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Patricia Highsmith

Patricia Highsmith was an American novelist who is known mainly for her psychological crime thrillers which have led to more than two dozen film adaptations over the years.

She lived with her grandmother, mother and later step-father (her mother divorced her natural father six months before 'Patsy' was born and married Stanley Highsmith) in Fort Worth before moving with her parents to New York in 1927 but returned to live with her grandmother for a year in 1933. Returning to her parents in New York, she attended public schools in New York City and later graduated from Barnard College in 1942.

Shortly after graduation her short story 'The Heroine' was published in the Harper's Bazaar magazine and it was selected as one of the 22 best stories that appeared in American magazines in 1945 and it won the O Henry award for short stories in 1946. She continued to write short stories, many of them comic book stories, and regularly earned herself a weekly $55 pay-check. During this period of her life she lived variously in New York and Mexico.

Her first suspense novel 'Strangers on a Train' published in 1950 was an immediate success with public and critics alike. The novel has been adapted for the screen three times, most notably by Alfred Hitchcock in 1951.

In 1955 her anti-hero Tom Ripley appeared in the splendid 'The Talented Mr Ripley', a book that was awarded the Grand Prix de Litterature Policiere as the best foreign mystery novel translated into French in 1957. This book, too, has been the subject of a number of film versions. Ripley appeared again in 'Ripley Under Ground' in 1970, in 'Ripley's Game' in 1974, 'The boy who Followed Ripley' in 1980 and in 'Ripley Under Water' in 1991.

Along with her acclaimed series about Ripley, she wrote 22 novels and eight short story collections plus many other short stories, often macabre, satirical or tinged with black humour. She also wrote one novel, non-mystery, under the name

Claire Morgan

, plus a work of non-fiction 'Plotting and Writing Suspense Fiction' and a co-written book of children's verse, 'Miranda the Panda Is on the Veranda'.

She latterly lived in England and France and was more popular in England than in her native United States. Her novel 'Deep Water', 1957, was called by the Sunday Times one of the "most brilliant analyses of psychosis in America" and Julian Symons once wrote of her "Miss Highsmith is the writer who fuses character and plot most successfully ... the most important crime novelist at present in practice." In addition, Michael Dirda observed "Europeans honoured her as a psychological novelist, part of an existentialist tradition represented by her own favorite writers, in particular Dostoevsky, Conrad, Kafka, Gide, and Camus."

She died of leukemia in Locarno, Switzerland on 4 February 1995 and her last novel, 'Small g: a Summer Idyll', was published posthumously a month later.

