Paula McLain is the author of the New York Times and internationally bestselling novels, The Paris Wife, Circling the Sun and Love and Ruin. Now she introduces When the Stars Go Dark (April 13, 2021), an atmospheric novel of intertwined destinies and heart-wrenching suspense. She received an MFA in poetry from the University of Michigan in 1996, and is also the author of two collections of poetry, the memoir Like Family: Growing Up in Other People's Houses, and the debut novel, A Ticket to Ride. Her work has has appeared in The New York Times, Real Simple, Town & Country, The Guardian, Huffington Post, Good Housekeeping, and elsewhere. She lives with her family in Cleveland, Ohio.
“I get why no one bothers with the usual rules," ... "I was in the war, too, you know. Nothing looks or feels the same anymore, so what's the point?" ... "Still, I miss good old-fashioned honorable people just trying to make something of life. Simply, without hurting anyone else.”
“He was such an enigma, really - fierce and strong and weak and cruel. An incomparable friend and a son of a bitch. In the end, there wasn't one thing about him that was truer than the rest. It was all true.”
“It was our favorite part of the day, this in-between time, and it always seemed to last longer than it should--a magic and lavender space unpinned from the hours around it, between worlds.”
“The very rich only admire themselves”
“I saw him on the cover of Life magazine and heard about the wars he covered bravely and the other feats - the world-class fishing, the big-game hunting in Africa, the drinking enough to embalm a man twice his size.The myth he was creating out of his own life was big enough to take it for a time - but under this, I knew he was still lonely.”
“I miss good old-fashioned honorable people just trying to make something of life. Simply, without hurting anyone else. I know that makes me a sap.”
“There was no back home any more, not in the essential way, and that was part of Paris too. Why we couldn't stop drinking or talking or kissing the wrong people no matter what it ruined. Some of us had looked into the faces of the dead and tried not to remember anything in particular. Ernest was one of these. He often said he'd died in the war, just for a moment; that his soul had left his body like a silk handkerchief, slipping out and levitating over his chest. It had returned without being called back, and I often wondered if writing for him was a way of knowing his soul was there after all, back in its place. Of saying to himself, if not to anyone else, that he had seen what he'd seen and felt those terrible things and lived anyway. That he had died but wasn't dead any more.”
“The first time I saw a narcissus pushing through ice and thriving, I thought it was perfect and wanted that kind of determination for myself.”
“But when Bumby nursed, his fist clutching the fabric of my robe, his eyes soft and bottomless and locked on mine, as if I were the very heart of his universe, I couldn't help but melt into him.”
“She was also incredibly confident, with a way of moving and talking that communicated that she didn't need anyone to tell her she was beautiful or worthwhile.”
“Why is it every other person you meet says they're an artist? A real artist doesn't need to gas on about it, he doesn't have time. He does his work and sweats it out in silence, and no one can help him at all.”
“To marry was to say you believed in the future and in the past, too-that history and tradition and hope could stay knit together to hold you up.”
“They’d scared me and had me thinking about what it meant to be really strong, on my own terms—not just fit and brown from the sun, not just flexible and accommodating.”
“He was a humorist, and everyone knew the funny writers were the most serious sort under their skins.”
“It gave me a sharp kind of sadness to think that no matter how much I loved him and tried to put him back together again, he might stay broken forever.”
“Sometimes I wish we could rub out all of our mistakes and start fresh, from the beginning,' I said. 'And sometimes I think there isn't anything to us but our mistakes.”
“When I saw the rats the first time, I wanted to drop my basket where it was and run away, but we weren t rich enough for symbolic gestures. So I walked.”
“On December 8, 1921, when the Leopoldina set sail for Europe, we were on board. Our life together had finally begun. We held on to each other and looked out at the sea. It was impossibly large and full of beauty and danger in equal parts-and we wanted it all.”
“If I can write one sentence, simple and true every day, I'll be satisfied.”
“I hope we'll get lucky enough to grow old together.”
“... and yet he could also be very charming, in a bookish, infinitely apologetic way.”
“Books could be an incredible adventure. I stayed under my blanket and barely moved, and no one would have guessed how my mind raced and my heart soared with stories.”
“I'd never met anyone so vibrant or alive. He moved like light.”
“... it struck me how comfortable I felt with him, as if we were old friends or had already done this many times over, him handing me pages with his heart on his sleeve - he couldn't pretend this work didn't mean everything to him - me reading his words, quietly amazed by what he could do.”
“Not everyone believed in marriage then. To marry was to say you believed in the future and in the past, too - that history and tradition and hope could stay knit together to hold you up.”
“My life was my life; I would have to stare it down, somehow, and make it work for me.”
“And that's when he finally tells me his name is Ernest. I'm thinking of giving it away, though. Ernest is so dull, and Hemingway? Who wants a Hemingway?”
“I didn't want to be a sweet boy's sweet girlfriend. I wanted to be Fawn's equal, the kind of girl who stood up for herself and took care of business, who cut guys loose when it was required.”
“It was august. for years it was august … . there was heat like wet gauze and a high, white sky and music coming from everywhere at once.”