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Philip Pullman

As a passionate believer in the democracy of reading, I don't think it's the task of the author of a book to tell the reader what it means.

The meaning of a story emerges in the meeting between the words on the page and the thoughts in the reader's mind. So when people ask me what I meant by this story, or what was the message I was trying to convey in that one, I have to explain that I'm not going to explain.

Anyway, I'm not in the message business; I'm in the "Once upon a time" business.

Philip Pullman is best known for the His Dark Materials trilogy: The Golden Compass, The Subtle Knife, and The Amber Spyglass, which has been named one of the top 100 novels of all time by Newsweek and one of the all-time greatest novels by Entertainment Weekly. In 2004, he was appointed a Commander of the Order of the British Empire. He lives in Oxford, England.


“The act of true reading is in its very essence democratic. Consider the nature of what happens when we read a book - and I mean, of course, a work of literature, not an instruction manual or a textbook - in private, unsupervised, un-spied-on, alone. It isn't like a lecture: it's like a conversation. There's a back-and-forthness about it. The book proposes, the reader questions, the book responds, the reader considers. We bring our own preconceptions and expectations, our own intellectual qualities, and our limitations, too, our own previous experiences of reading, our own temperament, our own hopes and fears, our own personality to the encounter.”
Philip Pullman
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“Make this the golden rule, the equivalent of the Hippocratic oath: Everything we ask a child to do should be worth doing.”
Philip Pullman
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“Stories are the most important thing in the world. Without stories, we wouldn't be human beings at all.”
Philip Pullman
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“All stories teach, whether the storyteller intends them to or not. They teach the world we create. They teach the morality we live by. They teach it much more effectively than moral precepts and instructions.”
Philip Pullman
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“I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story – the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake. Dæmons, for example, might otherwise be only a meaningless decoration, adding nothing to the story: but I use them to embody and picture some truths about human personality which I couldn't picture so easily without them. I'm trying to write a book about what it means to be human, to grow up, to suffer and learn. My quarrel with much (not all) fantasy is it has this marvelous toolbox and does nothing with it except construct shoot-em-up games. Why shouldn't a work of fantasy be as truthful and profound about becoming an adult human being as the work of George Eliot or Jane Austen?”
Philip Pullman
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“Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glittering in the dew under the stars and the moon out there in the physical world, which is our true home and always was.”
Philip Pullman
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“If you want something you can have it, but only if you want everything that goes with it, including all the hard work and the despair, and only if you're willing to risk failure. ”
Philip Pullman
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“You don't win races by wishing, you win them by running faster than everyone else does.”
Philip Pullman
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“She wondered whether there would ever come an hour in her life when she didn't think of him -- didn't speak to him in her head, didn't relive every moment they'd been together, didn't long for his voice and his hands and his love. She had never dreamed of what it would feel like to love someone so much; of all the things that had astonished her in her adventures, that was what astonished her the most. She thought the tenderness it left in her heart was like a bruise that would never go away, but she would cherish it forever.”
Philip Pullman
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“Lee was too cool by nature to rage at fate; his manner was to raise an eyebrow and greet it laconically.”
Philip Pullman
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“You are dead- what am I speaking to?”
Philip Pullman
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“I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I’ll drift about forever, all my atoms, till I find you again…”
Philip Pullman
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“It takes long practice, yes. You have to work. Did you think you could snap your fingers, and have it as a gift? What is worth having is worth working for.”
Philip Pullman
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“If I'm reading something I happen to know and gets it wrong, I just don't trust the book any more. What I ask of a novel I'm reading is that it should know a fraction more about the things I know than I do. When I'm writing...I ask myself: would I be convinced by this if I read it? If I knocked against this bit of scenery, would it feel solid?”
Philip Pullman
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“Every little increase in human freedom has been fought over ferociously between those who want us to know more and be wiser and stronger, and those who want us to obey and be humble and submit.”
Philip Pullman
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“Was there only one world after all which spent its time dreaming of others?”
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“He meant the Kingdom was over, the Kingdom of Heaven, it was all finished. We shouldn't live as if it mattered more than this life in this world, because where we are is always the most important place.... We have to be all those difficult things like cheerful and kind and curious and patient, and we've got to study and think and work hard, all of us, in all our different worlds, and then we'll build... The Republic of Heaven.”
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“I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...”
Philip Pullman
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“The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.”
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“Seems to me-" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed....”
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“[I]n adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult readers who do deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us, because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. [Contemporary writers, however,] take up their stories as with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.”
