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Paul Murray

Author of the inter-active book, THE SUSTAINABLE SELF (published by Earthscan in 2011 www.earthscan.co.uk/self).

Paul lectures on two MScs in Sustainable Construction (Project Management and Cost Management) and the University's undergraduate Environmental Building Degrees (BScs in Building Surveying and the Environment, Construction Management and the Environment and Environmental Construction Surveying)

Paul provides consultancy and values-based training services across the UK to educational instituttions and other public and private sector establishments who wish to focus on sustainability education and personal/ organisational engagement with sustainability.

As the former Head of Building Programmes, Paul helped conceive the UK's first overtly environment-themed building undergraduate degrees in the UK in the mid 1990s.

He was awarded a National Teaching Fellowship in 2004 by the Higher Education Academy for his contribution to teaching excellence and won a national GREEN GOWN award for the university in 2007 for the environmental content of the construction degree programmes at Plymouth.

Between 2000 and 2005 Paul was the Director of the SLICE project (Student-centred Learning in Construction Education), which transferred excellence in flexible learning to over 40 other institutions and was described by the Higher Educartion Academy as, "One of the best (projects)" in the FDTL4 funding round.

Paul currently acts as the Environmental Building subject leader and is an Associate Professor in sustainable construction education and sustainability and provides specific input on developing teaching and learning innovations for students and lecturing colleagues.

In 2005 Paul became a founding Fellow of the Centre for Sustainable Futures, a government-funded £4.5 million centre of excellence for teaching and learning. The focus of the centre is to make the University of Plymouth an international role model for education for sustainable development. Paul's role will be to enhance and extend the excellent teaching practices undertaken by him and his colleagues within the Environmental Building group.

Paul's most recent work has focused on engaging individuals at a personal level with sustainability. He has pioneered new values-based sustainability training techniques that have been undertaken by over 600 individuals, including students, academics, government officers and businesses. This work has been translated into Paul's book The Sustainable Self.

Paul's sustainable training events are a core element of the university's built environment degrees, following pilots in 2007, which resulted in unaminous endorsement by all participating students. Since then, the training has been undertaken by nearly 700 academics, industry professionals and government officers as well as undergraduate and postgraduate students. The training is now in demand for staff development internally at Plymouth and at other institutions.


