as she is, it must surely burn like fire.”
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“My father always said that government is like watching another man piss in your boot. Someone feels better but it certainly isn't you.”
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“That night Demosthenes published a scathing denunciation of the population limitation laws. People should be allowed to have as many children as they like, and the surplus population should be sent to other worlds, to spread mankind so far across the galaxy that no disaster, no invasion could ever threaten the human race with annihilation. "The most noble title any child can have," Demosthenes wrote, "is Third.”
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“We do what we must to earn our place in the community, but we live for the hours at home. For each other, for the children. It will never get me written up in the history books.”
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“Parents always make their worst mistakes with their oldest children. That's when parents know the least and care the most, so they're more likely to be wrong and also more likely to insist that they're right.”
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“If you asked me to marry you all over again today I'd say yes, said Valentine.And if I had only met you for the first time today, I'd ask.”
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“I know, you've been here a year, you think these people are normal. Well, they're not. WE'RE not. I look in the library, I call up books on my desk. Old ones, because they won't let us have anything new, but I've got a pretty good idea what children are, and we're not children. Children can lose sometimes, and nobody cares. Children aren't in armies, they aren't COMMANDERS, they don't rule over forty other kids, it's more than anybody can take and not get crazy.”
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“Humanity does not ask us to be happy. It merely asks us to be brilliant on its behalf.”
Orson Scott Card
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“We're like the wicked witch. We promise gingerbread, then eat the little brats alive.”
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“Whatever your gravity is when you get to the door, remember―the enemy's gate is down.If you step through your own door like you're out for a stroll, you're a big target and you deserve to get hit. With more than a flasher.”
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“Ender Wiggin isn't a killer. He just wins—thoroughly.”
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“I'm not stupid!" In Bean's experience, that was a sentence never uttered except to prove its own inaccuracy.”
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“Every person is defined by the communities she belongs to.”
Orson Scott Card
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“It's what I was born for, isn't it? If I don't go, why am I alive?”
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“Then you're dead, too, sweet little sister.'Oh, yes,' said Valentine. 'They'll believe that. "I didn't know it would kill Andrew. And when he was dead, I didn't know it will kill Valentine too.”
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“I don't care how much you eat, Ender, self-cannibalism won't get you out of this school.”
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“Очите на хората гледали нависоко, но виждали съвсем малко по-надалеч от животните със сведени глави; сърцата на хората се извисявали, но въпреки това сърцето можело само да се надява, защото денем кръгозорът му се ограничавал от небето, а нощем, когато погледът му стигал до звездите, то ослепявало за близките неща дотолкова, че мъжът едва различава силуета на собствената си жена в сенките на дома си, въпреки че може да види звезди, чиято далечна светлина пътува стотици негови животи, преди да целуне очите му." Орсън Скот Кард - "Рожби на съзнанието”
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“I love you Ender. More than ever. No matter what you decide.”
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“You're like, both like, Alexander the Great.'We can't both be Alexander.'Well sometimes I think you're two side of the same coin, and I'm the metal in between.”
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“Wiggin really doesn't care as much about himself as he does about these other kids who aren't worth five minutes of his time.And yet this may be the very trait that makes everyone focus on him. Maybe this is why all those stories Sister Carlotta told him, Jesus always had a crowd around him.Maybe this is why I'm so afraid of Wiggen. Because he's the alien, not me. He's the unintelligible one, the unpredictable one. He's the one who doesn't do things for sensible, predictable reasons. I'm going to survive, and once you know that, there's nothing more to know about me. Him, though, he could do anything.”
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“In my view, suicide is not really a wish for life to end.'What is it then?'It is the only way a powerless person can find to make everybody else look away from his shame. The wish is not to die, but to hide.”
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“...What I depend on is a vigorous audience that can discover sweetness and light, beauty and truth, beyond the ability of the artist, on his own, to create them.”
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“Perhaps every writer who thoroughly creates a fictional world will inevitably create a mirror of his own time and yet also create a world that no one else but him has ever visited...”
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“But the truth is that no person ever understands another, from beginning to end of life, there is no truth that can be known, only the story we imagine to be true, the story they really believe to be true about themselves; and all of them lies.”
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“Personal humiliation was painful. Humiliation of one's family was much worse. Humiliation of one's social status was agony to bear. But humiliation of one's nation was the most excruciating of human miseries.”
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“I can see by your face that I'll never persuade you. And that's surprising, because usually you at least try to see my side."I can see your side," said Cecily. "I've got a much clearer view of it than you do, from over here on my side.”
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“There is no society that does not highly value fictional storytelling. Ever.”
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“Where loyalty bound creatures together, they became something larger, something new and whole and inexplicable.”
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“If I wanted to doubt, then I could doubt endlessly ... but at some point a person has to stop questioning and act, and at that point you have to trust something to be true. You have to act as if something is true, and so you choose the thing you have the most reason to believe in, you have to live in the world that you have the most hope in. I follow [God], I believe [God], because I want to live in the world that [God] has shown me.”
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“Mom," said Peter, "nobody thinks you're a lackwit, if that's what you're worried about."Lackwit? In what musty drawer of some dead English professor's dust-covered desk did you find that word? I assure you that never in my worst nightmares did I ever suppose that I was a lackwit.”
