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Ray Bradbury

Ray Douglas Bradbury, American novelist, short story writer, essayist, playwright, screenwriter and poet, was born August 22, 1920 in Waukegan, Illinois. He graduated from a Los Angeles high school in 1938. Although his formal education ended there, he became a "student of life," selling newspapers on L.A. street corners from 1938 to 1942, spending his nights in the public library and his days at the typewriter. He became a full-time writer in 1943, and contributed numerous short stories to periodicals before publishing a collection of them, Dark Carnival, in 1947.

His reputation as a writer of courage and vision was established with the publication of The Martian Chronicles in 1950, which describes the first attempts of Earth people to conquer and colonize Mars, and the unintended consequences. Next came The Illustrated Man and then, in 1953, Fahrenheit 451, which many consider to be Bradbury's masterpiece, a scathing indictment of censorship set in a future world where the written word is forbidden. In an attempt to salvage their history and culture, a group of rebels memorize entire works of literature and philosophy as their books are burned by the totalitarian state. Other works include The October Country, Dandelion Wine, A Medicine for Melancholy, Something Wicked This Way Comes, I Sing the Body Electric!, Quicker Than the Eye, and Driving Blind. In all, Bradbury has published more than thirty books, close to 600 short stories, and numerous poems, essays, and plays. His short stories have appeared in more than 1,000 school curriculum "recommended reading" anthologies.

Ray Bradbury's work has been included in four Best American Short Story collections. He has been awarded the O. Henry Memorial Award, the Benjamin Franklin Award, the World Fantasy Award for Lifetime Achievement, the Grand Master Award from the Science Fiction Writers of America, the PEN Center USA West Lifetime Achievement Award, among others. In November 2000, the National Book Foundation Medal for Distinguished Contribution to American Letters was conferred upon Mr. Bradbury at the 2000 National Book Awards Ceremony in New York City.

Ray Bradbury has never confined his vision to the purely literary. He has been nominated for an Academy Award (for his animated film Icarus Montgolfier Wright), and has won an Emmy Award (for his teleplay of The Halloween Tree). He adapted sixty-five of his stories for television's Ray Bradbury Theater. He was the creative consultant on the United States Pavilion at the 1964 New York World's Fair. In 1982 he created the interior metaphors for the Spaceship Earth display at Epcot Center, Disney World, and later contributed to the conception of the Orbitron space ride at Euro-Disney, France.

Married since 1947, Mr. Bradbury and his wife Maggie lived in Los Angeles with their numerous cats. Together, they raised four daughters and had eight grandchildren. Sadly, Maggie passed away in November of 2003.

On the occasion of his 80th birthday in August 2000, Bradbury said, "The great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me. The feeling I have every day is very much the same as it was when I was twelve. In any event, here I am, eighty years old, feeling no different, full of a great sense of joy, and glad for the long life that has been allowed me. I have good plans for the next ten or twenty years, and I hope you'll come along."


