Paul Edward Theroux is an American travel writer and novelist, whose best known work is The Great Railway Bazaar (1975), a travelogue about a trip he made by train from Great Britain through Western and Eastern Europe, the Middle East, through South Asia, then South-East Asia, up through East Asia, as far east as Japan, and then back across Russia to his point of origin. Although perhaps best known as a travelogue writer, Theroux has also published numerous works of fiction, some of which were made into feature films. He was awarded the 1981 James Tait Black Memorial Prize for his novel The Mosquito Coast.
He is the father of
Marcel
and Louis Theroux, and the brother of
Alexander
and Peter.
Justin Theroux
is his nephew.
“I am a book-collector, a proud avocationist in what Eric Quayle (wrongly) asserts to be the "least vicious" of hobbies (we are quite savage). We collectors are puzzled and often piqued unpleasantly by the common, absurd notion whereby we are only a pack of myopic, semi-crazed old pedants fretting over a book's colophon, dull dogs full of humorless zeal and no conversation, who suck our fingers free of pounce.”
“Death rephrases the life of everyone who's near.”
“Mimicry reassures the weak, and the envious fool takes the risk as often as the visionary who mocks the error and leave the man alone.”
“One thinks one is going to the tropics and one finds oneself in the Chinese version of Welwyn Garden City.”
“Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.”
“I guessed it was a migratory bird, too innocent to be wary of the spiders in the jungle grass. It worried be to think that we were a little like that bird”
“I added that it was no fun to grow old, but that the compensation for it was that time turned your mental shit-detector into a highly calibrated instrument.”
“A British traveler remarked, 'There are [fashions in Guatemala] which it would require more than common charity to speak of with respect...'" FILL IN YOUR OWN GRIPES! ;-)”
“Duffil had that uneasy look of a many who has left his parcels elsewhere,which is also the look of a man who thinks he's being followed.”
“I have seldom heard a train go by and not wished I was on it.”
“I had cooperated. I could not have refused. I was smitten with her, half in love but also afraid, because in my life (and she seemed to know this) I had not loved anyone without having been wounded. Love was power and possession, love caused pain: you were never more exposed than when you were in love, never more wounded; possession was an enslavement, something stifling.”
“I want to know the age. The sex. Most of all, the fingerprints. I'd like to identify who it is. After he had agreed, and I had left the office, walking to calm myself, I thought: And who am I? Please tell me who I am and what I'm doing.”
“Most travel, and certainly the rewarding kind, involves depending on the kindness of strangers, putting yourself into the hands of people you don't know and trusting them with your life.”
“You think of travellers as bold, but our guilty secret is that travel is one of the laziest ways on earth of passing the time.”
“Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art.”
“The measure of civilized behavior is compassion.”
“In elk land tonen de treinen de essentiële kenmerken van de cultuur: Thaise treinen hebben de badkruik met de geglazuurde draak op de zijkant, de Ceylonese een wagen die gereserveerd is voor boeddhistische monniken, de Indiase een vegetarische keuken en zes klassen. De Iraanse hun bidmatjes, de Maleisische een noedelstalletje, de Vietnamese kogelvrij glas op de locomotief en in elk rijtuig van de Russische Spoorwegen staat een samovar. De spoorwegbazaar met haar reizigers en vindinkjes vertegenwoordigde de maatschappij zó volmaakt dat je je bij het instappen blootstelde aan het nationale karakter. Soms leek het op een rustige collegezaal, maar soms kreeg ik ook wel eens het gevoel dat ik gevangenzat en werd overvallen door dat monsterachtige 'typische'.”
“Home is always the impossible subject, multilayered and maddening.”
“In countries where all the crooked politicians wear pinstriped suits, the best people are bare-assed.”
“Perjalanan itu bersifat pribadi. Kalaupun aku berjalan bersamamu, perjalananmu bukanlah perjalananku.”
“So far I had been travelling alone with my handbook and my Western Railway timetable: I was happiest finding my own way and did not require a liaison man. It had been my intention to stay on the train, without bothering about arriving anywhere: sight-seeing was a way of passing the time, but, as I had concluded in Istanbul, it was an activity very largely based on imaginative invention, like rehearsing your own play in stage sets from which all the actors had fled.”
“He regarded himself as an accomplished writer — a clear sign of madness in anyone.”
“I cannot make my days longer, so I strive to make them better.”
“What I remembered most clearly about this Jinja road was that on portions of it, for reasons no one could explain, butterflies settled in long fluffy tracts. There might be eighty feet of road carpeted by white butterflies, so many of them that if you drove too fast your tires lost their grip, and some people lost their lives, skidding on butterflies.”