Gerry Wolstenholme

July 2010


“La niñas nacen mujeres -dijo Margot, la madre de Thea-. Los niños no nacen hombres. Tienen que aprender a serlo. Pero las niñas ya tienen un carácter de mujer.”
Patricia Highsmith
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“I know what they'd like, they'd like a blank they could fill in. A person already filled in disturbs them terribly.”
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“A música vivia, mas o mundo estava morto. E a canção morreria um dia, pensou, mas como voltaria o mundo à vida? Como voltaria o seu sal?”
Patricia Highsmith
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“But when they kissed goodnight in bed, Therese felt their sudden release, that leap of response in both of them, as if their bodies were of some materials which put together inevitably created desire.”
Patricia Highsmith
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“Perhaps it was freedom itself that choked her.”
Patricia Highsmith
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“Do you like her'''Of course!' What a question! Like asking her if she believe in God.”
Patricia Highsmith
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“Therese was propped up on one elbow. The milk was so hot, she could barely let her lip touch it at first. The tiny sips spread inside her mouth and released a melange of organic flavors. The milk seemed to taste of bone and blood, of warm flesh, or hair, saltless as chalk yet alive as a growing embryo. It was hot through and through to the bottom of the cup, and Therese drank it down, as people in fairy tales drink the potion that will transform, or the unsuspecting warrior the cup that will kill, Then Carol came and took the cup, and Therese was drowsily aware that Carol asked her three questions, on that had to do with happiness, one about the store and one about the future. Therese heard herself answering. She heard her voice rise suddenly in a babble, like a spring that she had no control over, and she realized she was in tears. She was telling Carol all that she feared and disliked, of her loneliness, of Richard, and of gigantic disappointments.”
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“Once the back of their hands brushed on the table, and Therese's skin there felt seperately alive and rather burning. There could not understand it, but it was so. Therese glanced at her face that was somewhat turned away, and again she knew that instant of half-recognition. And knew, too, that it was not to be believed. She had never seen the woman before. If she had, could she had forgotten?”
Patricia Highsmith
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“The dusky and faintly sweet smell of her perfume came to Therese again, a smell suggestive of dark green silk, that was hers alone, like the smell of a special flower.”
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“Their eyes met at the same instant moment, Therese glancing up from a box she was opening, and the woman just turning her head so she looked directly at Therese. She was tall and fair, her long figure graceful in the loose fur coat that she held open with a hand on her waist, her eyes were grey, colorless, yet dominant as light or fire, and, caught by them, Therese could not look away. She heard the customer in front of her repeat a question, and Therese stood there, mute. The woman was looking at Therese, too, with a preoccupied expression, as if half her mind were on whatever is was she meant to buy here, and though there were a number of salesgirls between them, There felt sure the woman would come to her, Then, Then Therese saw her walk slowly towards the counter, heard her heart stumble to catch up with the moment it had let pass, and felt her face grow hot as the woman came nearer and nearer.”
Patricia Highsmith
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“I think people often try to find through sex things that are much easier to find in other ways.”
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“He felt he was about to experience again some ancient, delicious childhood moment that the steam calliope's sour hollowness, the stitching hurdy-gurdy accompaniment, and the drum-and-cymbal crash brought almost to the margin of his grasp.”
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“Our actions and responsibilities are our own; what later returns to either haunt or applaud us is neither possible to predict nor always completely understandable.”
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“How was it possible to be afraid and in love... The two things did not go together. How was it possible to be afraid, when the two of them grew stronger together every day? And every night. Every night was different, and every morning. Together they possessed a miracle.”
Patricia Highsmith
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“It always gets late with you. - Is that a compliment?”
Patricia Highsmith
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“This is what I like, sitting at a table and watching people go by. It does something to your outlook on life. The Anglo-Saxons make a great mistake not staring at people from a sidewalk table.”
Patricia Highsmith
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“He liked the fact that Venice had no cars. It made the city human. The streets were like veins, he thought, and the people were the blood, circulating everywhere.”
Patricia Highsmith
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“-¿Hay algo más aburrido que la historia del pasado? -dijo Therese sonriendo.-Quizá un futuro sin historia.”
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“Thinking no more about it, he stepped off into that cool space, that fast descent to her, with nothing in his mind but a memory of a curve of her shoulder, naked, as he had never seen it.”
Patricia Highsmith
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“January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: [...]Every human action seemed to yield a magic. January was a two-faced month, jangling like jester's bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.”
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“It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and in hell.”
Patricia Highsmith
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“Honestly, I don't understand why people get so worked up about a little murder!”
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“There was something demoniacal and insuperable about typographical errors, as if they were part of the natural evil that permeated man's existence, as if they had a life of their own and were determined to manifest themselves no matter what, as surely as weeds in the best-tended gardens.”
Patricia Highsmith
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“Honesty, for me, is usually the worst policy imaginable.”
Patricia Highsmith
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“Dusk was falling quickly. It was just after 7 P.M., and the month was October.”