“We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over.”
Ray Bradbury
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“When I was a boy in the midwest I used to go out and look at the stars at night and wonder about them.I guess every boy does that.When I wasn't looking at the stars, I was running in the my old or my brand-new tennis shoes, on my way to swing in a tree, swim in a lake, or delve in the town library to read about dinosaurs or time machines.I guess every boy has done that, too.This is a book about those stars and those tennis shoes. Mainly about the stars, beacuse that is the way I grew up, getting more and more involved with rockets and space as I moved toward my twelfth, thirteenth, and fourteenth years.Not that I have forgotten the tennis shoes and their powerful magic, as you will see in the last story here, which I have included not because it concerns the future, but because it gives you some sort of idea of the kind of boy I was when I was looking at the stars and thinking of the years ahead.Nor have I forgetten the dinosaurs that all boys love; they are here, too, along with a machine that travels back in time to step on a butterfly.This is a book then by a boy who grew up in a small illinois town and lived to see the space age arrive, as he hoped and dreamt it would.I dedicate these stories to all boys who wonder about the past, run swiftly in the present, and have high hopes for our future.The stars are yours, if you have the head, the hands, and the heart for them.”
Ray Bradbury
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“Well, after all, this is the age of the disposable tissue. Blow your nose on a person, wad them, flush them away, reach for another, blow, wad, flush. Everyone using everyone else's coattails. How are you supposed to root for the home team when you don't even have a program or know the names? For that matter, what color jersey's are they reading as they trot out to the feild?”
Ray Bradbury
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“It's poor judgment', said Grandpa 'to call anything by a name. We don't know what a hobgoblin or a vampire or a troll is. Could be lots of things. You can't heave them into categories with labels and say they'll act one way or another. That'd be silly. They're people. People who do things. Yes, that's the way to put it. People who *do* things.”
Ray Bradbury
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“How talented was death. How many expressions and manipulations of hand, face, body, no two alike.”
Ray Bradbury
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“Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You'd find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recoded details of life per square inch you can get on a sheet of paper, the more 'literary' you are - Faber”
Ray Bradbury
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“Too late, I found you can't wait to become perfect, you got to go out and fall down and get up with everybody else.”
Ray Bradbury
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“Death doesn't exist. It never did, it never will. But we've drawn so many pictures of it, so many years, trying to pin it down, comprehend it, we've got to thinking of it as an entity, strangely alive and greedy. All it is, however, is a stopped watch, a loss, an end, a darkness. Nothing.”
Ray Bradbury
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“If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.”
Ray Bradbury
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“Books are flesh-and-blood ideas and cry out, silently, when put to the torch.”
Ray Bradbury
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“If you hide your ignorance, no one will hit you and you'll never learn.”
Ray Bradbury
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“I feel I'm doing what I should've done a lifetime ago.For a little while I'm not afraid. Maybe it's because I'm doing the right thing at last. Maybe it's because I've done a rash thing and don't want to look the coward to you.”
Ray Bradbury
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“Science fiction is the most important literature in the history of the world, because it's the history of ideas, the history of our civilization birthing itself. ...Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.”
Ray Bradbury
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“Some day the load we're carrying with us may help someone. But even when we had the books on hand, a long time ago, we didn't use what we got out of them. We went right on insulting the dead. We went right on spitting in the graves of all the poor ones who died before us. We're going to meet a lot of lonely people in the next week and the next month and the next year. And when they ask us what we're doing, you can say, 'We're remembering'. That's where we'll win out in the long run. And some day we'll remember so much that we'll build the biggest goddamn steam-shovel in history and dig the biggest grave of all time and shove war in and cover it up. Come on now, we're going to go build a mirror-factory first and put out nothing but mirrors for the next year and take a long look in them.”
Ray Bradbury
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“If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.”
Ray Bradbury
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“Through neglect, ignorance, or inability, the new intellectual Borgias cram hairballs down our throats and refuse us the convulsion that could make us well. They have forgotten, if they ever knew, the ancient knowledge that only by being truly sick can one regain health. Even beasts know when it is good and proper to throw up. Teach me how to be sick then, in the right time and place, so that I may again walk in the fields and with the wise and smiling dogs know enough to chew sweet grass.”
Ray Bradbury
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“Anything that's strange is no good to the average American. If it doesn't have Chicago plumbing, it's nonsense.”
Ray Bradbury
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“Anything you dream is fiction, and anything you accomplish is science, the whole history of mankind is nothing but science fiction. ”
Ray Bradbury
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“There was her face, like a summer peach, beautiful and warm, and the light of the candles reflected in her dark eyes. [He] held his breath. The entire world waited and held its breath.”
Ray Bradbury
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“The huge round lunar clock was a gristmill. Shake down all the grains of Time—the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes—and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine…dispensed Time in blowing weathers.”
Ray Bradbury
