Philip Roth

“Carrying his books from one life into the next was nothing new to Zuckerman. He had left his family for Chicago in 1949 carrying in his suitcase the annotated works of Thomas Wolfe and Roget's Thesaurus. Four years later, age twenty, he left Chicago with five cartons of classics, bought secondhand out of his spending money, to be stored in his parents' attic while he served two years in the Army. In 1960, when he was divorced from Betsy, there were thirty cartons to be packed from the shelves no longer his; in 1965, when he was divorced from Virginia, there were just under sixty to cart away; in 1969, he left Bank Street with eighty-one boxes of books.”

“... a nervous, undernourished girl who continually looked down the front of her gown as though there was some sort of construction project going on under her clothes.”

“I did not want to voice a word that would lift the cover and reveal that hideous emotion I always felt for her, the underside of love.”

“Mr. Levov was one of those slum-reared Jewish fathers whose rough-hewn, undereducated perspective goaded a whole generation of striving, college-educated Jewish sons: a father for whom everything is an unshakable duty, for whom there is a right way and wrong way and nothing in between, a father whose compound of ambitions, biases, and beliefs is so unruffled by careful thinking that he isn't as easy to escape from as he seems. Limited men with limitless energy; men quick to be friendly and quick to be fed up; men for whom the most serious thing in life is to keep going despite everything. And we were there sons. It was our job to love them.”

“The danger with hatred is, once you start in on it, you get a hundred times more than you bargained for. Once you start, you can't stop.”

“In my parents' day and age, it used to be the person who fell short. Now it's the discipline. Reading the classics is too difficult, therefore it's the classics that are to blame. Today the student asserts his incapacity as a privilege. I can't learn it, so there is something wrong with it. And there is something especially wrong with the bad teacher who wants to teach it. There are no more criteria, Mr. Zuckerman, only opinions.”

“This is called a piqué machine, it sews that finest stitch, called piqué, requires far more skill than the other stitches.... This is called a polishing machine and that is called a stretcher and you are called honey and I am called Daddy and this is called living and the other is called dying and this is called madness and this is called mourning and this is called hell, pure hell, and you have to have strong ties to be able to stick it out, this is called trying-to-go-on-as-though-nothing-has-happened and this is called paying-the-full-price-but-in-God's-name-for-what, this is called wanting-to-be-dead-and-wanting-to-find-her-and-to-kill-her-and-to-save-her-from-whatever-she-is-going-through-wherever-on-earth-she-may-be-at-this-moment, this unbridled outpouring is called blotting-out-everything and it does not work, I am half insane, the shattering force of that bomb is too great ... And then they were back at his office again.”

“It's so heartbreaking, violence, when it's in a house-like seeing the clothes in a tree after an explosion. You may be prepared to see death but not the clothes in the tree.”

“Ciò che noi sappiamo è che, in un modo non stereotipato, nessuno sa nulla. Non puoi sapere nulla. Le cose che sai... non le sai. Intenzioni? Motivi? Conseguenze? Significati? Tutto ciò che non sappiamo è stupefacente. Ancor più stupefacente è quello che crediamo di sapere.”

“I am marked like a road map from head to toe with my repressions. You can travel the length and breadth of my body over superhighways of shame and inhibition and fear.”

“I’m interested in what people do with the chaos in their lives and how they respond to it, and simultaneously what they do with what they feel like are limitations. If they push against these limitations, will they wind up in the realm of chaos, or will they push against limitations and wind up in the world of freedom?”

“Under the sad end-of-days spell of the smoky dusk and the waning year, of the moon and its ostentatious superiority to the trashy, petty claptrap of his sublunar existence, why does he even hesitate? The Kamizakis are your enemies whether you do or not, so you might as well do it. Yes, yes, if you can still do something, you must do it - that is the golden rule of sublunar existence, whether you are a worm cut in two or a man with a prostate like a billiard ball. If you can still do something, then you must do it! Anything living can figure that out.”

“Many farcical, illogical, incomprehensible transactions are subsumed by the mania of lust.”

“We're the sons appalled by violence, with no capacity for inflicting physical pain, useless at beating and clubbing, unfit to pulverize even the most deserving enemy, though not necessarily without turbulence, temper, even ferocity. We have teeth as the cannibals do, but they are there, imbedded in our jaws, the better to help us articulate. When we lay waste, when we efface, it isn't with raging fists or ruthless schemes or insane sprawling violence but with our words, our brains, with mentality, with all the stuff that produced the poignant abyss between our fathers and us and that they themselves broke their backs to give us.”

“Because we don't know, do we? Everyone knows… How what happens the way it does? What underlies the anarchy of the train of events, the uncertainties, the mishaps, the disunity, the shocking irregularities that define human affairs? Nobody knows. 'Everyone knows' is the invocation of the cliché and the beginning of the banalization of experience, and it's the solemnity and the sense of authority that people have in voicing the cliché that's so insufferable. What we know is that, in an unclichéd way, nobody knows anything. You can't know anything. The things you know you don't know. Intention? Motive? Consequence? Meaning? All the we don't know is astonishing. Even more astonishing is what passes for knowing.”

