Peter Ackroyd
Peter Ackroyd CBE is an English novelist and biographer with a particular interest in the history and culture of London.
Peter Ackroyd's mother worked in the personnel department of an engineering firm, his father having left the family home when Ackroyd was a baby. He was reading newspapers by the age of 5 and, at 9, wrote a play about Guy Fawkes. Reputedly, he first realized he was gay at the age of 7.
Ackroyd was educated at St. Benedict's, Ealing and at Clare College, Cambridge, from which he graduated with a double first in English. In 1972, he was a Mellon Fellow at Yale University in the United States. The result of this fellowship was Ackroyd's Notes for a New Culture, written when he was only 22 and eventually published in 1976. The title, a playful echo of T. S. Eliot's Notes Towards the Definition of Culture (1948), was an early indication of Ackroyd's penchant for creatively exploring and reexamining the works of other London-based writers.
Ackroyd's literary career began with poetry, including such works as London Lickpenny (1973) and The Diversions of Purley (1987). He later moved into fiction and has become an acclaimed author, winning the 1998 James Tait Black Memorial Prize for the biography Thomas More and being shortlisted for the Booker Prize in 1987.
Ackroyd worked at The Spectator magazine between 1973 and 1977 and became joint managing editor in 1978. In 1982 he published The Great Fire of London, his first novel. This novel deals with one of Ackroyd's great heroes, Charles Dickens, and is a reworking of Little Dorrit. The novel set the stage for the long sequence of novels Ackroyd has produced since, all of which deal in some way with the complex interaction of time and space, and what Ackroyd calls "the spirit of place". It is also the first in a sequence of novels of London, through which he traces the changing, but curiously consistent nature of the city. Often this theme is explored through the city's artists, and especially its writers.
Ackroyd has always shown a great interest in the city of London, and one of his best known works, London: The Biography, is an extensive and thorough discussion of London through the ages.
His fascination with London literary and artistic figures is also displayed in the sequence of biographies he has produced of Ezra Pound (1980), T. S. Eliot (1984), Charles Dickens (1990), William Blake (1995), Thomas More (1998), Chaucer (2004), William Shakespeare (2005), and J. M. W. Turner. The city itself stands astride all these works, as it does in the fiction.
From 2003 to 2005, Ackroyd wrote a six-book non-fiction series (Voyages Through Time), intended for readers as young as eight. This was his first work for children. The critically acclaimed series is an extensive narrative of key periods in world history.
Early in his career, Ackroyd was nominated a Fellow of the Royal Society of Literature in 1984 and, as well as producing fiction, biography and other literary works, is also a regular radio and television broadcaster and book critic.
In the New Year's honours list of 2003, Ackroyd was awarded the CBE.
“Elaine turned to her father in her distress. ‘Father will you give me permission to ride after Sir Lancelot? I must reach him. Otherwise I will go out of my mind with grief.’‘Go, good daughter. Rescue him, if you can.’So she made herself ready for the journey, weeping all the time. Gawain himself rode back to the court of the king in London” –The Fair Maid of Astolat”
“Under the force of the imagination, nature itself is changed.”
“London goes beyond any boundary or convention.It contains every wish or word ever spoken, every action or gesture ever made, every harsh or noble statement ever expressed. It is illimitable. It is Infinite London.”
“A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and shield it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.”
“It is strange, is it not, how a person can adore one's soul so much that they adore one's body also?”
“The embrace of present and past time, in which English antiquarianism becomes a form of alchemy, engenders a strange timelessness. It is as if the little bird which flew through the Anglo-Saxon banqueting hall, in Bede's Historia Ecclesiastica Gentis Anglorum, gained the outer air and became the lark ascending in Vaughan Williams's orchestral setting. The unbroken chain is that of English music itself.”
“The best years are when you know what you're doing.”
“The world is a sea in which we all must surely drown.”
“Time. In another time. Either before or after. They were not stars,but fires. They were the souls of birds. They were entries into the vast fire. They were the eyes of the dead. And in the darkness theywere imprisoned by them.”
“…sorrow was always the bedfellow of depravity.”
“Sometimes the silences, the gaps, tell us more than anything else.”
“I believe now that there can be no real sense of loss or seperation withoutthe recognition of death; we were too young to consider any such eventuality,and simply moved on with our lives into some indefinite but illimitable future.”
“I realized that my time in this place had come to an end; now that my schooldays were over, I no longer belonged here. I had always been a stranger and, if I stayed, I would become a stranger to myself as well.”
“None of it seemed very real, but I suppose that's the trouble withhistory. It's the one thing we have to make up for ourselves.”
“I lack the World, for I move like a Ghost through it.”