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“[He] was always here to offer cups of good clear Walden Pond, or shout down the deep well of Shakespeare and listen, with satisfaction, for echoes. Here the lion and the hartebeest lay together, here the jackass became a unicorn.”
Ray Bradbury
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“His library was a fine dark place bricked with books, so anything could happen there and always did. All you had to do was pull a book from the shelf and open it and suddenly the darkness was not so dark anymore.”
Ray Bradbury
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“I am Plato's Republic. Mr. Simmons is Marcus. I want you to meet Jonathan Swift, the author of that evil political book, Gulliver's Travels! And this other fellow is Charles Darwin, and-this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr. Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr. Lincoln, if you please. We are also Matthew, Mark, Luke, and John.”
Ray Bradbury
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“I don't talk things, sir. I talk the meaning of things.”
Ray Bradbury
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“Half the fun of the travel is the esthetic of lostness.”
Ray Bradbury
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“And suddenly everything, absolutely everything, was there.”
Ray Bradbury
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“When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn't crying for him at all, but for all the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I've never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He DID things to the world. The world was bankrupted of ten million fine actions the night he passed on.”
Ray Bradbury
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“I was doing a terrible thing in using the very books you clung to, to rebut you on every hand, on every point! What traitors books can be! You think they're backing you up, and then they turn on you. Others can use them, too, and there you are, lost in the middle of the moor, in a great welter of nouns and verbs and adjectives.”
Ray Bradbury
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“I have two rules in life - to hell with it, whatever it is, and get your work done.”
Ray Bradbury
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“Digression is the soul of wit. Take the philosophic asides away from Dante, Milton or Hamlet's father's ghost and what stays is dry bones.”
Ray Bradbury
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“In your reading, find books to improve your color sense, your sense of shape and size in the world.”
Ray Bradbury
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“What are the best things and the worst things in your life, and when are you going to get around to whispering or shouting them?”
Ray Bradbury
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“We must take arms each and every day, perhaps knowing that the battle cannot be entirely won, but fight we must, if only a gentle bout. The smallest effort to win means, at the end of each day, a sort of victory. Remember that pianist who said that if he did not pratice every day he would know, if he did not practice for two days, the critics would know, after three days, his audiences would know.A variation of this is true for writers. Not that your style, whatever that is, would melt out of shape in those few days.But what would happen is that the world would catch up with and try to sicken you. If you did not write every day, the poisons would accumulate and you would begin to die, or act crazy, or both.”
Ray Bradbury
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“Do you ever read any of the books you burn?"He laughed. "That's against the law!""Oh. Of course.”
Ray Bradbury
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“Sometimes you just have to jump out the window and grow wings on the way down.”
Ray Bradbury
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“When your dawn theater sounds to clear your sinuses: don't delay. Jump. Those voices may be gone before you hit the shower to align your wits.Speed is everything. The 90-mph dash to your machine is a sure cure for life rampant and death most real.Make haste to live.Oh, God, yes.Live. And write. With great haste.”
Ray Bradbury
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“Poverty made a sound like a wet cough in the shadows of the room.”
Ray Bradbury
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“The trouble with Jim was he looked at the world and could not look away. And when you never look away all your life, by the time you are thirteen you have done twenty years taking in the laundry of the world.”
Ray Bradbury
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“God, how we get our fingers in each other's clay. That's friendship, each playing the potter to see what shapes we can make of each other.”
Ray Bradbury
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“First you jump off the cliff and build your wings on the way down.”
Ray Bradbury
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“You're either in love with what you do, or you're not in love.”
Ray Bradbury
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“Out of the nursery into the college and back into the nursery; there’s your intellectual pattern for the past five centuries or more.”
Ray Bradbury
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“A book is a loaded gun in the house next door...Who knows who might be the target of the well-read man?”
Ray Bradbury
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“You fail only if you stop writing.”
Ray Bradbury
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“The best scientist is open to experience and begins with romance - the idea that anything is possible.”
Ray Bradbury
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“Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.”
Ray Bradbury
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“That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.”
Ray Bradbury
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“You have to know how to accept rejection and reject acceptance.”
Ray Bradbury
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“I'll tell you," said Beatty, smiling at his cards. "That made you for a little while a drunkard. Read a few lines and off you go over the cliff. Bang, you're ready to blow up the world, chop off heads, knock down women and children, destroy authority. I know. I've been through it all.”
Ray Bradbury
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“Love. Fall in love and stay in love. Write only what you love, and love what you write. The word is love. You have to get up in the morning and write something you love, something to live for.”
Ray Bradbury
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