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Peter Carey

Peter Carey was born in Australia in 1943.

He was educated at the local state school until the age of eleven and then became a boarder at Geelong Grammar School. He was a student there between 1954 and 1960 — after Rupert Murdoch had graduated and before Prince Charles arrived.

In 1961 he studied science for a single unsuccessful year at Monash University. He was then employed by an advertising agency where he began to receive his literary education, meeting Faulkner, Joyce, Kerouac and other writers he had previously been unaware of. He was nineteen.

For the next thirteen years he wrote fiction at night and weekends, working in many advertising agencies in Melbourne, London and Sydney.

After four novels had been written and rejected The Fat Man in History — a short story collection — was published in 1974. This slim book made him an overnight success.

From 1976 Carey worked one week a month for Grey Advertising, then, in 1981 he established a small business where his generous partner required him to work only two afternoons a week. Thus between 1976 and 1990, he was able to pursue literature obsessively. It was during this period that he wrote War Crimes, Bliss, Illywhacker, Oscar and Lucinda. Illywhacker was short listed for the Booker Prize. Oscar and Lucinda won it. Uncomfortable with this success he began work on The Tax Inspector.

In 1990 he moved to New York where he completed The Tax Inspector. He taught at NYU one night a week. Later he would have similar jobs at Princeton, The New School and Barnard College. During these years he wrote The Unusual Life of Tristan Smith, Jack Maggs, and True History of the Kelly Gang for which he won his second Booker Prize.

He collaborated on the screenplay of the film Until the End of the World with Wim Wenders.

In 2003 he joined Hunter College as the Director of the MFA Program in Creative Writing. In the years since he has written My Life as a Fake, Theft, His Illegal Self and Parrot and Oliver in America (shortlisted for 2010 Man Booker Prize).