Patricia Highsmith
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“The justice I have received, I shall give back.”
Patricia Highsmith
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“Just what did happen to a corpse under water for four, five years, even three? the tarpaulin or canvas would rot, perhaps more than half of it would disappear; the stones would likely have fallen out, therefore, enabling the corpse to drift more easily, even rise a little, provided any flesh was left. But wasn't rising due to bloating? Tom thought of the word maceration, the flaking off in layers of the outer skin. Then what? The nibbling of fish? Or wouldn't the current have removed pieces of flesh until nothing but bones were left? The bloated period must be long past...”
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“One situation – maybe one alone – could drive me to murder: family life, togetherness.”
Patricia Highsmith
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“one blow in anger [would] kill, probably, a child from aged two to eight. Those over eight would take two blows to kill.”
Patricia Highsmith
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“My imagination functions much better when I don't have to speak to people.”
Patricia Highsmith
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“But there were too many points at which the other self could invade the self he wanted to preserve, and there were too many forms of invasion: certain words, sounds, lights, actions his hands or feet performed, and if he did nothing at all, heard and saw nothing, the shouting of some triumphant inner voice that shocked him and cowed him.”
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“What chance combination of shadow and sound and his own thoughts had created it?”
Patricia Highsmith
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“I know you have it in you, Guy," Anne said suddenly at the end of a silence, "the capacity to be terribly happy.”
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“Then Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered”
Patricia Highsmith
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“He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn't that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn't take money, masses of money, it took a certain security.”
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“Anticipation! It occurred to him that his anticipation was more pleasant to him than the experiencing.”
Patricia Highsmith
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“Tom laughed at the phrase "sexual deviation." Where was the sex? Where was the deviation? He looked at Freddie and said low and bitterly: "Freddie Miles, you're a victim of your own dirty mind.”
Patricia Highsmith
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“He remembered that right after that, he had stolen a loaf of bread from a delicatessen counter and had taken it home and devoured it, feeling that the world owed a loaf of bread to him, and more.”
Patricia Highsmith
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“How easy it was to lie when one had to lie!”
Patricia Highsmith
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“A rush of panic comforted him with its familiarity.”
Patricia Highsmith
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“The night was a time for bestial affinities, for drawing closer to oneself.”
Patricia Highsmith
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“In view of the fact that I surround myself with numbskulls now, I shall die among numbskulls, and on my deathbed shall be surrounded by numbskulls who will not understand what I am saying ... Whom am I sleeping with these days ? Franz Kafka.”
Patricia Highsmith
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“It was strange to read about the people he knew in New York, Ed and Lorraine, the newt-brained girl who had tried to stow herself away in his cabin the day he sailed from New York. It was strange and not at all attractive. What a dismal life they led, creeping around New York, in and out of subways, standing in some dingy bar on Third Avenue for their entertainment,watching television, or even if they had enough money for a Madison Avenue bar or a good restaurant now and then, how dull it all was compared to the worst little trattoria in Venice with its tables of green salads, trays of wonderful cheeses, and its friendly waiters bringing you the best wine in the world! ‘I certainly do envy you sitting there in Venice in an old palazzo!’ Bob wrote. ‘Do you take a lot of gondola rides? How are the girls? Are you getting so cultured you won’t speak to any of us when you come back? How long are you staying, anyway ?”
Patricia Highsmith
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“Forever, Tom thought. Maybe he’d never go back to the States. It was not so much Europe itself as the evenings he had spent alone, here and in Rome, that made him feel that way. Evenings by himself simply looking at maps, or lying around on sofas thumbing through guidebooks. Evenings looking at his clothes - his clothes and Dickie’s - and feeling Dickie’s rings between his palms, and running his fingers over the antelope suitcase he had bought at Gucci’s. He had polished the suitcase with a special English leather dressing, not that it needed polishing because he took such good care of it, but for its protection. He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn’t that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn’t take money, masses of money, it took a certain security. He had been on the road to it, even with Marc Priminger. He had appreciated Marc’s possessions, and they were what had attracted him to the house, but they were not his own, and it had been impossible to make a beginning at acquiring anything of his own on forty dollars a week. It would have taken him the best years of his life, even if he had economised stringently, to buy the things he wanted. Dickie’s money had given him only an added momentum on the road he had been travelling. The money gave him the leisure to see Greece, to collect Etruscan pottery if he wanted (he had recently read an interesting book on that subject by an American living in Rome), to join art societies if he cared to and to donate to their work. It gave him the leisure, for instance, to read his Malraux tonight as late as he pleased, because he did not have to go to a job in the morning. He had just bought a two-volume edition of Malraux’s Psychologic de I’art which he was now reading, with great pleasure, in French with the aid of a dictionary.”
Patricia Highsmith
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“My New Year’s Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle — may they never give me peace.”
Patricia Highsmith
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“But there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.”
Patricia Highsmith
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