“Sometimes the reason we do not see the answer is that we are looking too closely at the question.”
Paul Murray
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“Pensa all’asimmetria. Questo è un mondo, pensa, in cui puoi startene a letto a sentire una canzone mentre sogni la persona che ami, e i tuoi sentimenti e la canzone si fanno eco a vicenda in modo così potente e completo che sembra impossibile che l’amata, chiunque e ovunque sia, non se ne accorga, non riceva il segnale che pulsa dal tuo cuore, come se tu e la musica e l’amore e tutto l’universo siate fusi in un’unica forza che può essere incanalata verso l’esterno, nell’oscurità, per portargli il messaggio. Ma nella realtà, non solo lei o lui non sapranno nulla, ma non c’è neanche qualcosa che impedisca a quell’altra persona di starsene a letto esattamente nello stesso momento a sentire esattamente la stessa canzone e pensare a qualcun altro - di indirizzare gli stessi sentimenti in una direzione del tutto differente, verso una persona completamente diversa, che a sua volta potrebbe starsene nel buio a pensare a un’altra persona, una quarta, che a sua volta pensa a una quinta, e così via all’infinito; e dunque, invece di un mondo di coppie che si ricambiano precisamente, dove l’innamorato e colei o colui che lo corrisponde solcano lo spazio in modo preciso e meraviglioso come tante paia di ali di farfalla, ci ritroviamo una catena di struggimenti, che si espande e si avvita su se stessa e finisce in un numero infinito di vicoli ciechi.”
Paul Murray
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“The achievement of maturity, psychologically speaking, might be said to be the realization and acceptance that we simply cannot live independently from the world, and so we must live within it, with whatever compromises that might entail.”
Paul Murray
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“Although if it's a dream that you truly believe in your heart,' Geoff attempts to console him, 'then in a way, you know, it is real?''It's not a dream in my heart,' Skippy scowls.”
Paul Murray
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“There’s no escaping it,' he'd been fond of telling us when he was well, 'the way you look defines who you are. You might argue for your soul or your heart, but everyone else in the world will judge you on your big nose or your weak chin. Six billion people could be wrong, but you’ll never get them to admit it.”
Paul Murray
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“Fix that hair! Close that mind! Repeat after me! Page me the second the old man croaks it! Now, are you boys ready? A Seabrook boy is always ready. Ready to work. Ready to play. Ready to listen to his teachers, especially the greatest educator of them all, Jesus. as Jesus said to me once, Greg, what's your secret? And I said, Jesus--study your notes! Get to class! Shave that beard! You show up to your first day on the job dressed like a hippie, of course they're going to crucify you, I don't care whose son you are . . .”
Paul Murray
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“[H]istory, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn't make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn't fit. And often that is quite a lot.”
Paul Murray
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“You know, you spend your childhood watching TV, assuming that at some point in the future everything you see will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined,that the world occupied by your parents, the world of washing dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'.”
Paul Murray
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“It doesn’t matter where you go though, nowhere feels big enough to contain you, even if you’re right in the middle of the mall it still somehow seems too shallow, like when you were younger and you tried to make your Transformers visit your Lego town, and they were just out of scale, it didn’t work – it’s like that, or maybe it isn’t, because you also feel really tinily small, you feel like a lump in somebody’s throat….”
Paul Murray
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“To hear people talk, you would think no one ever did anything but love each other. But when you look for it, when you search out this love everyone is always talking about, it is nowhere to be found; and when someone looks for love from you, you find you are not able to give it, you are not able to hold the trust and dreams they want you to hold, any more than you could cradle water in your arms.”
Paul Murray
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“His name was Paul Eluard, and he said this thing once: There is another world, but it is in this one...It's like, you know, inside every stove there's a fire. Well, inside every grass blade there's a grass blade, that's just like burning up with being a grass blade. And inside every tree, there's a tree, and inside every person there's a person, and inside this world that seems so boring and ordinary, if you look hard enough, there's a totally magical beautiful world. And anything you would want to know, or anything you would want to happen, all the answers are right there where you are right now. In your life.”
Paul Murray
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“Their faith in him is at once touching and alarming -- their trust that they are safe simply because he's with them, as if an adult presence warded of all possible threat, emanated an unbreachable forcefield.”
Paul Murray
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“Fascinating ... The whole thing [the school dance] seems to work on a similar principle to a supercollider. You know, two streams of opposingly charged particles accelerated till they're just under the speed of light, and then crashed into each other? Only here alcohol, accentuated secondary sexual characteristics and primitive "rock and roll" beats take the place of velocity.”
Paul Murray
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“Ignoring is what you are supposed to do with bullies, so they get bored and leave you alone. But the problem in school is that they don't get bored, because whatever else there is to do is more boring still.”
Paul Murray
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“When you think about it, the Big Bang's a big like school, isn't it?...Well, I mean to say, one day we'll all leave here and become scientists and bank clerks and driving instructors and hotel managers -- the fabric of society, so to speak. But in the meantime, that fabric, that is to say, us, the future, is crowded into one tiny little point where none of the laws of society applies, viz., this school.-Ruprecht”
Paul Murray
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“Never frown even when ur sad, coz u never know whose falling in love with ur smile!”
Paul Murray
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“Here at Seabrook, we judge a man by the sum of his actions, the sum. In this case we have a man with an unparalleled dediciation to this school and to the boys of this school. Does one error in judgement, however grievious, does that cancel out at a stroke all the good he’s done? The good of that care?”
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“And even though it didn't work, it did sort of work, because when we're all together, it's like Skippy's there too, because each of us has his own little jigsaw piece of him he remembers, and when you fit them all together, and you make the whole picture, then it's like he comes to life.”
