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Penelope Lively

Penelope Lively is the author of many prize-winning novels and short-story collections for both adults and children. She has twice been shortlisted for the Booker Prize: once in 1977 for her first novel, The Road to Lichfield, and again in 1984 for According to Mark. She later won the 1987 Booker Prize for her highly acclaimed novel Moon Tiger.

Her other books include Going Back; Judgement Day; Next to Nature, Art; Perfect Happiness; Passing On; City of the Mind; Cleopatra’s Sister; Heat Wave; Beyond the Blue Mountains, a collection of short stories; Oleander, Jacaranda, a memoir of her childhood days in Egypt; Spiderweb; her autobiographical work, A House Unlocked; The Photograph; Making It Up; Consequences; Family Album, which was shortlisted for the 2009 Costa Novel Award, and How It All Began.

She is a popular writer for children and has won both the Carnegie Medal and the Whitbread Award. She was appointed CBE in the 2001 New Year’s Honours List, and DBE in 2012.

Penelope Lively lives in London. She was married to Jack Lively, who died in 1998.


“The past is our ultimate privacy; we pile it up, year by year, decade by decade, it stows itself away, with its perverse random recall system.”
Penelope Lively
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“Thinks that it is a poor sort of life that has not known expectation, the pleasure of savoring ahead. So enjoy it while you have it, he tells himself.”
Penelope Lively
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“So now we are young still but a better sort of young.”
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“She read to find out what it was like to be French or Russian in the nineteenth century, to be a rich New Yorker then, or a Midwestern pioneer. She read to discover how not to be Charlotte, how to escape the prison of her own mind, how to expand, and experience.”
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“But her thoughts are often of the past. That evanescent, pervasive, slippery internal landscape known to no one else, that vast accretion of data on which you depend - without it you would not be yourself. Impossible to share and no one else could view it anyway. The past is out ultimate privacy; we pile it up, year by year, decade by decade, it stows itself away, with its perverse random recall system.”
Penelope Lively
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“An ending is an artificial device; we like endings, they are satisfying, convenient, and a point has been made. But time does not end, and stories march in step with time.”
Penelope Lively
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“Perhaps there is always something in our head that is ready to learn.”
Penelope Lively
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“You have this comet trail of your own lived life, sparks from which arrive in the head all the time, whether you want them or not - life has been lived but it is still all going on, in the mind for better and for worse.”
Penelope Lively
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“Old age is an insult. Old age is a slap in the face. It sabotages a fine mind (...).”
Penelope Lively
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“History is a slippery business; the past is not a constant but a landscape that mutates according to argument and opinion.”
Penelope Lively
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“Language tethers us to the world; without it we spin like atoms.”
Penelope Lively
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“I never told her the other story, in which she stars, in which she is always the heroine – a romanticized story full of cliché images in which I am telling her all the things there has not been enough time for, in which we are doing all the things there has not been time for…”
Penelope Lively
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“And now I want to get yesterday down while I still have the awful taste of it”
Penelope Lively
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“…crying not in grief but in wonder that nothing is ever lost, that everything can be retrieved, that a lifetime is not linear but instant. That, inside the head, everything happens at once.”
Penelope Lively
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“Perhaps I shall not write my account of the Paleolithic at all, but make a film of it. A silent film at that, in which I shall show you first the great slumbering rocks of the Cambrian period, and move from those to the mountains of Wales, from Ordovician to Devonian, on the lush glowing Cotswolds, on to the white cliffs of Dover... An impressionistic, dreaming film, in which the folded rocks arise and flower and grow and become Salisbury Cathedral and York Minster...”
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“The place didn't look the same but it felt the same; sensations clutched and transformed me. I stood outside some concrete and plate-glass tower-block, picked a handful of eucalyptus leaves from a branch, crushed them in my hand, smelt, and tears came to my eyes. Sixty-seven-year-old Claudia, on a pavement awash with packaged American matrons, crying not in grief but in wonder that nothing is ever lost, that everything can be retrieved, that a lifetime is not linear but instant. That, inside the head, everything happens at once.”
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“Behind and byond her looks,her manner, there had been some dark malaise. But nobody ever saw it, back then, he thought. All you saw was her face.”
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“His prime resource is the leaky vessel of is own memory. At times he views it thus, quite literally- as some old pail with holes and rusted seams. Alternatively, he imagines an extensive manuscript of which there survive only a handful of charred fragments; it is like trying to piece together the Gospels from the Dead Sea Scrolls....”
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“Forever, reading has been central, the necessary fix, the support system. Her life has been informed by reading. She has read not just for distraction, sustenance, to pass the time, but she has read in a state of primal innocence, reading for enlightenment, for instruction, even. ... She is as much a product of what she has read as of the way in which she has lived; she is like millions of others built by books, for whom books are an essential foodstuff, who could starve without.”
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“I wasn't thinking of Tom but of myself. And of a self who seemed to be mot 'me' but 'she.' An innocent, moving fecklessly through the days, knowing nothing, whom I saw now with awful wisdom. ... I had hesitated to make this journey, had put it off year after year but had known always that eventually it must be undertaken. And, confronted at last with the mirage -- with the shining phantom of that other time -- I was surprised to find that it was myself that was the poignant presence.”
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“I've grown old with this century; there's not much left of either of us.”
Penelope Lively
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“Far as I'm concerned, they're all still here, like a lot of dear little ghosts.”
Penelope Lively
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“I have no idea where I am going, she thought, but I have begun.”
Penelope Lively
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“If we had not met, that day, I think I would have imagined you somehow.”
Penelope Lively
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“He felt marvellously conscious of the moment, of here and now, of this day.”
Penelope Lively
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“And in another year everything will be different yet again. It is always like that, and always will be; you are forever standing on the brink, in a place where you cannot see ahead; there is nothing of which to be certain except what lies behind. This should be terrifying, but somehow it is not.”
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“It was as though she had some alter ego who told her she did not belong here. But she had never known anywhere else, and where else could there be?”
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“Matt only knew that he was entirely happy, wholly in love, and that years of this rolled ahead, waiting for him.”
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“Matt knew only that he must see her again, and forever.”
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“They sat for several hours over a pot of tea and a plate of cake, and then they wandered the streets, impervious to time. By the end of the day, both realised that their lives had altered course.”
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“It seems to me that anyone whose library consists of a Kindle lying on a table is some sort of bloodless nerd.”
Penelope Lively
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“A stone has been cast into the reliable immutable pond of the past, and as the ripples subside everything appears different. The reflections are quite other; everything has swung and shattered, it is all beyond recovery”
Penelope Lively
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“My understanding of the past has been savagely undermined.”
Penelope Lively
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