“The wish to travel seems to me characteristically human: the desire to move, to satisfy your curiosity or ease your fears, to change the circumstances of your life, to be a stranger, to make a friend, to experience an exotic landscape, to risk the unknown..”
“I think most serious and omnivorous readers are alike- intense in their dedication to the word, quiet-minded, but relieved and eagerly talkative when they meet other readers and kindred spirits.”
“Ever since childhood, when I lived within earshot of the Boston and Maine, I have seldom heard a train go by and not wished I was on it.”
“...a society without jaywalkers might indicate a society without artists.”
“Ambassador Noyes had another trait I had noticed in many slow-witted people: he was tremendously interested in philosophy.”
“The least dignified thing that can happen to a man is to be murdered. If he dies in his sleep he gets a respectful obituary and perhaps a smiling portrait; it is how we all want to be remembered. But murder is the great exposer: here is the victim in his torn underwear, face down on the floor, unpaid bills on his dresser, a meager shopping list, some loose change, and worst of all the fact that he is alone. Investigation reveals what he did that day - it all matters - his habits are examined, his behavior scrutinized, his trunks rifled, and a balance sheet is drawn up at the hospital giving the contents of his stomach. Dying, the last private act we perform, is made public: the murder victim has no secrets.”
“All travel is circular. I had been jerked through Asia, making a parabola on one of the planet's hemispheres. After all, the grand tour is just the inspired man's way of heading home. ”
“But: all journeys were return journeys. The farther one traveled, the nakeder one got, until, towards the end, ceasing to be animated by any scene, one was most oneself, a man in a bed surrounded by empty bottles. The man who says, "I've got a wife and kids" is far from home; at home he speaks of Japan. But he does not know - how could he? - that the scenes changing in the train window from Victoria Station to Tokyo Central are nothing compared to the change in himself; and travel writing, which cannot but be droll at the outset, moves from journalism to fiction, arriving promptly as the Kodama Echo at autobiography. From there any further travel makes a beeline to confession, the embarrassed monologue in a deserted bazaar. The anonymous hotel room in a strange city...”
“The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical. ”
“The sad engineer would never go back to England; he would become one of these elderly expatriates who hide out in remote countries, with odd sympathies, a weakness for the local religion, an unreasonable anger, and the kind of total recall that drives curious strangers away. ”
“I always found myself in the company of Australians, who were like a reminder that I'd touched bottom.”
“The disorder in Yashar's apartment was that comfortable littering and stacking that only another writer can recognize as order - the considered scatter of papers and books a writer builds around himself until it acquires the cozy solidity of a nest.”
“You go away for a long time and return a different person - you never come all the way back.”
“You define a good flight by negatives: you didn’t get hijacked, you didn’t crash, you didn’t throw up, you weren’t late, you weren’t nauseated by the food. So you are grateful.”
“Notice how many of the Olympic athletes effusively thanked their mothers for their success? “She drove me to my practice at four in the morning,” etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home.”
“The difference between travel writing as fiction is the difference between recording what the eye sees and discovering what the imagination knows. Fiction is pure joy - how sad that I could not reinvent the trip as fiction.”
“Reading alters the appearance of a book. Once it has been read, it never looks the same again, and people leave their individual imprint on a book they have read. Once of the pleasures of reading is seeing this alteration on the pages, and the way, by reading it, you have made the book yours.”
“Cooking requires confident guesswork and improvisation-- experimentation and substitution, dealing with failure and uncertainty in a creative way”
“The wish to disappear sends many travelers away. If you are thoroughly sick of being kept waiting at home or at work, travel is perfect: let other people wait for a change. Travel is a sort of revenge for having been put on hold, or having to leave messages on answering machines, not knowing your party's extension, being kept waiting all your working life - the homebound writer's irritants. But also being kept waiting is the human conditon.”
“There are few things more abrasive to the human spirit, even in Patagonia, than someone standing behind you chomping and sucking ice cubes.”
“Connection" is the triumphal cry these days. Connection has made people arrogant, impatient, hasty, and presumptuous. ...I don't doubt that instant communication has been good for business, even for the publishing business, but it has done nothing for literature, and might even have harmed it. In many ways connection has been disastrous. We have confused information (of which there is too much) with ideas (of which there are too few). I found out much more about the world and myself by being unconnected.”
“travel [is] flight and pursuit in equal parts.”
“Fiction gives us a second chance that life denies us.”
“For years I felt that being respectable meant maintaining a sinister complacency, and the disreputable freedom I sought helped make me a writer.”
“Tourists don't know where they've been, travelers don't know where they're going.”
“But art should require no instrument but memory.”