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Rachel Cusk

Rachel Cusk was born in Canada, and spent some of her childhood in Los Angeles, before her family returned to England, in 1974, when Cusk was 8 years old. She read English at New College, Oxford.

Cusk is the Whitbread Award–winning author of two memoirs, including The Last Supper, and seven novels, including Arlington Park, Saving Agnes, The Temporary, The Country Life, and The Lucky Ones.

She has won and been shortlisted for numerous prizes: her most recent novel, Outline (2014), was shortlisted for the Folio Prize, the Goldsmith's Prize and the Bailey's prize, and longlisted for Canada's Giller Prize. In 2003, Rachel Cusk was nominated by Granta magazine as one of 20 'Best of Young British Novelists'

She lives in Brighton, England.


“They walked in straight lines that the dogs scribbled all over.”
Rachel Cusk
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“We have possessed virtually nothing in our life in Italy. In England, I became increasingly sure that to possess something was to arrest your knowledge of it, because the thing itself is no longer free. For me the pain of knowledge is a tonic, an antidote to the pall of possession. But there is an element of death in knowledge (...) Knowledge is what remains to the human mind once the possession has been lost. It is the reliquary of the vanished object. Its presence is painful, because it signifies that what was known is no longer there.”
Rachel Cusk
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“From the distance of England the Italian cuisine seems to be all things to all people. It does not expect you to bend to its rigor, like the French. It is not rough and boisterous like the Spanish. It is soft and feminine and is adored in the highest circles, though it is not above a degree of prostitution too. But first and foremost it is kind to children. Consider the pizza: all around the world the pizza has come to represent the deepest form of security known to the human palate. It is like a smiling face: it assuages the fear of complexity by showing everything on its surface.”
Rachel Cusk
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“She wondered whether the books she loved consoled her precisely because they were the manifestations of her own isolation.”
Rachel Cusk
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