Patrick Rothfuss

“Mira, las mujeres son como el fuego, como las llamas. Algunas son como velas, luminosas e inofensivas. Algunas son como chispas, o como brasas, o como las luciérnagas que perseguimos las noches de verano. Algunas son como hogueras, un derroche de luz y de calor para una sola noche, y quieren que después las dejen en paz.Algunas son como el fuego de la chimenea: no muy espectaculares, pero por debajo tienen cálidas y rojas brasas que arden mucho tiempo.Pero Dianne... Dianne es como una cascada de chispas que sale de un afilado cuchillo de hierro que Dios acerca a la piedra de afilar. No puedes evitar mirar, no puedes evitar desearla. Hasta es posible que acerques una mano durante un segundo. pero no puedes dejarla allí. Te partirá el corazón.”

“La música es una amante orgullosa y temperamental. Si le dedicas el tiempo y la atención que se merece, es toda tuya. Pero si la desairas, llegará un día en que la llamarás y ella no contestará.”

“Pero no soy tan viejo. Todavía no. Ni mucho menos. Quien piense que los niños son dulces e inocentes es que nunca ha sido niño, o lo ha olvidado. Y quien piense que los hombres no son a veces hirientes y crueles no debería salir a menudo de su casa. Y desde luego nunca ha sido fisiólogo. Nosotros, más que nadie, vemos los efectos de la crueldad.”

“Todos mis pupilos deben ser capaces de defender sus ideas. Hagas lo que hagas en la vida, tu ingenio te defenderá más a menudo que una espada. ¡Cultívalo!”

“Además, la rabia puede calentarte por la noche, y el orgullo herido puede alentar a un hombre a hacer cosas maravillosas.”

“Generalmente, el miedo proviene de la ignorancia. Una vez que supe cuál era el problema, este pasó a ser solo un problema y no algo que temer.”

“It gets tiresome being spoken to as if you are a child, even if you happen to be one.”

“Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna.”

“It wasn't even a good note. 'If you are reading this I am probably dead.' What sort of a note is that?”

“Un hombre no debe ponerle nunca la mano encima a una mujer, salvo por amor.”

“Aprendí que Tarbean es enorme. Si no lo has visto con tus propios ojos, no puedes imaginarlo. Es como el océano. Por mucho que te hayan hablado del agua y de las olas, no te haces una idea de su tamaño hasta que te plantas en la orilla. No comprendes realmente el océano hasta que te hallas en medio de él, rodeado de agua por todos los lados extendiéndose hasta el infinito. Solo entonces comprendes lo pequeño e impotente que eres.”

“I took a deep breath, 'I took the nahlrout because I didn't want to faint. I needed to let them know they couldn't hurt me. I've learned that the best way to stay safe is to make your enemies think you can't be hurt.' It sounded ugly to say it so starkly, but it was the truth. I looked at him defiantly.”

“Quizá la mayor facultad que posee nuestra mente sea la capacidad de sobrellevar el dolor. El pensamiento clásico nos enseña las cuatro puertas de la mente, por las que cada uno pasa según sus necesidades.La primera puerta es la puerta del sueño. El sueño nos ofrece un refugio del mundo y de todo su dolor. El sueño marca el paso del tiempo y nos proporciona distancia de las cosas que nos han hecho daño. Cuando una persona resulta herida, suele perder el conocimiento. Y cuando alguien recibe una noticia traumática, suele desvanecerse o desmayarse. Así es como la mente se protege del dolor: pasando por la primera puerta.La segunda es la puerta del olvido. Algunas heridas son demasiado profundas para curarse, o para curarse deprisa. Además, muchos recuerdos son dolorosos, y no hay curación posible. El dicho de que <> es falso. El tiempo cura la mayoría de las heridas. El resto están escondidas detrás de esa puerta.La tercera es la puerta de la locura. A veces, la mente recibe un golpe tan brutal que se esconde en la demencia. Puede parecer que eso no sea beneficioso, pero lo es. A veces, la realidad es solo dolor, y para huir de ese dolor, la mente tiene que abandonar la realidad.La última puerta es la de la muerte. El último recurso. Después de morir, nada puede hacernos daño, o eso nos han enseñado.”