“He were still smiling but his voice were hard as a spoon rattling in a metal cup.”
Peter Carey
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“The clouds was light but queerly yellow on their edges as they moved across the ageless constellations.”
Peter Carey
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“She meant I was hungover. I had been slaughtered, legless, trolleyed, slashed, shredded, plastered, polluted, pissed. I thought, I do love my country's relationship with alcohol. How would I ever exist in the United States? I suppose I would have grief counselling instead. (77)”
Peter Carey
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“Charles loved her voice. It was so soft and blurred, like pastels. It made his neck tingle just to listen to her. It gave him the same delicious feeling he had as he hovered on the brink of sleep and this feeling - until now - had been the single most pleasant feeling in his life. It was the voice that coloured everything he now thought about her. It was shy and tentative and musical. Sometimes he did not manage to hear the words she said, but he did not let on about his deafness.”
Peter Carey
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“It made me comfortable. It was a house where you could put your feet up and drink French champagne or Ballarat Bitter according to your mood.”
Peter Carey
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“The cicadas, as if they were wired on the same circuit, suddenly filled the garden with a loud burst of celebration.”
Peter Carey
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“The most puzzling thing in the entire encounter occurred at a certain stage very late in the conversation, when she discovered she had been talking to a man. She had the feeling of a dream where things and people transmogrify, characters dissolve from one to the other like tricks in a film, monsters in a bottle. She had the sense, the very distinct sense, of her companion's female gender; she had been pleased to find it, had relaxed into it, had been even more delighted to find it coupled with an elegant wit and a sense of both joy and irony. The forces of life, she thought to herself, are flying high tonight.”
Peter Carey
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“Years later when she was being eccentric, had shed her corset and let her arse spread unhindered by anything but her perpetual dressing gown.”
Peter Carey
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“She did not begin to tell real lies until Rosa was in hospital suffering that filthy rot that left her all eaten out inside, as light and fragile as a pine log infested with white ant”
Peter Carey
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“His great carved wooden head was marked with a black eye that was more yellow than black and from this spectacular bed of bruised flesh the eye itself, sand irritated, bloodshot, as wild as a currawong's, stared out at a landscape in which the tops of fences protruded from windswept sand.”
Peter Carey
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“She had no criticism of his dress, which was bagged at the knees, dropping at the lapels, rucked around the buttons, while she-although she wore a flowing white cotton-appeared (she knew it and wished it was not so) as starched and pressed as a Baptist in a riding habit.They were different, and yet not ill matched.They had both grown used to the attentions that are the eccentric’s lot-the covert glances, smiles, whispers, worse. Lucinda was accustomed to looking at no one in the street. It was an out-of-focus town of men with seas of bobbing hats.But on this night she felt the streets accept them. She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behaviour, but could it have, in spite of this, a proper judgement about which of its component parts fit best together?They pushed past bold-eyed young women with too many ribbons and jewels, past tight-laced maidens and complacent merchants with their bellies pushing so forcefully against their waistcoats that their shirts showed above their trousers. Lucinda was happy. Her arm rested on Oscar’s arm.She thought: Anyone can see I have been crying. She thought: I have pink eyes like a dormouse. But she did not really care.”
Peter Carey
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“Fireworks made of glass. An explosion of dew. Crescendo. Diminuendo. Silence.There are drugs that work the same, and while I am not suggesting that our founder purchased the glassworks to get more drops, it is clear that she had the seed planted, not once, but twice, and knew already the lovely contradictory nature of glass and she did not have to be told, on the day she saw the works at Darling Harbour, that glass is a thing in disguise, an actor, is not solid at all, but a liquid, that an old sheet of glass will not only take on a royal and purplish tinge but will reveal its true liquid nature by having grown fatter at the bottom and thinner at the top, and that even while it is as frail as the ice on a Parramatta puddle, it is stronger under compression than Sydney sandstone, that it is invisible, solid, in short, a joyous and paradoxical thing, as good a material as any to build a life from.”
Peter Carey
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“I don't need new boots I got bluchers back down home. Eff the effing bluchers I'll buy you new adjectival effing elastic sided boots.”
Peter Carey
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“In the bush he taught the knots I use to tie my blanket to my saddle Ds also the way I stand to use a carpenter's plane and the trick of catching fish with a bush fly and a strip of greenhide these things are like the dark marks made in the rings of great trees locked forever in my daily self.”
Peter Carey
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“..however she was a woman and I'd have more luck conjuring up the thoughts of a chinaman than I would figuring out what she was conspiring”
Peter Carey
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“And in it's magical pattern there was now a new element, a new glow, a cast of a golden colour which suffused everything, the source of which was a character in a book he had half read of and would never finish. He was not interested in what happened to Jay Gatsby. He was only interested that Jay Gatsby should exist.”
Peter Carey
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“HIs great talent in life was to be a Good Bloke. He could walk into a room and sit down and everybody would be happy to have him, even if all he ever did was smile, for they imagined behind the mustache, behind the smile it hid, something sterner, more critical and yet, also, tolerant, so that when he smiled they felt themselves approved of and they vied with each other to like him best.”
Peter Carey
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“... a country where we seldom understand that we must be prepared to fight for issues bigger than an umpire's decision at the Melbourne Cricket Ground.”
Peter Carey
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“My name is Herbert Badgery. I am a hundred and thirty-nine years old and something of a celebrity. They come and look at me and wonder how I do it. There are weeks when I wonder the same, whole stretches of terrible time. It is hard to believe you can feel so bad and still not die.”
Peter Carey
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“She understood as women often do more easily than men, that the declared meaning of a spoken sentence is only its overcoat, and the real meaning lies underneath its scarves and buttons.”
Peter Carey
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“The hydrangeas are clipped for the winter and there is a gardener with rum on his breath (and odd socks on his feet) who offers to show you the scars on his back, the droppings of a wallaby, the scratchings of a bandicoot or a leech which he will pull inside out with the aid of a twig- "T'only way to kill'un, missus.”
Peter Carey
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“...the hair...that frizzy nest which grew outwards, horizontal like a wind-blown tree in an Italianate painting.”
Peter Carey
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“Would you rather have the lords and nobles back? What is Democracy for? Not so we can rob each other. Or cheat.' I said cheat and felt the teeth in it, the cleat, the cut, the eat.”
