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Paul Auster

Paul Auster is the bestselling author of Report from the Interior, Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Prize for Literature, the Prix Médicis Étranger, the Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and a Commandeur de l'Ordre des Arts et des Lettres. He lives in Brooklyn, New York.


“Now that you are living on such intimate terms with her, Gwyn has emerged as a slightly different person... She is both funnier and more salacious than you imagined, more vulgar and idiosyncratic, more passionate, more playful, and you are startled to realize how deeply she exults in filthy language and the bizarre slang of sex... Common twentieth-century words do not interest her. She shuns the term making love, for example, in favor of older, more hilarious locutions, such as rumpty-rumpty, quaffing, and bonker bang. A good orgasm is referred to as a bone-shaker. Her ass is a rumdadum. Her crotch is a slittie, a quim, a quim-box, a quimsby. Her breasts are boobs and tits, boobies and titties, her twin girls. At one time or another, your penis is a bong, a blade, a slurp, a shaft, a drill, a quencher, a lancelot, a lightning rod, Charles Dickens, Dick Driver, and Adam Junior... In the grip of approaching orgasm, however, she tends to revert to the contemporary standbys, falling back on the simplest, crudest words in the English lexicon to express her feelings. Cunt, pussy, fuck. Fuck me, Adam. Again and again. Fuck me, Adam. For an entire month you are the captive of that word, the willing prisoner of that word, the embodiment of that word. You dwell in the land of flesh, and your cup runneth over. Surely goodness and mercy shall follow you all the days of your life.”
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“He wonders if words aren't an essential element of sex, if talking isn't finally a more subtle form of touching, and if the images dancing in our heads aren't just as important as the bodies we hold in our arms. Margot tells him that sex is the one thing in life that counts for her, that if she couldn't have sex she would probably kill herself to escape the boredom and monotony of being trapped inside her own skin. Walker doesn't say anything, but as he comes into her for the second time, he realizes that he shares her opinion. He is mad for sex. Even in the grip of the most crushing despair, he is mad for sex. Sex is the lord and the redeemer, the only salvation on earth.”
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“Every time Sachs posed for a picture, he was forced to impersonate himself, to play the game of pretending to be who he was. After a while, it must have had an effect on him. (…) They say that a camera can rob a person of his soul. In this case, I believe it was just the opposite. With this camera, I believe that Sachs’s soul was gradually given back to him.”
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“At that point, Noriko finally breaks down and begins to cry sobbing into her hands as the floodgates open - this young woman who has suffered in silence for so long, this good woman who refuse to believe she's good, for only the good doubt their own goodness, which is what makes them good in the first place. The bad know they are good, but the good know nothing. They spend their lives forgiving others, but they can't forgive themselves.”
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“Six days ago, a man blew himself up by the side of a road in northern Wisconsin.”
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“It was something like the word 'it' in the phrase 'it is raining' or 'it is night'. What that 'it' referred to Quinn had never known”
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“Everything had changed for me, and words that I had never understood before suddenly began to make sense. This came as revelation, and when I finally had time to absorb it, I wondered how I had managed to live so long without learning this simple thing. I am not talking about desire so much as knowledge, the discovery that two people, through desire, can create a thing more powerful than either of them can create alone.”
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“Words were no longer simply words, but a curious codes of silence, a way of speaking that continually moved around the thing that was being said. As long as we avoided the real subject, the spell would not broken. We both slipped naturally into this kind of banter, and it became all the more powerful because neither of us abandoned the character. We knew what we were doing, but at the same time we pretended not to. Thus my courtship of Sophie began - slowly, decorously, building by the smallest of increments.”
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“No one wants to be part of a fiction, and even less so if that fiction is real.”
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“Stories happen only to those who are able to tell them, someone once said. In the same way, perhaps, experiences present themselves only to those who are able to have them.”
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“The whole scene had an imaginary quality to it. I knew that it was real, but at the same time it was better than reality, more nearly a projection of what I wanted from reality than anything I had experienced before.”
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“I was looking for a quiet place to die.”
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“To care about words, to have a stake in what is written, to believe in the power of books - this overwhelms the rest, and beside it one's life becomes very small.”
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“He knew that his wings could ignite at any moment, but the closer he came to touching the fire, the more he sensed that he was fulfilling his destiny. As he put it in his journal that night: If I mean to save my life, then I have to come within an inch of destroying it.”
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“There was nothing to see, nothing to distract me from succumbing to my fears, and the longer I kept my eyes shut, the more terribly I saw my fears wanted me to see.”
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“What else we know?Nothing. That´s why we´re sitting together in this car now. Because we´re the same, and because we don´t know a damn thing other than that.”
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“The only person I knew how to be with now was myself - but I wasn´t really anyone, and I wasn´t really alive. I was just someone who pretended to be alive, a dead mean who spent his days translating a dead man´s book.”
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“What matters is not how well you can avoid trouble, but how you cope with trouble when it comes.”