“Memoirs lie, but fiction tells the truth.”

“We leave a stain, we leave a trail, we leave our imprint. Impurity, cruelty, abuse, error, excrement, semen - there’s no other way to be here. Nothing to do with disobedience. Nothing to do with grace or salvation or redemption. It’s in everyone. Indwelling. Inherent. Defining. The stain that is there before its mark.”

“I don't know whether you're lying to me or you're telling me the truth. But if you're telling me the truth, that she's dead, it's the best news that I ever heard. Nobody else is going to say this to you. Everybody else is going to commiserate. But I grew up with you. I talk straight to you. The best thing for you is for her to be dead. She did not belong to you. She did not belong to anything you were. She did not belong to anything anyone is. You played ball--there was a field of play. She was not on the field of play. She was nowhere near it. Simple as that. She was out of bounds, a freak of nature, way out of bounds. You are to stop your mourning for her. You've kept this wound open for twenty-five years. And twenty-five years is enough. It's driven you mad. Keep it any longer and it's going to kill you. She's dead? Good! Let her go. Otherwise it will rot in your gut and take your life too." That's what I told him. I thought I could let the rage out of him. But he just cried. He couldn't let it go. I said this guy was going to get killed from this thing, and he did.”

“Rimane il fatto che, in ogni modo, capire bene la gente non è vivere. Vivere è capirla male, capirla male e male e poi male e, dopo un attento riesame, ancora male. Ecco come sappiamo di essere vivi: sbagliando. Forse la cosa migliore sarebbe dimenticare di aver ragione o torto sulla gente e godersi semplicemente la gita. Ma se ci riuscite... Beh, siete fortunati.”

“...The end is so immense, it is its own poetry. It requires little rhetoric. Just state it plainly.”

“There it was: the tactless severity of vital male youth, not a single doubt about his coherence, blind with self-confidence and the virtue of knowing what matters most. The ruthless sense of necessity. The annihilating impulse in the face of an obstacle. Those grand grandstand days when you shrink from nothing and you're only right. Everything is a target; you're on the attack; and you, and you alone, are right.”

“Nothing has a more sinister effect on art than the artist's desire to prove that he's good. The terrible temptation of idealism! You must achieve mastery over your idealism, over your virtue as well as over your vice, aesthetic mastery over everything that drives you to write in the first place - your outrage, your politics, your grief, your love!”

“There’s no remaking reality... Just take it as it comes. Hold your ground and take it as it comes. There’s no other way.”

“The pompous son of a bitch knows everythingit's too bad he doesn't know anything else.”

“He couldn't do it. He could not fucking die. How could he leave? How could he go? Everything he hated was here.”

“E omenesc sa ai un secret dar e la fel de omenesc ca la un moment dat mai devreme sau mai tarziu sa il dezvalui”

“Never in his life had occasion to ask himself, "Why are things the way they are?" Why should he bother, when the way they were was always perfect? Why are things the way they are? The question to which there is no answer, and up till then he was so blessed he didn't even know the question existed.”

“His nose was his most distinctive feature: curved like a scimitar at the top but bent flat at the tip, and with the bone of the bridge cut like a diamond--in short, a nose out of a folktale, the sort of sizable, convoluted, intricately turned nose that, for many centuries, confronted though they have been by every imaginable hardship, the Jews have never stopped making.”

“What he has instead of a being, I thought, is blandness- the guy's radiant with it. He has devised for himself and incognito, and the incognito has become him. Several times during the meal I didn't think I was going to make it, didn't think I'd get to dessert if he was going to keep praising his family and praising his family...until I began to wonder if it wasn't that he was incognito but that he was mad. Something was on top of him that had called a halt to him. Something had turned him into a human platitude. Something had warned him: You must not run counter to anything.”

“Where was the Jew in him? You couldn't find it and yet you knew it was there. Where was the irrationality in him? Where was the crybaby in him? Where were the wayward temptations? No guile. No artifice. No mischief. All that he had eliminated to achieve his perfection. No striving, no ambivalence, no doubleness- just the style, the natural physical refinement of a star.”

“Il m'arrivait aussi, à l'occasion, d'être accosté dans les rues de New York par des inconnus qui se lançaient dans une rencontre orageuse avec moi à cause de quelque chose dans mes romans qui les séduisait ou qui les exaspérait, ou qui les séduisait parce que cela les exaspérait, ou qui les exaspérait parce que cela les séduisait.”

“time having transformed his own body into a storehouse for man-made contraptions designed to fend off collapse... there was only our bodies, born to live and die on terms decided by the bodies that had lived and died before us.”