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“-so that for these few moments it actually seems that Ruprecht could be right, that everything, or at least the small corner of everything that is the Seabrook Sports Hall, is resonating to the same chord, the same feeling, the one that over a lifetime you learn a million ways to camouflage but never quite to banish - the feeling living in a world of apartness, of distances you cannot overcome; it's almost as if the strange out-of-nowhere voice is the universe itself, some hidden aspect of it that rises momentarily over the motorway-roar of space and time to console you, to remind you that although you can't overcome the distances, you can still sing the song -- out into the darkness over the separating voids, towards a fleeting moment of harmony...”
Paul Murray
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“His wife is washed up against him, clinging lifelessly to his arm like seaweed, with no pretense of listening to the priest's small talk.”
Paul Murray
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“Out here the sunsets were like Italian operas, torrid, emotional affairs that went on for three hours or more, hanging in the sky like burning castles.”
Paul Murray
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“Life makes fools of us all sooner or later. But keep your sense of humor and you'll at least be able to take your humiliations with some measure of grace. In the end, you know, it's our own expectations that crush us." -- from Skippy Dies”
Paul Murray
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“Halley believed that a kiss was the beginning of a story, the story, good or bad, short or long, of an us, and once begun, you had to follow it through to the end.”
Paul Murray
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“The accursed ship didn't sink for a full three hours. By the time it did, I was feeling so traumatized that even watching Dogface die offered little consolation. The dialogue, the acting, the vast emptiness of the whole endeavour! Was that what passed for cinema these days? I felt like I have been violated; violated by a team of accountants.”
Paul Murray
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“You're talking like a Stalinist!' I cried. 'People don't get jobs to achieve things and learn values! They do it because they have to, and then they use whatever's left over to buy themselves things that make them feel less bad about having jobs! Can't you see, it's just a terrible vicious circle!”
Paul Murray
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“Liam was too Scottish-''Oh but so Scottish, Bel! Come on, the bagpipes? The interminable quotations from Braveheart? Anyone who's proud of coming from Scotland obviously has issues-”
Paul Murray
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“Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg – that your future will not be the rollercoaster ride you’d imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of ‘life’. Now, with every day that passes, another door seems to close, the one marked PROFESSIONAL STUNTMAN, or FIGHT EVIL ROBOT, until as the weeks go by and the doors – GET BITTEN BY SNAKE, SAVE WORLD FROM ASTEROID, DISMANTLE BOMB WITH SECONDS TO SPARE – keep closing, you begin to hear the sound as a good thing, and start closing some yourself, even ones that didn’t necessarily need to be closed. (from "Skippy Dies")”
Paul Murray
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“Life makes fools of all of us sooner or later. But keep your sense of humor and you'll at least be able to take your humiliations with some measure of grace. In the end, you know, its our own expectations that crush us.”
Paul Murray
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“Two ghosts, briefly rescued from oblivion; a small act of reclamation, a chance to make amends.-Paul Murray, SKIPPY DIES”
Paul Murray
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“Some bruises you wear like badges of honour: when you got it playing rugby, or quad racing, or falling off something while drunk, no opportunity is lost to show off a good contusion. A bruise inflicted by someone else, however, is a whole other story: it's like a big flashing arrow marking you out as punchable, and before long there'll be boys queuing up to add bruises of their own, as if they'd just been waiting for somebody to show them it could be done.”
Paul Murray
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“Seizing an imaginary microphone, Dennis adopts a limp Estuary accent: 'Masturbating's changed a lot since I were a lad, Brian. In my day, we masturbated for the sheer love of it. Day and night we did it, all the kids on our estate, masturbating on the old waste ground, masturbating up against the wall of the house... I remember me mam coming out and shouting, "Stop that masturbating and come in for your tea! You'll never amount to anything if all you think about is masturbating!" Masturbating crazy we were. Your young masturbators today, though, it's all about the money, it's all about agents and endorsements. Sometimes I worry that the masturbating's in danger of being squeezed out altogether.”
Paul Murray
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“The labels on the little bottles and boxes do not tell you which one is the sleeping pill. Instead they have names, long strange names that slide out of shape while you are reading them. They sound like kings from history or alien planets. There are hundreds of them.”
Paul Murray
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“History, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn’t make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn’t fit. And often that is quite a lot.”
Paul Murray
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“Since when has love ever looked for reasons, or evidence? Why would love bow to the reality of things, when it creates a reality of its own, so much more vivid, wherein everything resonates to the key of the heart?”
Paul Murray
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“He is thinking about asymmetry. This is a world, he is thinking, where you can lie in bed, listening to a song as you dream about someone you love, and your feelings and the music will resonate so powerfully and completely that it seems impossible that the beloved, whoever and wherever he or she might be, should not know, should not pick up this signal as it pulsates from your heart, as if you and the music and the love and the whole universe have merged into one force that can be chanelled out into the darkness to bring them this message. But, in actuality, not only will he or she not know, there is nothing to stop that other person from lying on his or her bed at the exact moment listening to the exact same song and thinking about someone else entirely-from aiming those identical feelings in some completely opposite direction, at some totally other person, who may in turn be lying in the dark thinking of another person still, a fourth, who is thinking of a fifth, and so on, and so on, so that rather than a universe of neatly reciprocating pairs, love and love-returned fluttering through space nicely and symmetrically like so many pairs of butterfly wings, instead we get chains of yearning, which sprawl and meander and culminate in an infinite number of dead ends.”
Paul Murray
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“Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word....”
Paul Murray
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