Oscar Fingal O'Flahertie Wills Wilde was an Irish playwright, poet, and author of numerous short stories, and one novel. Known for his biting wit, and a plentitude of aphorisms, he became one of the most successful playwrights of the late Victorian era in London, and one of the greatest celebrities of his day. Several of his plays continue to be widely performed, especially The Importance of Being Earnest.
As the result of a widely covered series of trials, Wilde suffered a dramatic downfall and was imprisoned for two years hard labour after being convicted of "gross indecency" with other men. After Wilde was released from prison he set sail for Dieppe by the night ferry. He never returned to Ireland or Britain, and died in poverty.
“Anything approaching an explanation is always derogatory to a work of art.”
“artists have sex but art has none”
“It is only an auctioneer who should admire all schools of art.”
“To tell people what to read is, as a rule, either useless or harmful; for the appreciation of literature is a question of temperament not of teaching; to Parnassus there is no primer and nothing that one can learn is ever worth learning.”
“It is in the brain, and the brain only, that the great sins of the world take place”
“you will always love, and you will always be loved”
“Money doesn't make you happy. I now have $50 million but I was just as happy when I had $48 million.”
“But whether I become a believer or remain an agnostic, my belief or disbelief must derive its source from within, not from without. I, myself, must create its symbols. The transcendental is that which produces its own form. I will never discover its secret if I do not find it in my own heart; if I do not possess it already I shall never be able to acquire it.”
“I am sick of women who love one. Women who hate one are much more interesting.”
“My wallpaper and I are fighting a duel to the death. One or the other of us has to go.”
“Sim, é uma horrenda injustiça. Eu faço uma grande distinção entre as pessoas. Escolho os amigos pela aparência, os conhecidos pelo carácter e os inimigos pelo intelecto. Nunca é demais o cuidado que se põe na escolha dos inimigos. Não quero um que seja parvo. Todos eles têm uma certa intelectualidade, e, por conseguinte, todos eles me apreciam. É ser muito vaidoso? Parece-me que é sê-lo um bocadinho.”
“With age comes wisdom, but sometimes age comes alone.”
“She was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest. She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy.”
“It is only shallow people who require years to get rid of an emotion. A man who is master of himself can end a sorrow as easily as he can invent a pleasure. I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.”
“It often happens that the real tragedies of life occur in suchan inartistic manner that they hurt us by their crude violence, theirabsolute incoherence, their absurd want of meaning, their entire lackof style. They affect us just as vulgarity affects us. They give usan impression of sheer brute force, and we revolt against that.Sometimes, however, a tragedy that possesses artistic elements ofbeauty crosses our lives. If these elements of beauty are real, thewhole thing simply appeals to our sense of dramatic effect. Suddenlywe find that we are no longer the actors, but the spectators of theplay. Or rather we are both. We watch ourselves, and the mere wonderof the spectacle enthralls us.”
“Books are well written, or badly written. That is all.”
“You and I will always be friends.""Yet you poisoned me with a book once. I should not forgive that.”
“Never met such a Gorgon . . . I don't really know what a Gorgon is like, but I am quite sure that Lady Bracknell is one. In any case, she is a monster, without being a myth, which is rather unfair.”
“I knew nothing but shadows and I thought them to be real.”
“If one tells the truth, one is sure, sooner or later, to be found out.”
“A truth ceases to be true when more than one person believes in it.”
“To be really mediæval one should have no body. To be really modern one should have no soul. To be really Greek one should have no clothes.”
“Time is a waste of money.”
“A really well-made buttonhole is the only link between Art and Nature.”
“There are moments, psychologists tell us, when the passion for sin, or what the world calls sin, so dominates a nature, that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination, and disobedience its charm.”
“A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing. And when Humanity lands there, it looks out, and, seeing a better country, sets sail. Progress is the realisation of Utopias.”
“The youth of the present day are quite monstrous. They have absolutely no respect for dyed hair.”
“You don't love someone for their looks, or their clothes, or for their fancy car, but because they sing a song only you can hear.”