“Una persona inteligente e irreflexiva es una de las cosas más aterradoras que existen.”

“Recuerda esto, hijo mío, aunque olvides todo lo demás: un poeta es un músico que no sabe cantar. Las palabras tienen que encontrar la mente de un hombre si pretenden llegar a su corazón, y la mente de algunos hombres es lamentablemente pequeña. La música llega al corazón por pequeña o acérrima que sea la mente de quien la escucha.”

“No me acuerdo del último verso. ¡Qué poco me gusta la poesía! ¿Cómo puede uno recordar las palabras sin música?”

“Cuando somos niños, casi nunca pensamos en el futuro. Esa inocencia nos deja libres para disfrutar como pocos adultos pueden hacerlo. El día que empezamos a preocuparnos por el futuro es el día que dejamos atrás nuestra infancia.”

“La diferencia consiste en decirle algo a una persona y decir algo sobre una persona. Lo primero puede ser una grosería, pero lo segundo es, siempre un chisme.”

“En los meses de primavera todo está demasiado lleno de vida. En verano, está demasiado fuerte y no hay manera de soltarlo. El otoño es el momento idóneo. En otoño todo está cansado y más dispuesto a morir.”

“Deberías de sentir lástima por él, hijo. Mañana nos iremos, pero él tendrá que convivir consigo mismo hasta el día de su muerte.”

“Si te parece que me voy por las ramas, si te parece que divago, recuerda que las historias reales pocas veces toman el camino más recto.”

“De modo que saliste en busca de un mito y encontraste un hombre. Has oído las historias y ahora quieres los hechos reales.”

“Solo la verdad podría romperme. ¿Qué hay más duro que la verdad?”

“De modo que esa es la diferencia entre contar una historia y estar dentro una historia: el miedo.”

“Pero tú, más que nadie, tendrías que darte cuenta de lo delgada que es la línea que separa la verdad de una mentira convincente. La línea que separa la historia de un relato entretenido. Sabes cuál de las dos cosas ganaría con el tiempo.”

“Cuando estás muerto, nadie te busca. Los viejos enemigos no intentan ajustar cuentas contigo. La gente no te busca para que le narres historias.”

“I don't speak fluent bumpkin...”

“It doesn't eat meat." I said. "It's a herbivore. It's like a big cow."Denna looked at me and started to laugh. Not hysterical laughter, but the helpless laughter of someone who's just heard something so funny they can't help but bubble over with it. She put her hands over her mouth and shook with it, the only sound was a low huffing that escaped through her fingers.There was another flash of blue fire from below. Denna froze midlaugh, then took her hands away from her mouth. She looked at me, her eyes wide, and spoke softly with a slight quaver in her voice, "Mooooo.”

“...no podía saber esa verdad que resultaba tan obvia a todos los que habían nacido y habían crecido en aquel pueblecito: las historias se contaban allí, pero sucedían en algún otro sitio.”

“Bones mend. Regret stays with you forever.”

“Now let me say this: when you're traveling a good cloak is worth more than all of your other possessions put together. If you've nowhere to sleep, it can be your bed and blanket. It will keep the rain off your back and the sun from your eyes. You can conceal all manner of interesting weaponry beneath it if you are clever, and a smaller assortment if you are not.But beyond all that, two facts remain to recommend a cloak. First, very little is as striking as well-worn cloak, billowing lightly about you in the breeze. And second, the best cloaks have innumerable little pockets that I have an irrational and overpowering attraction toward.”

“Damn chicken. Come eat your dinner. I'm cold.”

“I like your manly bravado," she said. "Do it some more.”