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“That's what so many people didn't understand about life. The real world is the one within the walls of homes; the outside world, of careers and politics and money and fame, that was the fake world, where nothing lasted, and things were real only to the extent they harmed or helped people inside their homes.”
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“It is easy to say that you can adopt the whole human race as your children, but it is not the same as living in a home with a child and shaping all you do to help him learn to be happy and whole and good. Don't live your life without ever holding a child in your arms, on your lap, in your home, and feeling a child's arms around you and hearing his voice in your ear and seeing his smile, given to you because you put it into your heart.”
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“You know how writers are... they create themselves as they create their work. Or perhaps they create their work in order to create themselves.”
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“Come into our home, daughters of Earth; dwell in our tunnels, harvest our fields; what we cannot do, you are now our hands to do for us. Blossom, trees; ripen, fields; be warm for them, suns; be fertile for them, planets: they are our adopted daughters, and they have come home.”
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“Oh, I'll live Ender's life, too. It's so much more interesting than my own."~Val”
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“There was some enthusiasm for a Caliban village, but it quickly dissipated when people contemplated a future village school and what the mascot might look like.”
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“If desire did not dim the brain, nobody would ever get married, drunk, or fat.”
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“Ah, Vitaly, we all come from Eros."~Sel Menach”
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“Isn’t that what it means to be civilized? That you can wait to get what you want?”
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“One bachelor is an irritation. Ten thousand bachelors are a war.”
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“Issib wasn't thrilled to see him. I'm busy and don't need interruptions." "This is the household library," said Nafai. "This is where we always come to do research." "See? You're interrupting already." "Look, I didn't say anything, I just came in here, and you started picking at me the second I walked in the door." "I was hoping you'd walk back out." "I can't. Mother sent me here." Nafai walked over behind Issib, who was floating comfortably in the air in front of his computer display. It was layered thirty pages deep, but each page had only a few words on it, so he could see almost everything at once. Like a game of solitaire, in which Issib was simply moving fragments from place to place. The fragments were all words in weird languages. The ones Nafai recognized were very old. "What language is that?" Nafai asked pointing, to one. Issib signed. "I'm so glad you're not interrupting me." "What is it, some ancient form of Vijati?" "Very good. It's Slucajan, which came from Obilazati, the original form of Vijati. It's dead now." "I read Vijati, you know." "I don't." "Oh, so you're specializing in ancient, obscure languages that nobody speaks anymore, including you?" "I'm not learning these languages, I'm researching lost words." "If the whole language is dead, then all the words are lost." "Words that used to have meanings, but that died out or survived only in idiomatic expressions. Like 'dancing bear.' What's a bear, do you know?" "I don't know. I always thought it was some kind of graceful bird." "Wrong. It's an ancient mammal. Known only on Earth, I think, and not brought here. Or it died out soon. It was bigger than a man, very powerful. A predator." "And it danced?" "The expression used to mean something absurdly clumsy. Like a dog walking on its hind legs." "And now it means the opposite. That's weird. How could it change?" "Because there aren't any bears. THe meaning used to be obvious, because everybody knew a bear and how clumsy it would look, dancing. But when the bears were gone, the meaning could go anywhere. Now we use it for a person who's extremely deft in getting out of an embarrassing social situation. It's the only case that we use the word bear anymore. And you see a lot of people misspelling it, too." "Great stuff. You doing a linguistics project?" "No." "What's this for, then?" "Me." "Just collection old idioms?" "Lost words." "Like bear? The word isn't lost, Issya. It's the bears that are gone." "Very good, Nyef. You get full credit for the assignment. Go away now.”
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“The opposite of the happy ending is not actually the sad ending--the sad ending is sometimes the happy ending. The opposite of the happy ending is actually the unsatisfying ending.”
Orson Scott Card
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“When you have a good romance, find ways to make their lives miserable and hellish...Do you think 'Titanic' would have been so popular if they had both lived? Not a prayer.”
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“What a waste of time to be posthumously famous.”
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“Oh no, real life is escape. The great terrors, the horrors--we hope--of your life come from reading fiction.”
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“We don't read novels to have an experience like life. Heck, we're living lives, complete with all the incompleteness. We turn to fiction to have an author assure us that it means something.”
Orson Scott Card
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“Anything can become a children's book if you give it to a child...Children are actually the best (and worst) audience for literature because they have no patience with pretence.”
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“You get used to being naked, that's the first thing that Ivan discovered. Crashing through thick brush with branches snagging at your bare skin, you stop worrying about who's looking and and spend your time trying to keep yourself from being flayed alive. He got shy again when they entered the village, but once he decided simply to let the gawkers gawk, he found himself much more interested in what he was seeing than what they were.”
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“Before we are citizens, he thought, we are children, and it is as children that we come to understand freedom and authority, liberty and duty. I have done my duty. I have bowed to authority. Mostly. And now, like Russia, I can set aside those burdens for a little while and see what happens.”
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“And what? What's the other choice? To passively let things happen and then say: "Tut-tut, what at botch that was"? Don't we all manipulate people? Even if we openly ask them to make a choice, don't we try to frame it so they'll chose as we think they should?”
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