“Nothing bad can happen to a writer. Everything is material.”

“Were we just two more rootless jungle-dwelling erotomaniacs creamining in their pre-faded jeans over Historical New England, dreaming the old agrarian dream in their rent-a-car convertible”

“Religion is the opiate of the people!”

“You can no more make someone tell the truth than you can force someone to love you.”

“Αγκάστηκα να σωπάσω για λίγο, για να ξαναβρώ τη φωνή μου και να συνέλθω από τα λόγια της που με είχαν ξαναγυρίσει στην κατάσταση του νηπίου, η οποία δεν είναι τίποτε άλλο από την ανάγκη για αδιάκοπη γαλούχηση”

“The road to hell is paved with works-in-progress.”

“Everybody who flashed the signs of loyalty he took to be loyal. Everybody who flashed the signs of intelligence he took to be intelligent. And so he had failed to see into his daughter, failed to see into his wife, failed to see into his one and only mistress—probably had never even begun to see into himself”

“I can lie about my name, I can lie about my school, but how am I going to lie about this fucking nose? "You seem like a very nice person Mr. Porte-Noir, but why do you go around covering the middle of your face like that?" Because suddenly it has taken off, the middle of my face! Because gone is the button of my childhood years, that pretty little thing that people used to look at in my carriage, and lo and behold, the middle of my face has begun to reach out towards God. Porte-Noir and Parsons my ass, kid, you have got J-E-W written right across the middle of your face...”

“...devi fare solo questo, presentare una buona e coerente versione di te stesso, e nessuno verrà mai a farti domande.”

“What do you do with the kid who can't read? ...Well, what he did with the kid who couldn't read was to make her his mistress. What Farley did was to make her his punching bag. What the Cuban did was to make her his whore, or one among them--so Coleman believed more often than not.”

“Everyone thinks at some time or other that in a hundred years no one now alive will be on earth - the overwhelming force will sweep the place clean.”

“A culpa em alguém como Bucky pode parecer absurda, porém é, de fato, inevitável. Uma pessoa como ele está condenada. Jamais irá corresponder ao ideal que carrega dentro de si. Nunca sabe onde termina sua responsabilidade. Jamais aceita seus limites porque, sobrecarregado com uma severa bondade natural que não lhe permite resignar-se ao sofrimento dos outros, nunca admitirá , sem se sentir culpado, que possa estar sujeito a alguma limitação”

“Das Alter ist kein Kampf; es ist ein Massaker.”

“And it was never but once a year that they were brought together anyway, and that was on the neutral, dereligionized ground of Thanksgiving, when everybody gets to eat the same thing, nobody sneaking off to eat funny stuff--no kugel, no gefilte fish, no bitter herbs, just one colossal turkey for two hundred and fifty million people--one colossal turkey feeds all. A moratorium on the three-thousand-year-old nostalgia of the Jews, a moratorium on Christ and the cross and the crucifixion of the Christians, when everyone in New Jersey and elsewhere can be more passive about their irrationalities than they are the rest of the year. A moratorium on all the grievances and resentments, and not only for the Dwyers and the Levovs but for everyone in America who is suspicious of everyone else. It is the American pastoral par excellence and it lasts twenty-four hours.”

“There was always something about our family, and I don't mean color--there was something about us that impeded you. You think like a prisoner. You do, Coleman Brutus. You're white as snow and you think like a slave.”

“But they don't deserve to be winning!""And who does in this world, Roland? Only the gifted and the beautiful and the brave? What about the rest of us, Champ? What about the wretched, for example? What about the weak and the lowly and the desperate and the fearful and the deprived, to name but a few who come to mind? What about losers? What about failures? What about the ordinary fucking outcasts of this world - who happen to comprise ninety percent of the human race! Don't they have dreams, Agni? Don't they have hopes? Just who told you clean-cut bastards own the world anyway? Who put you clean-cut bastards in charge, that's what I'd like to know! Oh, let me tell you something. All-American Adonis : you fair-haired sons of bitches have had your day. It's all over, Agni. We're not playing according to your clean-cut rules anymore - we're playing according to our own! The Revolution has begun! Henceforth the Mundys are the master race! Long live Glorious Mundy!”

“Now obviously, in peacetime a one-legged catcher, like a one-armed outfielder (such as the Mundys had roaming right), would have been at the most a curiosity somewhere down in the dingiest town in the minors - precisely where Hot had played during the many years that the nations of the world lived in harmony. But it is one of life's grisly ironies that what is catastrophe for most of mankind, invariably works to the advantage of a few who live on the fringes of the human community. On the other hand, it is a grisly irony to live on the fringes of the human community.”

“America?" said Gamesh, smiling. "Roland, what's American to you? Or me, or those tens of thousands up in the the stands? It's just a word they use to keep your nose to the grindstone and your toes to the line. America is the opiate of the people.”