Peter Carey
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“Our prime minister could embrace and forgive the people who killed our beloved sons and fathers, and so he should, but he could not, would not, apologise to the Aboriginal people for 200 years of murder and abuse. The battle against the Turks, he said in Gallipoli, was our history, our tradition. The war against the Aboriginals, he had already said at home, had happened long ago. The battle had made us; the war that won the continent was best forgotten”
Peter Carey
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“I did not know that history is like a blood stain that keeps on showing on the wall no matter how many new owners take possession, no matter how many times we pint over it.”
Peter Carey
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“About her husband, i did actually enquire, but she held her private life so fucking tightly, like a tourist clutching a handbag on the A train,..”
Peter Carey
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“If you know the country he said then you will be a wild colonial boy forever”
Peter Carey
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“Theophilus Hopkins was a moderately famous man. You can look him up in the 1860 Britannica. There are three full columns about his corals and his corallines, his anemones and starfish. It does not have anything very useful about the man. It does not tell you what he was like. You can read it three times over and never guess that he had any particular attitude to Christmas pudding.”
Peter Carey
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“If you ever read one of my books I hope you'll think it looks so easy. In fact, I wrote those chapters 20 times over, and over, and over, and that if you want to write at a good level, you'll have to do that too.”
Peter Carey
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“I had known loneliness before, and emptiness upon the moor, but I had never been a NOTHING, a nothing floating on a nothing, known by nothing, lonelier and colder than the space between the stars. It was more frightening than being dead.”
Peter Carey
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“Man is born free and is everywhere in chains”
Peter Carey
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“His hair was a curling mess and he showed the proper desregard for sartorial elegance which Harry had always seen as a sign of reliability in a person. Neat men always struck him as desperate and ambitious.”
Peter Carey
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“People do not love those whose eyes show that they are somewhere else”
Peter Carey
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“Swimming always cleans your soul”
Peter Carey
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“Your American, you wouldn't know if you were up yourself.”
Peter Carey
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“The seamen had whitewashed the smoky ceilings of the ward, and that dear homely smell carried the vividness of thatch and lumpy walls and stew given from the goodness of a stranger's heart. But that was all there was of comfort, and the salt air had turned from cold to warm in the passing of a life, an afternoon.”
Peter Carey
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“(From the story The Last Days of a Famous Mime)He said nothing. He was mildly annoyed at her presumption: that he had not thought this many, many times before.With perfect misunderstanding she interpreted his passivity as disdain.Wishing to hurt him, she slapped his face.Wishing to hurt her, he smiled brilliantly.”
Peter Carey
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“7. Some Theories that Arose at the Time 1. The world is merely a dream dreamt by god who is waking after a long sleep. When he is properly awake the world will disappear completely. When the world disappears we will disappear with it and be happy. 2. The world has become sensitive to light. In the same way that prolonged use of, say, penicillin can suddenly result in a dangerous allergy, prolonged exposure of the world to the sun has made it sensitive to light. The advocates of this theory could be seen bustling through the city crowds in their long, hooded black robes. 3. The fact that the world is disappearing has been caused by the sloppy work of the Cartographers and the census takers. Those who filled out their census forms incorrectly would lose those items they had neglected to describe. People overlooked in the census by impatient officials would also disappear. A strong pressure group demanded that a new census be taken quickly before matters got worse.- From the story "Do You Love Me?”
Peter Carey
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“She held out her hand, like a man. He hesitated, then took the hand and shook it. It was very warm. You could not help but be aware of the wild passage of blood on the other side of its wall, veins, capillaries, sweat glands, tiny factories in the throes of complicated manufacture. [He] looked at the eyes and, knowing how eyes worked, was astonished, not for the first time, at the infinite complexity of Creation, wondering how this thing, this instrument for seeing, could transmit so clearly its entreaty while at the same time—-Look, I am only an eye—-denying that it was doing anything of the sort.”
Peter Carey
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“I have traveled widely. I have seen this country in its infancy. I tell you what it will become. The public squares will be occupied by an uneducated class who will not be able to quote a line of Shakespeare.”
Peter Carey
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“after we ate we was silent on our blankets looking out across the mighty Great Divide I never seen this country before it were like a fairy story landscape the clear and windy skies was filled with diamonds the jagged black outlines of the ranges were a panorama.You're going to ride a horse across all that.I know.He laughed and he were right I knew nothing of what lay ahead.See that there he pointed. That is called the Crosscut Saw and that one is Mount Speculation and yonder is Mount Buggery and that other is Mount Despair did you know that?No Harry.You will and you'll be sorry.”
Peter Carey
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“But now she could not bear the way she sounded. She was not a person anyone could love....And thus fled to her room. There she wept, bitterly, an ugly sound punctuated by great gulps. She could not stop herself. She could hear his footsteps in the passage outside. He walked up and down, up and down.'Come in,' she prayed. 'Oh dearest, do come in.'But he did not come in. He would not come in. This was the man she had practically contracted to give away her fortune to. He offered to marry her as a favour and then he would not even come into her room.Later, she could smell him make himself a sweet pancake for his lunch. She thought this a childish thing to eat, and selfish, too. If he were a gentleman he would now come to her room and save her from the prison her foolishness had made for her. He did not come. She heard him pacing in his room.”
Peter Carey
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“He was tender with her. He wiped her eyelids with his handkerchief, not noticing how soiled it was. It was stained with ink, crumpled, stuck together. Her lids were large and tender and the handkerchief was stiff, not nearly soft enough. He moistened a corner in his mouth. He was painfully aware of the private softness of her skin, of how the eyes trembled beneath their coverings. He dried the tears with an affection, a particularity, that had never been exercised before. It was a demonstration of 'nature.' He was a birth-wet foal rising to his feet.”
Peter Carey
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“To know you will be lonely is not the same as being lonely.”
Peter Carey
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“Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'Her lodger frowned and dusted his knees.She thought: He is as near to a sister as I am likely to get, but he does not understand.She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.”
Peter Carey
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“You could not tell a story like this. A story like this you could only feel.”
Peter Carey
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