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“All the history of human life has been a struggle between wisdom and stupidity.”
Philip Pullman
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“Everyone, from the Mother Superior to the priests to my parents--they were so upset and reproachful...I felt as if something they all passionately believed in depended on me carrying on with something I didn't.”
Philip Pullman
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“Iorek Byrnison: Can is not the same as must.Lyra Silvertongue: But if you must and you can, then there's no excuse.”
Philip Pullman
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“Maybe sometimes we don't do the right thing because the wrong thing looks more dangerous, and we don't want to look scared, so we go and do the wrong thing just because it's dangerous. We're more concerned with not looking scared than with judging right.”
Philip Pullman
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“If you can't think of what to write, tough luck; write anyway. If you can think of lots more when you've finished the three pages, don't write it; it'll be that much easier to get going next day. ”
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“Tirelessly they flew on and on, and tirelessly she kept pace. She felt a fierce joy possessing her, that she could command these immortal presences. And she rejoiced in her blood and flesh, in the rough pine bark she felt next to her skin, in the beat of her heart and the life of all her senses, and in the hunger she was feeling now, and in the presence of her sweet-voiced bluethroat dæmon, and in the earth below her and the lives of every creature, plant and animal both; and she delighted in being of the same substance as them, and in knowing that when she died her flesh would nourish other lives as they had nourished her.”
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“Her last conscious thought was disgust at life; her senses had lied to her. The world was not made of energy and delight but of foulness, betrayal, and lassitude. Living was hateful, and death was no better, and from end to end of the universe this was the first and last and only truth.”
Philip Pullman
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“Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.'It would be merciful to kill it,' said Tialys.'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.''If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.''But if it's in pain?' said Tialys.'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'They moved on.”
Philip Pullman
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“When he'd sworn at her and been sworn at in return, they became great friends.”
Philip Pullman
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“After nourishment, shelter and companionship, stories are the thing we need most in the world.”
Philip Pullman
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“Tell him, we are not devils but we have friends who are.”
Philip Pullman
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“People are too complicated to have simple labels.”
Philip Pullman
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“No,' he said, 'memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much...”
Philip Pullman
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“What work do I have to do then?" said Will, but went on at once, "No, on second thought, don't tell me. I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you might say, I'll always be thinking about it. And if I do end up doing that, I'll be resentful because it'll feel as if I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.”
Philip Pullman
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“I have stolen ideas from every book I have ever read.”
Philip Pullman
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“Men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, and clever.”
Philip Pullman
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“If a witch needs something, another witch will give it to her. If there is war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor. An insult to a bear is a deadly thing. To us...inconceivable. How could you insult a witch? What would it matter if you did?”
Philip Pullman
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“When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, ‘It’s all in Plato’ — meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife.[The New York Times interview, 2000]”
Philip Pullman
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“You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.”
Philip Pullman
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“What is worth having is worth working for.”
Philip Pullman
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“When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed.”
Philip Pullman
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“I'm trying to undermine the basis of Christian belief... I'm not in the business of offending people. I find the books upholding certain values that I think are important, such as life is immensely valuable and this world is an extraordinarily beautiful place. We should do what we can to increase the amount of wisdom in the world.[Washington Post interview, 19 February 2001]”
Philip Pullman
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“She was riding a bear! And the Aurora was swaying above them in golden arcs and loops, and all around was the bitter Arctic cold and the immense silence of the North.”
Philip Pullman
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“We don’t need a list of rights and wrongs, tables of dos and don’ts: we need books, time, and silence. Thou shalt not is soon forgotten, but Once upon a time lasts forever.”
Philip Pullman
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“There's a hunger for stories in all of us, adults too. We need stories so much that we're even willing to read bad books to get them, if the good books won't supply them.”
Philip Pullman
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“That's the duty of the old,' said the Librarian, 'to be anxious on the behalf of the young. And the duty of the young is to scorn the anxiety of the old.'They sat for a while longer, and then parted, for it was late, and they were old and anxious.”
Philip Pullman
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“We shouldn't live as if [other worlds] mattered more than this life in this world, because where we are is always the most important place.”
Philip Pullman
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“People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.”
Philip Pullman
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“We are all subject to the fates. But we must all act as if we are not, or die of despair...death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...”
Philip Pullman
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