Peter Anghelides
Anghelides' first published work was the short story "Moving On" in the third volume of the Virgin Decalog collections, which led to further short stories in the fourth collection and then in two of the BBC Short Trips collections that followed. In January 1998, his first novel Kursaal was published as part of BBC Books' Eighth Doctor Adventures series on books. Anghelides subsequently wrote two more novels for the range, Frontier Worlds in November 1999, which was named "Best Eighth Doctor Novel" in the annual Doctor Who Magazine poll of its readers, and the The Ancestor Cell in July 2000 (co-written with departing editor Stephen Cole). The Ancestor Cell was placed ninth in the Top 10 of SFX magazine's "Best SF/Fantasy novelisation or TV tie-in novel" category of that year.
Anghelides also wrote several short stories for a variety of Big Finish Productions' Short Trips and Bernice Summerfield collections. This led, in November 2002, to the production of his first audio adventure for Big Finish, the play Sarah Jane Smith: Mirror, Signal, Manoeuvre.
In 2008, he wrote a comic which featured on the Doctor Who website
“Lieutenant-Colonel Yorke told me you Torchwood people always take the extreme view. We have a saying in basic training: "If you hear hoof-beats, you look for horses, and not zebras".''You don't know the half of it,' Gwen said. 'In my job, if I hear hoof-beats, I expect to see unicorns.”
“Oh great," moaned Owen. "we've got one corpse in the SUV already, and now we have to fit us and this carcass in there too”
“Ich dachte, du ziehst es vor, C-Minus zu sprechen.""Das heißt C++", schalt sie ihn. "Ich weiß außerdem, dass Java mehr ist als nur Kaffee. Und Assembler nichts mit Ikea-Möbeln zu tun hat.”