Philip Roth photo

Philip Roth

Witty and ironic fiction of noted American writer Philip Milton Roth includes the novels

Portnoy's Complaint

(1969),

American Pastoral

(1997), and

The Human Stain

(2000).

He gained early literary fame with the collection

Goodbye, Columbus

(1959), winner of National Book Award of 1960, cemented this fame with his bestseller, and continued to write critically-acclaimed works, many of which feature his fictional alter ego, Nathan Zuckerman. The novels of Zuckerman began with

The Ghost Writer

in 1979 and include winner of the Pulitzer Prize. In May 2011, he won the Man Booker International Prize for lifetime achievement in fiction.

https://en.wikipedia.org/wiki/Philip_...


“je kunt alles doorstaan zei Phoebe, zelfs als het vertrouwen geschonden is, als het maar eerlijk wordt bekend. je wordt dan levenspartners op een andere manier, maar je kunt nog wel partners blijven. maar liegen- liegen is een goedkope manier van macht uitoefenen over de ander. wie liegt, kijkt toe terwijl de ander handelt op basis van onvolledige informatie- met andere woorden zichzelf vernedert. ... het is toch eeuwig hetzelfde verhaal. de man verliest de hartstocht voor de huwelikspartner, zonder dat kan hij niet leven. de vrouw is pragmatisch. de vrouw is realistisch. zeker de hartstocht is geluwd, maar zij is tevreden met de lichamelijke genegenheid, gewoon samen met hem in bed liggen, hij in haar armen, zij in de zijne. maar voor hem is dat niet genoeg. hij is een man die niet zonder leven kan”
Philip Roth
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“Actually we did not have the feelings we said we had until we spoke them--at least I didn't; to phrase them was to invent them and own them.”
Philip Roth
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“You put too much stock in human intelligence, it doesn't annihilate human nature.”
Philip Roth
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“I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again...”
Philip Roth
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“He had learned the worst lesson that life can teach - that it makes no sense.”
Philip Roth
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“Doctor doctor, what do you say, lets put the id back in yid”
Philip Roth
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“And as Lindbergh's election couldn't have made clearer to me, the unfolding of the unforeseen was everything. Turned wrong way round, the relentless unforeseen was what we schoolchildren studied as "History," harmless history, where everything unexpected in its own time is chronicled on the page as inevitable. The terror of the unforeseen is what the science of history hides, turning a disaster into an epic.”
Philip Roth
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“I don’t ask writers about their work habits. I really don’t care. Joyce Carol Oates says somewhere that when writers ask each other what time they start working and when they finish and how much time they take for lunch, they’re actually trying to find out, "Is he as crazy as I am?" I don’t need that question answered.”
Philip Roth
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“Literature takes a habit of mind that has disappeared. It requires silence, some form of isolation, and sustained concentration in the presence of an enigmatic thing.”
Philip Roth
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“You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.”
Philip Roth
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