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“When every card in the deck is stacked against you, the only way to win a hand is to break the rules.You beg, borrow, and steal, as the old adage goes, and if you happen to get caught in the act, at least you´ve gone down fighting the good fight.”
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“you can’t punish someone for a lack of affection, can you? You can’t force a child to love you just because he’s your child.”
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“In general, lives seem to veer abruptly from one thing to another, to jostle and bump, to squirm. A person heads in one direction, turns sharply in mid-course, stalls, drifts, starts up again. Nothing is ever known, and inevitably we come to a place quite different from the one we set out for.”
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“in the end, each life is irreducible to anything other than itself. Which is as much as to say: lives make no sense.”
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“Stories without endings can do nothing but go on forever, and to be caught in one means that you must die before your part in it is played out.”
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“In the end, each life is no more than the sum of contingent facts, a chronicle of chance intersections, of flukes, of random events that divulge nothing but their own lack of purpose.”
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“He was there for you, and yet at the same time he was inaccessible. You felt there was a secret core in him that could never be penetrated, a mysterious center of hiddenness. To imitate him was somehow to participate in that mystery, but it was also to understand that you could never really know him.”
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“Our lives carry us along in ways we cannot control, and almost nothing stays with us. It dies when we do, and death is something that happens to us every day.”
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“Writing is a solitary business. It takes over your life. In some sense, a writer has no life of his own. Even when he’s there, he’s not really there.”
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“We are not where we are, he finds, but in a false position. Through an infirmity of our natures, we suppose a case, and put ourselves into it, and hence are in two cases at the same time, and it is doubly difficult to get out”
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“As long as there's one person to believe it, there's no story that can't be true.”
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“MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near.What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.”
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“He would conclude that nothing was real except chance.”
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“So weak, so little left, time running out. I will be robbed of my old age. I try not to feel bitter about it, but sometimes I can't help myself. Life is shit, I know, but the only thing I want is more life, more years on this godforsaken earth.”
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“nadie hace nada en esta vida sin alguien que crea en él”
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“Surely it is an odd way to spend your life - sitting alone in a room with a pen in your hand, hour after hour, day after day, year after year, struggling to put words on pieces of paper in order to give birth to what does not exist, except in your head. Why on earth would anyone want to do such a thing? The only answer I have ever been able to come up with is: because you have to, because you have no choice.”
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“You're too good for this world, and because of that the world will eventually crush you.”
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“We exist for ourselves, perhaps, and at times we even have a glimmer of who we are, but in the end we can never be sure, and as our lives go on, we become more and more opaque to ourselves, more and more aware of our own incoherence. No one can cross the boundary into another – for the simple reason that no one can gain access to himself.”
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“Thoughts are real', he said. 'Words are real. Everything human is real, and sometimes we know things before they happen, even if we aren't aware of it. We live in the present, but the future is inside us at every moment. Maybe that's what writing is all about, Sid. Not recording events from the past, but making things happen in the future'.”
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“By wandering aimlessly, all places became equal, and it no longer mattered where he was.”
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“No one was to blame for what happened, but that does not make it any less difficult to accept. It was all a matter of missed connections, bad timing, blundering in the dark. We were always in the right place at the wrong time, the wrong place at the right time, always just missing each other, always just a few inches from figuring the whole thing out. That's what the story boils down to, I think. A series of lost chances. All the pieces were there from the beginning, but no one knew how to put them together.”
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“The story is not in the words; it's in the struggle.”
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“Guilt kept me going. It was impossible not to blame myself for what had happened, but even guilt was a comfort. It was a human feeling, a sign that I was still attached to the same world that other men lived in.”
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“It often happens that things are other than what they seem, and you can get yourself into trouble by jumping to conclusions.”
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“As long as a man had the courage to reject what society told him to do, he could live life on his own terms. To what end? To be free. But free to what end? To read books, to write books, to think.”
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“We all want to believe in impossible things, I suppose, to persuade ourselves that miracles can happen.”
Paul Auster
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“La poesía es algo hermoso, pero no vale la pena que se te congele el culo por ella.”
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“Just think it, and chances are it will happen.”
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“In the good mystery there is nothing wasted, no sentence, no word that is not significant. And even if it is not significant, it has the potential to be so - which amounts to the same thing. The world of the book comes to life, seething with possibilities, with secrets and contradictions. Since everything seen or said, even the slightest, most trivial thing, can bear a connection to the outcome of the story, nothing must be overlooked. Everything becomes essence; the center of the book shifts with each event that propels it forward. The center, then, is everywhere, and no circumference can be drawn until the book has come to its end.”
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“Cada hombre es distinto de todos los demás, y cuando ocurren cosas horribles, cada cual reacciona a su manera.”
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“una vida rota por el exceso y la escasez de este mundo”
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“There is nothing more terrible, I learned, than having to face the objects of a dead man. Things are inert: that have meaning only in function of the life that makes use of them. When that life ends, the things change, even though they remain the same. […] they say something to us, standing there not as objects but as remnants of thought, of consciousness, emblems of the solitude in which a man comes to make decisions about himself.”
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