Ray Bradbury

“Sandwich outdoors isn’t a sandwich anymore. Tastes different than indoors, notice? Got more spice. Tastes like mint and pinesap. Does wonders for the appetite.”

“So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless.”

“Quantity produces quality. If you only write a few things, you're doomed.”

“I love to write. It's all I do.”

“Sunsets are loved because they vanish.Flowers are loved because they go.The dogs of the field and the cats of the kitchen are loved because soon they must depart.These are not the sole reasons, but at the heart of morning welcomes and afternoon laughters is the promise of farewell. In the gray muzzle of an old dog we see goodbye. In the tired face of an old friend we read long journeys beyond returns.”

“Love what you do and do what you love. Don't listen to anyone else who tells you not to do it. You do what you want, what you love. Imagination should be the center of your life.”

“Oh, the luxury of lying in the fern night and the grass night and the night of the susurrant, slumbrous voices weaving the night together.”

“All the things which had uses. All the mountains which had names. We'll give them new names, but the old names are there, somewhere in time..." -Bradbury, The Martian Chronicles”

“Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .”

“So the carnival steams by, shakes ANY tree: it rains jackasses.”

“Tom," said Douglas, "just promise me one thing, okay?" "It's a promise. What?" "You may be my brother and maybe I hate you sometimes, but stick around, all right?" "You mean you'll let me follow you and the older guys when you go on hikes?" "Well . . . sure . . . even that. What I mean is, don't go away, huh? Don't let any cars run over you or fall of a cliff." "I should say not! Whatta you think I am, anyway?" "'Cause if worst comes to worst, and both of us are real old--say forty or forty-five some day-- we can own a gold mine out West and sit there smoking corn silk and growing bears." "Growing beards! Boy!" "Like I say, you stick around and don't let nothing happen.""You can depend on me," said Tom. "It's not you I worry about," said Douglas. "It's the way God runs the world." Tom thought about this for a moment. "He's all right, Doug," said Tom. "He tries.”

“We know all the damn silly things we've done for a thousand years, and as long as we know that and always have it around where we can see it, some day we'll stop making the goddam funeral pyres and jumping into the middle of them. We pick up a few more people that remember, every generation.”

“Remember, the firemen are rarely necessary. The public itself stopped reading of its own accord.”

“I have three rules to live by: Get your work done. If that doesn't work, shut up and drink your gin, and when all else fails, run like hell.”

“Writing can be described in two verbs: Throw up and clean up.”

“Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience.”

“We are all bits and pieces of history and literature and international law, Byron, Tom Paine, Machiavelli or Christ, it's here. And the hour's late. And the war's begun. And we are out here, and the city is there, all wrapped up in its own coat of a thousand colors.”

“In the morning he would not have needed sleep, for all the warm odors and sights of a complete country night would have rested and slept him while his eyes were wide and his mouth, when he thought to test it, was half a smile.”

“Somewhere the saving and putting away had to begin again and someone had to do the saving and keeping, one way or another, in books, in records, in people's heads, any way at all so long as it was safe, free from moths, silverfish, rust and dry rot and men with matches.”

“We all have our harps to play. And it's up to you now to know with which ear you'll listen.”

“If there were no war, if there was peace in the world, I'd say fine, have fun! But, Montag, you mustn't go back to being just a fireman. All isn't well with the world.”

“I don't want to change sides and just be told what to do. There's no reason to change if I do that.”

“In the silence, our stage whisper might carry.”

“There are many actors alone who haven't acted Pirandello or Shaw or Shakespeare for years because their plays are too aware of the world. We could use their anger. And we could use the honest rage of those historians who haven't written a line for forty years. True, we might form classes in thinking and reading.”

“For your file...in case you decide to be angry with me.”

“You always dread the unfamiliar...We must all be alike. Not everyone born free and equal as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against.”

“He lay far across the room from her, on a winter island separated by an empty sea. She talked to him for what seemed a long while and she talked about this and she talked about that and it was only words, like the words he had heard once in a nursery at a friend’s house, a two-year-old child building word patters, like jargon, making pretty sounds in the air.”

“I hate being clever, thought the captain, when you don’t really feel clever and don’t want to be clever. To sneak around andmake plans and feel big about making them. I hate this feeling of thinking I’m doing right when I’m not really certain I am. Whoare we, anyway? The majority? Is that the answer? The majority is always holy, is it not? Always, always; just never wrong forone little insignificant tiny moment, is it? Never ever wrong in ten million years? He thought: What is this majority and who are init? And what do they think and how did they get that way and will they ever change and how the devil did I get caught in thisrotten majority? I don’t feel comfortable. Is it claustrophobia, fear of crowds, or common sense? Can one man be right, while allthe world thinks they are right? Let’s not think about it. Let’s crawl around and act exciting and pull the trigger. There, and there!”

