P.G.Wodehouse
Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.
An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.
Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).
“I had staked all on Gussie making a favourable impression on his hostess, basing my confidence on the fact that he was one of those timid, obsequious, teacup-passing, thin-bread- and-butter-offering, yes-men whom women of my Aunt Dahlia's type nearly always like at first sight.”
“Tut!' I said. 'What did you say?' 'I said "Tut!"' 'Say it once again, and I'll biff you where you stand. I've enough to endure without being tutted at.”
“There is nothing that so satisfactorily unites individuals who have been so unfortunate as to quarrel amongst themselves as a strong mutual dislike for some definite person.”
“Hell hath no fury like a woman scorned. And until tonight I had always felt that there was a lot in it. I had never scorned a woman myself, but Pongo Twistleton once scorned an aunt of his, flatly refusing to meet her son Gerald at Paddington and give him lunch and see him off to school at Waterloo, and he never heard the end of it.”
“Gussie is an orange-juice addict. He drinks nothing else.' 'I was not aware of that, sir.' 'I have it from his own lips. Whether from some hereditary taint, or because he promised his mother he wouldn't, or simply because he doesn't like the taste of the stuff, Gussie Fink-Nottle has never in the whole course of his career pushed so much as the simplest gin and tonic over the larynx”
“She seemed glad to see me. In fact, she actually said she was glad to see me – a statement no other aunt on the list would have committed herself to, the customary reaction of these near and dear ones to the spectacle of Bertram arriving for a visit being a sort of sick horror”
“I was exercised about the poor fish, as I am about all my pals, close or distant, who find themselves treading upon Life's banana skins.”
“She had more curves than a scenic railway”
“Unlike the male codfish which, suddenly finding itself the parent of three million five hundred thousand little codfish, cheerfully resolves to love them all, the British aristocracy is apt to look with a somewhat jaundiced eye on its younger sons.”