“There is no humiliation worse than the consciousness of a wasted life. It stains the spirit, forestalls hope, and destroys any motive foraction or change.”
“…a lie, once uttered, changes reality just as surely as if it were a great truth.”
“So do we discover, in the world, that our worst fears are unfulfilled; yet we must fear, in order that we may feel delight.”
“And when I was young, did I ever tell you, I always wanted to get insidea book and never come out again? I loved reading so much I wantedto be a part of it, and there were some books I could have stayed infor ever.”
“So we may use our books to form a barricade against the world,interweaving their words with our own to ward off the heat of the day.”
“Books do not perish like humankind. Of course we commonly see them broken in the haberdasher's shop when only a few months before they lay bound on the stationer's stall; these are not true works, but mere trash and newfangleness for the vulgar. There are thousands of such gewgaws and toys which people have in their chambers, or which they keep upon their shelves, believing that they are precious things, when they are the mere passing follies of the passing time and of no more value than papers gathered up from some dunghill or raked by chance out of the kennel. True books are filled with the power of the understanding which is the inheritance of the ages: you may take up a book in time, but you read it in eternity.”
“There is a camaraderie that grows up among those who work with old books and old papers, largely, I suspect, because we understand that we are at odds with the rest of the world: we are travelling backwards, while all those around us are still moving forward.”
“He is a Londoner, too, in his writings. In his familiar letters he displays a rambling urban vivacity, a tendency to to veer off the point and to muddle his syntax. He had a brilliantly eclectic mind, picking up words and images while at the same time forging them in new and unexpected combinations. He conceived several ideas all at once, and sometimes forgot to separate them into their component parts. This was true of his lectures, too, in which brilliant perceptions were scattered in a wilderness of words. As he wrote on another occasion, "The lake babbled not less, and the wind murmured not, nor the little fishes leaped for joy that their tormentor was not." This strangely contorted and convoluted style also characterizes his verses, most of which were appended as commentaries upon his paintings. Like Blake, whose prophetic books bring words and images in exalted combination, Turner wished to make a complete statement. Like Blake, he seemed to consider the poet's role as being in part prophetic. His was a voice calling in the wilderness, and, perhaps secretly, he had an elevated sense of his status and his vocation. And like Blake, too, he was often considered to be mad. He lacked, however, the poetic genius of Blake - compensated perhaps by the fact that by general agreement he is the greater artist.”
“I am the scourge of God”
“There was no grandeur here, no sublimity, only weariness and gloom.”
“The endless chatter of this journey had wearied me.”
“For when I trace back the years I have liv'd, gathering them up in my Memory, I see what a chequer'd Work Of Nature my life has been. If I were now to inscribe my own History with its unparalleled Sufferings and surprizing Adventures (as the Booksellers might indite it), I know that the great Part of the World would not believe the Passages there related, by reason of the Strangeness of them, but I cannot help their Unbelief; and if the Reader considers them to be but dark Conceits, then let him bethink himself that Humane life is quite out of the Light and that we are all Creatures of Darknesse.”
“Is Dust immortal then, I ask'd him, so that we may see it blowing through the Centuries? But as Walter gave no Answer I jested with him further to break his Melancholy humour: What is Dust, Master Pyne?And he reflected a little: It is particles of Matter, no doubt.Then we are all Dust indeed, are we not?And in a feigned Voice he murmered, For Dust thou art and shalt to Dust return. Then he made a Sour face, but only yo laugh the more.”
“Bigotry does not consort easily with free trade.”
“There were pools of light among the stacks, directly beneath the bulbs which Philip had switched on, but it was now with an unexpected fearfulness that he saw how the books stretched away into the darkness. They seemed to expand as soon as they reached the shadows, creating some dark world where there was no beginning and no end, no story, no meaning. And if you crossed the threshold into that world, you would be surrounded by words; you would crush them beneath your feet, you would knock against them with your head and arms, but if you tried to grasp them they would melt away. Philip did not dare turn his back upon these books. Not yet. It was almost, he thought, as if they had been speaking to each other while he slept.”
“I have liv'd long enough for others, like the Dog in the Wheel, and it is now the Season to begin for myself: I cannot change that Thing call'd Time, but I can alter its Posture and, as Boys do turn a looking-glass against the Sunne, so I will dazzle you all.”
“...he found it difficult to discuss any of his activities, which seemed to him no more than the hole through which he was falling.”
“There is nothing in England more constant than the inconstancy of dress.”
“I was at peace with a world which afforded so much bounty, and began to enjoy living at the very end of time.”
“He stood beneath the white tower, and looked up at it with that mournful expression which his face always carried in repose: for one moment he thought of climbing up its cracked and broken stone, and then from its summit screaming down at the silent city as a child might scream at a chained animal.”