“We caught the tread of dancing feet,We loitered down the moonlit street,And stopped beneath the harlot's house.Inside, above the din and fray,We heard the loud musicians playThe 'Treues Liebes Herz' of Strauss.Like strange mechanical grotesques,Making fantastic arabesques,The shadows raced across the blind.We watched the ghostly dancers spinTo sound of horn and violin,Like black leaves wheeling in the wind.Like wire-pulled automatons,Slim silhouetted skeletonsWent sidling through the slow quadrille,Then took each other by the hand,And danced a stately saraband;Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressedA phantom lover to her breast,Sometimes they seemed to try to sing.Sometimes a horrible marionetteCame out, and smoked its cigaretteUpon the steps like a live thing.Then, turning to my love, I said,'The dead are dancing with the dead,The dust is whirling with the dust.'But she--she heard the violin,And left my side, and entered in:Love passed into the house of lust.Then suddenly the tune went false,The dancers wearied of the waltz,The shadows ceased to wheel and whirl.And down the long and silent street,The dawn, with silver-sandalled feet,Crept like a frightened girl.”
“Nature, which makes nothing durable, always repeats itself so that nothing which it makes may be lost.”
“Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating.”
“And the wild regrets and the bloody seatsNone knew so well as IFor he who lives more lives than oneMore deaths than one, must die.”
“The Number our envious Persons, confirmation our capability.”
“Is insincerity such a terrible thing? I think not. It is merely a method by which we can multiply our personalities.”
“I made art a philosophy, and philosophy an art: I altered the minds of men, and the colour of things: I awoke the imagination of my century so that it created myth and legend around me: I summed up all things in a phrase, all existence in an epigram: whatever I touched I made beautiful”
“Of course to one so modern as I am, `Enfant de mon siècle,’ merely to look at the world will be always lovely. I tremble with pleasure when I think that on the very day of my leaving prison both the laburnum and the lilac will be blooming in the gardens, and that I shall see the wind stir into restless beauty the swaying gold of the one, and make the other toss the pale purple of its plumes, so that all the air shall be Arabia for me. Linnaeus fell on his knees and wept for joy when he saw for the first time the long heath of some English upland made yellow with the tawny aromatic brooms of the common furze; and I know that for me, to whom flowers are part of desire, there are tears waiting in the petals of some rose. It has always been so with me from my boyhood. There is not a single colour hidden away in the chalice of a flower, or the curve of a shell, to which, by some subtle sympathy with the very soul of things, my nature does not answer. Like Gautier, I have always been one of those ‘pour qui le monde visible existe.”
“Love does not traffic in a marketplace, nor use a huckster's scales. Its joy, like the joy of the intellect, is to feel itself alive. The aim of Love is to love: no more, and no less. You were my enemy: such an enemy as no man ever had. I had given you all my life, and to gratify the lowest and most contemptible of all human passions, hatred and vanity and greed, you had thrown it away. In less than three years you had entirely ruined me in every point of view. For my own sake there was nothing for me to do but to love you.”
“So with curious eyes and sick surmiseWe watched him day by day,And wondered if each one of usWould end the self-same way,For none can tell to what red HellHis sightless soul may stray.”
“Poor Aubrey: I hope he will get all right. He brought a strangely new personality to English art, and was a master in his way of fantastic grace, and the charm of the unreal. His muse had moods of terrible laughter. Behind his grotesques there seemed to lurk some curious philosophy…”
“To reveal art and conceal the artist is art's aim.”
“Long engagements give people the opportunity of finding out each other's character before marriage, which is never advisable.”
“All bad art is the result of good intentions.”
“I have learned this: it is not what one does that is wrong, but what one becomes as a consequence of it.”
“As one reads history, not in the expurgated editions written for schoolboys and passmen, but in the original authorities of each time, one is absolutely sickened, not by the crimes that the wicked have committed, but by the punishments that the good have inflicted; and a community is infinitely more brutalized by the habitual employment of punishment than it is by the occasional occurrence of crime.”
“If the Socialism is Authoritarian; if there are Governments armed with economic power as they are now with political power; if, in a word, we are to have Industrial Tyrannies, then the last state of man will be worse than the first. ”
“To get back one's youth one has merely to repeat one's follies.”
“Salomé, Salomé, dance for me. I pray thee dance for me. I am sad to-night. Yes, I am passing sad to-night. When I came hither I slipped in blood, which is an evil omen; and I heard, I am sure I heard in the air a beating of wings, a beating of giant wings. I cannot tell what they mean .... I am sad to-night. Therefore dance for me. Dance for me, Salomé, I beseech you. If you dance for me you may ask of me what you will, and I will give it you, even unto the half of my kingdom.”
“Ah, Robbie, when we are dead and buried in our porphyry tombs, and the trumpet of the Last Judgement is sounded, I shall turn and whisper to you, 'Robbie, Robbie, let us pretend we do not hear it.”
“Some things are more precious because they don't last long.”
“Caricature is the tribute which mediocrity pays to genius.”