“The Chancellor looked down at the empty table for a minute. Then he shrugged, looked up, and gave a surprisingly jaunty smile. "All in favor of admitting first-term Kvothe's reckless use of sympathy as proof of mastery of basic principles of sympathy vote by show of hands.”

“Poor manners on my part. What is your name?""Ria.""Ria, is that short for Rian?""Yes, it is," she smiled."Rian, would you please cross your legs?"The request was made with such an earnest tone that not even a titter escaped the class. Looking puzzled, Rian crossed her legs."Now that the gates of hell are closed," Hemme said in his normal rougher tones. "We can begin.”

“Anger can keep you warm at night, and wounded pride can spur a man to wondrous things.”

“Do you just want to get by? Or do you want to make me proud?”

“However, while being able to think about two things at the same time is a terribly convenient, the training it takes to get there is frustrating at best, and at other times rather disturbing.I remember one time I looked for the stone for almost an hour before I consented to ask the other half of me where I'd hidden it, only to find I hadn't hidden the stone at all. I had merely been waiting to see how long I would look before giving up. Have you ever been annoyed and amused with yourself at the same time? It's an interesting feeling, to say the very least.”

“Thieves, Heretics, and Whores”

“Bast stood in the doorway, practically dancing with irritation. When he spotted the approaching figure he rushed down the street, waving a piece of paper angrily. "A note? You sneak out and leave me a note?" He hissed angrily. "What am I, some dockside whore?”

“I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.”

“There were two sets of double doors leading out of the antechamber, one marked STACKS and the other TOMES. Not knowing the difference between the two, I headed to the ones labeled STACKS. That was what I wanted. Stacks of books. Great heaps of books. Shelf after endless shelf of books.”

“Just handle the books gently and you’ll get along fine.”

“You are an educated man. You know there are no such things as demons." Bast smiled a terrible smile. "There is only my kind." Bast leaned closer still, Chronicler smelled flowers on his breath. "You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me.”

“But I'm collecting the story of his life. The real story.' Chronicler made a helpless gesture. 'Without the dark parts it's just some silly f—' Chronicler froze halfway through the word, eyes darting nervously to the side.Bast grinned like a child catching a priest midcurse. 'Go on,' he urged, his eyes were delighted, and hard, and terrible. 'Say it.'Like some silly faerie story,' Chronicler finished, his voice thin and pale as paper.Bast smiled a wide smile. 'You know nothing of the Fae, if you think our stories lack their darker sides. But all that aside, this is a faerie story, because you are gathering it for me.”

“Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations.""That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.""What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now.""I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.”

“She looked at me. "What? Is there something wrong with my idea?""It's not very heroic," I said dismissively. "I was expecting something with a little more flair.""Well, I left my armor and warhorse at home," she said. "You're just upset because your big University brain couldn't think of a way, and my plan is brilliant.”

“If you are eager to find the reason I became the Kvothe they tell stories about, you could look there, I suppose."Chronicler's forehead wrinkled. "What do you mean, exactly?"Kvothe paused for a long moment, looking down at his hands. "Do you know how many times I've been beaten over the course of my life?"Chronicler shook his head.Looking up, Kvothe grinned and tossed his shoulders in a nonchalant shrug. "Neither do I. You'd think that sort of thing would stick in a person's mind. You'd think I would remember how many bones I've had broken. You'd think I'd remember the stitches and bandages." He shook his head. "I don't. I remember that young boy sobbing in the dark. Clear as a bell after all these years."Chronicler frowned. "You said yourself that there was nothing you could have done.""I could have," Kvothe said seriously, "and I didn't. I made my choice and I regret it to this day. Bones mend. Regret stays with you forever.”

“Elodin proved a difficult man to find. He had an office in Hollows, but never seemed to use it. When I visited Ledgers and Lists, I discovered he only taught one class: Unlikely Maths. However, this was less than helpful in tracking him down, as according to the ledger, the time of the class was 'now' and the location was 'everywhere.”

“The day we fret about the future is the day we leave our childhood behind.”