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Patrick Suskind

From 1968-1974 he studied medieval and modern history in Munich and Aix-en-Provence. In the '80s he worked as a screenwriter, for Kir Royal and Monaco Franze among others.

After spending the 1970s writing what he has characterized as “short unpublished prose pieces and longer un-produced screenplays”, Patrick Süskind was catapulted to fame in the 1980s by the monodrama Der Kontrabass (The Double Bass, 1981), which became an instant success and a favourite of the German stage. In 1985 his status as literary wunderkind was confirmed with the publication of the novel Das Parfüm. Die Geschichte eines Mörders (Perfume: The Story of a Murderer), which quickly topped the European best-seller list and eventually sold millions of copies worldwide.


“And finally - he was neither able nor willing to prevent it - the self-loathing dammed up inside him spilled over and gushed out, gushed out of glaring eyes that grew ever grimmer, angrier, beneath the rim of his cap, flooding the outside world as perfect, vulgar hate.”
Patrick Suskind
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“How quickly the apparently solidly laid foundation of one's existence could crumble.”
Patrick Suskind
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“...if you could not close a door behind you to take a shit in the city - even if it was just the door to a shared toilet - if this one, most essential freedom was taken away from you, the freedom, that is, to withdraw from other people when necessity called, then all other freedoms were worthless. Then life had no more meaning. Then it would be better to be dead. ”
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“With one glance he had got himself trapped in the brown fundament of her eyes, he was in danger of sinking, as if into a soft, brown swamp, and he had to close his own eyes for a second to get out of it..”
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“No human being can go on living in the same house with a pigeon, a pigeon is the epitomy of chaos and anarchy, a pigeon that whizzes around unpredictably, that sets it's claws in you, picks at your eyes..”
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“...he came to the conclusion that you cannot depend on people, and that you can live in peace only if you keep them at arm's length.”
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“...his sleep, though deep as death itself, was not dreamless this time, but threaded with ghostly wisps of dreams. These wisps were clearly recognizable as scraps of odors. At first they merely floated in thin threads past Grenouille's nose, but then they grew thicker, more cloudlike. And now it seemed as if he were standing in the middle of a moor from which fog was rising. The fog slowly climbed higher. Soon Grenouille was completely wrapped in fog, saturated with fog, and it seemed he could not get his breath for the foggy vapor. If he did not want to suffocate, he would have to breathe the fog in. And the fog was, as noted, an odor. And Grenouille knew what kind of odor. The fog ws his own odor. His, Grenouille's, own body odor was the fog.And the awful thing was that Grenouille, although he knew that his odor was his odor, could not smell it. Virtually drowning in himself, he could not for the life of him smell himself!”
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“We are familiar with people who seek out solitude: penitents, failures, saints, or prophets. They retreat to deserts, preferably, where they live on locusts and honey. Others, however, live in caves or cells on remote islands; some-more spectacularly-squat in cages mounted high atop poles swaying in the breeze. They do this to be nearer God. Their solitude is a self-moritification by which they do penance. They act in the belief that they are living a life pleasing to God. Or they wait months, years, for their solitude to be broken by some divine message that they hope then speedily to broadcast among mankind.Grenouille's case was nothing of the sort. There was not the least notion of God in his head. He was not doing penance or wating for some supernatural inspiration. He had withdrawn solely for his own pleasure, only to be near to himself. No longer distracted by anything external, he basked in his own existence and found it splendid. He lay in his stony crypt like his own corpse, hardly breathing, his heart hardly beating-and yet lived as intensively and dissolutely as ever a rake lived in the wide world outside.”
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“Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it.”
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“الرب يمنحنا أيام عسر وايام يسر، لكنه لا يريد منّا في أيام العسر أن نندب وننعى وإنما أن نتصرف برجولة”
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“Although he had used it very sparingly, the perfume that he had mixed in Montpellier was slowly was slowly running out. He created a new one. But this time he was not content simply to imitate basic human odor by hastily tossing together some ingredients; he made it a matter of pride to acquire a personal odor, or better yet, a number of personal odors...Protected by these various odors, which he changed like clothes as the situation demanded and which permitted him to move undisturbed in the world of men and to keep his true nature from them, Grenouille devoted himself to his real passion: the subtle pursuit of scent.”
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“Very well, but remember this... I'll be looking at you when you're laid on the cross and the twelve blows are crashing down on your limbs. When the crowd is finally tired of your screams and wandered home, I will climb up through your blood and sit beside you. I will look deep into your eyes... and drop by drop I will trickle my disgust into them like burning acid until... finally... you perish.”
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“In the period of which we speak, there reigned in the cities a stench barely conceivable to us modern men and women. The streets stank of manure, the courtyards of urine, the stairwells stank of moldering wood and rat droppings, the kitchens of spoiled cabbage and mutton fat; the unaired parlors stank of stale dust, the bedrooms of greasy sheets, damp featherbeds, and the pungently sweet aroma of chamber pots. The stench of sulfur rose from the chimneys, the stench of caustic lyes from the tanneries, and from the slaughterhouses came the stench of congealed blood. People stank of sweat and unwashed clothes; from their mouths came the stench of rotting teeth, from their bellies that of onions, and from their bodies, if they were no longer very young, came the stench of rancid cheese and sour milk and tumorous disease. The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces.The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter”
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“He succeeded in being considered totally uninteresting. People left him alone. And that was all he wanted.”
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