“Time was a film run backward. Suns fled and ten million moons fled after them.”

“The things that you do should be things that you love, and things that you love should be things that you do.”

“‎"Ne kadar çok insan var, diye düşündü. Bizim gibi milyarlarca insan var, ne kadar fazla. Kimse kimseyi bilmez. Yabancılar gelip seni rahatsız ederler. Yabancılar gelir, yüreğini kesip alırlar.”

“The old man would go on with this talking and this talking, drop by drop, stone by stone, flake by flake. His mind would well over at last and he would not be Montag any more, this the old man told him, assured him, promised him. He would be Montag-plus-Faber, fire plus water, and then, one day, after everything had mixed and simmered and worked away in silence, there would be neither fire nor water, but wine. Out of two separate and opposite things, a third. And one day he would look back upon the fool and know the fool.”

“Work. Don't Think. Relax.”

“This is the kind of life I've had. Drunk, and in charge of a bicycle, as an Irish police report once put it. Drunk with life, that is, and not knowing where off to next. But you're on your way before dawn. And the trip? Exactly one half terror, exactly one half exhilaration.”

“...We're allotted a little space on earth and that we survive in that wilderness that can take back what it has given, as easily as blowing its breath on us or sending the sea to tell us we are not so big. When we forget how close the wilderness is in the night, my grandpa said, someday it will come in and get us, for we will have forgotten how terrible and real it can be.”

“The psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies. I'll show you my collection some day.""Good.""They want to know what I do with my time. I tell them that sometimes I just sit and think. But I won't tell them what. I've got them running. And sometimes, I tell them, I like to put my head back, like this, and let the rain fall in my mouth. It tastes just like wine. Have you ever tried it?”

“And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before.”

“Your don't have to burn books to destroy culture. Just get people to stop reading them.”

“We're all watching each other, so there's no chance for censorship. The main problem is the idiot TV. If you watch local news, your head will turn to mush.”

“Without the library, you have no civilization.”

“Orwell was dealing with communism and his disillusionment with communism in Russia and what he saw the communists do in Spain. His novel was a response to those political situations. Whereas I was interested in more things than the political atmosphere. I was considering the whole social atmosphere: the impact of TV and radio and the lack of education. I could see the coming event of schoolteachers not teaching reading anymore. The less they taught, the more you wouldn't need books.”

“If you had your way you’d pass a law to abolish all the little jobs, the little things. But then you’d leave yourselves nothing to do between the big jobs and you’d have a devil of a time thinking up things to do so you wouldn’t go crazy. Instead of that, why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life, son.”

“Savory...that's a swell word. And Basil and Betel. Capsicum. Curry. All great. But Relish, now, Relish with a capital R. No argument, that' the best.”

“It didn't come from the Government down. There was no dictum, no declaration, no censorship, to start with, no! Technology, mass exploitation, and minority pressure carried the trick, thank God.”

“And wasn't it this bright boy you selected for beating and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for their are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me? I won't stomach them for a minute. And so when houses were finally fireproofed completely, all over the world (you were correct in your assumption the other night) there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors. That's you, Montag, and that's me.”

“The important thing for you to remember, Montag, is we're the Happiness Boys, the Dixie Duo, you and I and the others. We stand against the small tide of those who want to make everyone unhappy with conflicting theory and thought. We have our fingers in the dike. Hold steady. Don't let the torrent of melancholy and drear philosophy drown our world. We depend on you. I don't think you realize how important you are, we are, to our happy world as it stands now.”

“Where's your common sense? None of those books agree with each other. You've been locked up here for years with a regular damned Tower of Babel. Snap out of it! The people in those books never lived. Come on now!”

“Vio que la luna se hundia en el firmamento. La luna alli, y su resplandor, ¿producido por que? Por el sol, claro. ¿Y que iluminaba al sol? Su propio fuego. Y el sol sigue, dia tras dia, quemando y quemando. El sol y el tiempo. El sol el tiempo y las llamas. Llamas. El rio le balanceaba suavemente. Llamas. El sol y todos los relojes del mundo. Todo se reunia y se convertia en una misma cosa en su mente. [...]El sol ardia a diario. Quemaba el Tiempo. El mundo corria en circulos, girando sobre su eje, y el tiempo se ocupaba en quemar los años y a la gente, sin ninguna ayuda por su parte.”

“Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an actionis through. That is all Plot ever should be. It is human desire letrun, running, and reaching a goal. It cannot be mechanical. It canonly be dynamic. So, stand aside, forget targets, let the characters, your fingers, body, blood, and heart do.”

“Write. Don't think. Relax.”