Randall Jarrell

“All of them are gone except for me; and for me nothing is gone.”

“The moon rises. The red cubs rollingIn the ferns by the rotten oakStare over a marsh and a meadowTo the farm's white wisp of smoke.A spark burns, high in heaven.Deer thread the blossoming rowsOf the old orchard, rabbitsHop by the well-curb. The cock crowsFrom the tree by the widow's walk;Two stars in the trees to the west,Are snared, and an owl's soft cryRuns like a breath through the forest.Here too, though death is hushed, though joyObscures, like night, their wars,The beings of this world are sweptBy the Strife that moves the stars.”

“Ruskin says that anyone who expects perfection from a work of art knows nothing of works of art. This is an appealing sentence that, so far as I can see, is not true about a few pictures and statues and pieces of music, short stories and short poems. Whether or not you expect perfection from them, you get it; at least, there is nothing in them that you would want changed. But what Ruskin says is true about novels: anyone who expects perfection from even the greatest novel knows nothing of novels.”

“Before the bat could answer, the mockingbird exclaimed angrily: "You sound as if there were something wrong with imitating things!""Oh no," the bat said."Well then, you sound as if there something wrong with driving them off. It's my territory, isn't it? If you can't drive things off your own territory what can you do?"The bat didn't know what to say; after a minute the chipmunk said uneasily, "He just meant it's odd to drive them all off and then imitate them so well too.""Odd!" cried the mockingbird. "Odd! If I didn't it really would be odd. Did you ever hear of a mockingbird that didn't?"The bat said politely, "No indeed. No, it's just what mockingbirds do do. That's really why I made up the poem about it--I admire mockingbirds so much, you know."The chipmunk said, "He talks about them all the time.""A mockingbird's sensitive," said the mockingbird; when he said sensitive his voice went way up and way back down. "They get on my nerves. You just don't understand how much they get on my nerves. Sometimes I think if I can't get rid of them I'll go crazy.""If they didn't get on your nerves so, maybe you wouldn't be able to imitate them so well, the chipmunk said in a helpful, hopeful voice.”

“If I tell you that Mrs. Robbins had bad teeth and looked like a horse, you will laugh at me as a cliché-monger; yet it is the truth. I can do nothing with the teeth; but let me tell you that she looked like a French horse, a dark, Mediterranean, market-type horse that has all its life begrudged to the poor the adhesive-tape on a torn five-franc note - that has tiptoed (to save its shoes) for centuries along that razor-edge where Greed and Caution meet.”

“I see at least that all knowledge I wrung from the darkness-- that the darkness flung me-- is worthless as ignorance: nothing comes from nothing, the darkness from the darkness. Pain comes from the darkness and we call it wisdom. It is pain.”

“It's ugly, but is it art?”

“The cat's asleep; I whisper "kitten"Till he stirs a little and begins to purr--He doesn't wake. Today out on the limb(The limb he thinks he can't climb down from)He mewed until I heard him in the house.I climbed up to get him down: he mewed.What he says and what he sees are limited.My own response is even more constricted.I think, "It's lucky; what you have is too."What do you have except--well, me?I joke about it but it's not a joke;The house and I are all he remembers.Next month how will he guess that it is winterAnd not just entropy, the universePlunging at last into its cold decline?I cannot think of him without a pang.Poor rumpled thing, why don't you seeThat you have no more, really, than a man?Men aren't happy; why are you?”

“I see at last that all the knowledgeI wrung from the darkness—that the darkness flung me—Is worthless as ignorance: nothing comes from nothing,The darkness from the darkness. Pain comes from the darknessAnd we call it wisdom. It is pain.”

“A poet is a person who manages, in a lifetime of standing out in thunderstorms, to be struck by lightening five or six times.”

“When I was young and miserable and prettyAnd poor, I'd wishWhat all girls wish: to have a husband,A house and children. Now that I'm old, my wishIs womanish:That the boy putting groceries in my carSee me. ”

“One of the most obvious facts about grownups to a child is that they have forgotten what it is like to be a child.”

“Someties it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them.In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art:. it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write - a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize. If there were only some mechanism (like Seurat's proposed system of painting, or the projected Universal Algebra that Gödel believes Leibnitz to have perfected and mislaid) for reasonably and systematically converting into poetry what we see and feel and are!When one reads the verse of people who cannot write poems - people who sometimes have more intelligence, sensibility, and moral discrimination than most of the poets - it is hard not to regard the Muse as a sort of fairy godmother who says to the poet, after her colleagues have showered on him the most disconcerting and ambiguous gifts, "Well, never mind. You're still the only one that can write poetry.”

“It is better to entertain an idea than to take it home to live with you for the rest of your life.”

“The tags' chain stirs with the wind; and I sleepPaid, dead, and a soldier. Who fights for his own lifeLoses, loses: I have killed for my world, and am free.”

“The days went by for him, all different and all the same. The boy was happy, and yet he didn't know that he was happy, exactly: he couldn't remember having been unhappy. If one day as he played at the edge of the forest some talking bird had flown down and asked him: "Do you like your life" he would not have known what to say, but would have asked the bird: "Can you not like it?”

“The novel is a prose narrative of some length that has something wrong with it.”

“From my mother's sleep I fell into the State,And I hunched in its belly till my wet fur froze.Six miles from earth, loosed from the dream of life,I woke to black flak and the nightmare fighters.When I died they washed me out of the turret with a hose.”

“Most of us know, now, that Rousseau was wrong: that man, when you knock his chains off, sets up the death camps. Soon we shall know everything the 18th century didn't know, and nothing it did, and it will be hard to live with us.”