Peter De Vries
Peter De Vries is responsible for contributing to the cultural vernacular such witticisms as "Nostalgia ain't what it used to be" and "Deep down, he's shallow." He was, according to Kingsley Amis, "the funniest serious writer to be found on either side of the Atlantic." “Quick with quips so droll and witty, so penetrating and precise that you almost don’t feel them piercing your pretensions, Peter De Vries was perhaps America’s best comic novelist not named Mark Twain. . .” (Sam McManis, Sacramento Bee).
His achievement seemed best appreciated by his fellow writers. Harper Lee, naming the great American writers, said, “Peter De Vries . . . is the Evelyn Waugh of our time". Anthony Burgess called De Vries “surely one of the great prose virtuosos of modern America.”
Peter De Vries was a radio actor in the 1930s, and editor for Poetry magazine from 1938 to 1944. During World War II he served in the U.S. Marines attaining the rank of Captain, and was seconded to the O.S.S., predecessor to the CIA.
He joined the staff of The New Yorker magazine at the insistence of James Thurber and worked there from 1944 to 1987. A prolific writer, De Vries wrote short stories, reviews, poetry, essays, a play, novellas, and twenty-three novels, several of which were made into films.
De Vries met his wife, Katinka Loeser, while at Poetry magazine. They married and moved to Westport, Connecticut, where they raised 4 children. The death of his 10-year-old daughter Emily from leukemia inspired The Blood of the Lamb, the most poignant and the most autobiographical of De Vries's novels.
In Westport, De Vries formed a lifelong friendship with the young J. D. Salinger, who later described the writing process as "opening a vein and bleeding onto the page." The two writers clearly "understood each other very well” (son Derek De Vries in "The Return of Peter De Vries", Westport Magazine, April 2006).
De Vries received an honorary degree in 1979 from Susquehanna University, and was elected to the American Academy of Arts and Letters in May 1983.
His books were sadly out of print by the time of his death. After the New Yorker published a critical reappraisal of De Vries’ work however (“Few writers have understood literary comedy as well as De Vries, and few comic novelists have had his grasp of tragedy”), The University of Chicago Press began reissuing his works in 2005, starting with The Blood of the Lamb and Slouching Toward Kalamazoo.
“I made a tentative conclusion. It seemed from all of this that uppermost among human joys is the negative one of restoration: not going to the stars, but learning that one may stay where one is.”
“The universe is like a safe to which there is a combination. But the combination is locked up in the safe.”
“A suburban mother's role is to deliver children obstetrically once, and by car forever after.”
“Before the mind snaps, or the heart breaks, it gather itself like a clock about to strike. It might even be said one pulls himself together to disintegrate.”
“What people believe is a measure of what they suffer.”
“He resented such questions as people do who have thought a great deal about them. The superficial and slipshod have ready answers, but those looking this complex life straight in the eye acquire a wealth of perception so composed of delicately balanced contradictions that they dread, or resent, the call to couch any part of it in a bland generalization. The vanity (if not outrage) of trying to cage this dance of atoms in a single definition may give the weariness of age with the cry of youth for answers the appearance of boredom.”
“What baffles me is the comfort people find in the idea that somebody dealt this mess. Blind and meaningless chance seems to me so much more congenial - or at least less horrible. Prove to me that there is a God and I will really begin to despair.”
“It is the final proof of God's omnipotence that he need not exist in order to save us.”
“My father hated radio and could not wait for television to be invented so he could hate that too. ”
“Sometimes I write drunk and revise sober, and sometimes I write sober and revise drunk. But you have to have both elements in creation — the Apollonian and the Dionysian, or spontaneity and restraint, emotion and discipline.”
“The idea of a Supreme Being who creates a world in which one creature is designed to eat another in order to subsist, and then pass a law saying, "Thou shalt not kill," is so monstrously, immeasurably, bottomlessly absurd that I am at a loss to understand how mankind has entertained or given it house room all this long.”
“There are times when parenthood seems nothing more than feeding the hand that bites you.”
“I write when I'm inspired, and I see to it that I'm inspired at nine o'clock every morning. ”
“We are not primarily put on this earth to see through one another, but to see one another through. ”
“The murals in restaurants are on par with the food in museums.”
“Everybody hates me because I'm so universally liked.”
“The value of marriage is not that adults produce children, but that children produce adults.”
“Who of us is mature enough for offspring before the offspring themselves arrive? The value of [parenthood] is not that adults produce children but that children produce adults.”
“Life is a zoo in a jungle”
“I love being a writer. What I can't stand is the paperwork.”