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Patricia Hickman

“Hickman gamely unpacks the lies families tell each other, the cost of family secrets to ourselves and others, the bonds between sisters and the walls between husbands and wives. Her sparkling talent is evident in this engrossing story.” ~ Publishers Weekly

Best-selling novelist Patricia Hickman has written 18 books for major publishers like Random House and Hachette Books.

A note from me, the author: Hey! My latest teen fiction title is TINY DANCER, a coming of age story for sophisticated readers of young adult fiction—maybe you!


“Because of sorrow, my awareness of life's pulse is strongly detectable. It is syncopation while I journey, a lap of ocean in the eyes of every person I meet. This awareness informs the flesh of my stories. Grief has been an odd companion, at first a terror, but now I am all the better having accepted it for its intrinsic worth.”
Patricia Hickman
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“I started out hoping to remind people at some point in the novel that we should be loving and kind. But then the theme usurped my life, spilling over into my novels until love was no longer a small voice, but now my purpose as a writer.”
Patricia Hickman
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“The central character is an incomplete package of yearning that takes the length of the novel to complete. Completion, though, is not to be confused with perfection.”
Patricia Hickman
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“Humans need each other for equilibrium and support. But writers must pull aside to take a quiet walk alone, not just for the sake of serenity but to hear the Voice inside. That is how the storyteller connects with with others--listen, write, share.”
Patricia Hickman
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“Facing the sagging middle when writing a novel, while inevitable, may be overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within.”
Patricia Hickman
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“While writing the first draft is an exercise in shutting down all of the things we think we know so that the story features come tumbling out, the revision is the end of the joy ride. We pull on the gloves and sort of poke around inside the body. Is that a tumor? Will that limb need amputation? I nearly second-guessed myself into heart failure while learning to self-edit.”
Patricia Hickman
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“The conflict each day is whether to immerse in books or writing. I can't do one without the other, but I can't do both at the same time. It is the writer's paradox.”
Patricia Hickman
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“The confessional writer will treat her story like a wailing wall. She kneels, and her story spills out, messy, improper. It isn’t a protest or even graffiti, but her story is an offering of things that she overlooked or notices that others have overlooked. She is in danger of exposure but she remembers when she lived in hiding and that was worse. She cannot turn back now because this is how life has spun out of her, part vexing passage and part prayer.”
Patricia Hickman
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