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Ray Bradbury

Ray Douglas Bradbury, American novelist, short story writer, essayist, playwright, screenwriter and poet, was born August 22, 1920 in Waukegan, Illinois. He graduated from a Los Angeles high school in 1938. Although his formal education ended there, he became a "student of life," selling newspapers on L.A. street corners from 1938 to 1942, spending his nights in the public library and his days at the typewriter. He became a full-time writer in 1943, and contributed numerous short stories to periodicals before publishing a collection of them, Dark Carnival, in 1947.

His reputation as a writer of courage and vision was established with the publication of The Martian Chronicles in 1950, which describes the first attempts of Earth people to conquer and colonize Mars, and the unintended consequences. Next came The Illustrated Man and then, in 1953, Fahrenheit 451, which many consider to be Bradbury's masterpiece, a scathing indictment of censorship set in a future world where the written word is forbidden. In an attempt to salvage their history and culture, a group of rebels memorize entire works of literature and philosophy as their books are burned by the totalitarian state. Other works include The October Country, Dandelion Wine, A Medicine for Melancholy, Something Wicked This Way Comes, I Sing the Body Electric!, Quicker Than the Eye, and Driving Blind. In all, Bradbury has published more than thirty books, close to 600 short stories, and numerous poems, essays, and plays. His short stories have appeared in more than 1,000 school curriculum "recommended reading" anthologies.

Ray Bradbury's work has been included in four Best American Short Story collections. He has been awarded the O. Henry Memorial Award, the Benjamin Franklin Award, the World Fantasy Award for Lifetime Achievement, the Grand Master Award from the Science Fiction Writers of America, the PEN Center USA West Lifetime Achievement Award, among others. In November 2000, the National Book Foundation Medal for Distinguished Contribution to American Letters was conferred upon Mr. Bradbury at the 2000 National Book Awards Ceremony in New York City.

Ray Bradbury has never confined his vision to the purely literary. He has been nominated for an Academy Award (for his animated film Icarus Montgolfier Wright), and has won an Emmy Award (for his teleplay of The Halloween Tree). He adapted sixty-five of his stories for television's Ray Bradbury Theater. He was the creative consultant on the United States Pavilion at the 1964 New York World's Fair. In 1982 he created the interior metaphors for the Spaceship Earth display at Epcot Center, Disney World, and later contributed to the conception of the Orbitron space ride at Euro-Disney, France.

Married since 1947, Mr. Bradbury and his wife Maggie lived in Los Angeles with their numerous cats. Together, they raised four daughters and had eight grandchildren. Sadly, Maggie passed away in November of 2003.

On the occasion of his 80th birthday in August 2000, Bradbury said, "The great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me. The feeling I have every day is very much the same as it was when I was twelve. In any event, here I am, eighty years old, feeling no different, full of a great sense of joy, and glad for the long life that has been allowed me. I have good plans for the next ten or twenty years, and I hope you'll come along."


“Shakespeare wrote Moby-Dick, using Melville as a Ouija board.”
Ray Bradbury
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“I’m completely library educated. I’ve never been to college. I went down to the library when I was in grade school in Waukegan, and in high school in Los Angeles, and spent long days every summer in the library. I used to steal magazines from a store on Genesee Street, in Waukegan, and read them and then steal them back on the racks again. That way I took the print off with my eyeballs and stayed honest. I didn’t want to be a permanent thief, and I was very careful to wash my hands before I read them. But with the library, it’s like catnip, I suppose: you begin to run in circles because there’s so much to look at and read. And it’s far more fun than going to school, simply because you make up your own list and you don’t have to listen to anyone. When I would see some of the books my kids were forced to bring home and read by some of their teachers, and were graded on—well, what if you don’t like those books?”
Ray Bradbury
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“You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught. The library, on the other hand, has no biases. The information is all there for you to interpret. You don’t have someone telling you what to think. You discover it for yourself.”
Ray Bradbury
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“I am a librarian. I discovered me in the library. I went to find me in the library. Before I fell in love with libraries, I was just a six-year-old boy. The library fueled all of my curiosities, from dinosaurs to ancient Egypt. When I graduated from high school in 1938, I began going to the library three nights a week. I did this every week for almost ten years and finally, in 1947, around the time I got married, I figured I was done. So I graduated from the library when I was twenty-seven. I discovered that the library is the real school.”
Ray Bradbury
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“If I’d found out that Norman Mailer liked me, I’d have killed myself. I think he was too hung up. I’m glad Kurt Vonnegut didn’t like me either. He had problems, terrible problems. He couldn’t see the world the way I see it. I suppose I’m too much Pollyanna, he was too much Cassandra. Actually I prefer to see myself as the Janus, the two-faced god who is half Pollyanna and half Cassandra, warning of the future and perhaps living too much in the past—a combination of both. But I don’t think I’m too over optimistic.”
Ray Bradbury
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“Science fiction is the fiction of ideas. Ideas excite me, and as soon as I get excited, the adrenaline gets going and the next thing I know I’m borrowing energy from the ideas themselves. Science fiction is any idea that occurs in the head and doesn’t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.”
Ray Bradbury
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“At the very moment Mrs. Bentley was smiling down upon them with her yellow mask face, around a corner like an elfin band came an ice-cream wagon. It jingled out icy melodies, as crisp and rimmed as crystal wine-glasses tapped by an expert, summoning all. The children sat up, turning their heads, like sunflowers after the sun. (Season of Disbelief)”
Ray Bradbury
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“Le cose che si sono viste una volta non possono morire, semplicemente non possono. Da qualche parte, nelle celle gocciolanti di cera di un alveare o nelle trentamile lenticole che ornano la testa di una falena, tutti i colori e le cose viste in un dato anno dovevano potersi ritrovare”
Ray Bradbury
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“Live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that, shake the tree and knock the great sloth down on his ASS.”
Ray Bradbury
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“Mistakes can be profited by Man, when i was young I showed my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.”
Ray Bradbury
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“Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the Universe together into one garment for us.”
Ray Bradbury
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“How're your children, Mrs. Phelps?' he asked.'You know I haven't any! No one in his right mind, the good Lord knows, would have children!' said Mrs. Phelps, not quite sure why she was angry with this man.'I wouldn't say that,' said Mrs. Bowles. 'I've had TWO children by Caesarian section. No use going through all that agony for a baby. The world must reproduce, you know, the race must go on. Besides, they sometimes look just like you, and that's nice. Two Caesarians turned the trick, yes, sir. Oh, my doctor said, Caesarians aren't necessary; you've got the hips for it, everything's normal, but I INSISTED.''Caesarians or not, children are ruinous; you're out of your mind,' said Mrs. Phelps.'I plunk the children in school nine days out of ten. I put up with them when they come home three days a month; it's not bad at all. You heave them into the 'parlor' and turn the switch. It's like washing clothes: stuff laundry in and slam the lid.' Mrs. Bowles tittered. 'They'd just as soon kick as kiss me. Thank God, I can kick back!”
Ray Bradbury
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“Go home.' Montag fixed his eyes upon her, quietly. 'Go home and think of your first husband divorced and your second husband killed in a jet and your third husband blowing his brains out, go home and think of the dozens of abortions you've had, go home and think of that and your damn Caesarian sections, too, and your children who hate your guts! Go home and think how it all happened and what did you ever do to stop it? Go home, go home!' he yelled.”
Ray Bradbury
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“Come on now, we’re going to go build a mirror factory first and put out nothing but mirrors for the next year and take a long look in them.”
Ray Bradbury
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“If you enjoy living, it is not difficult to keep the sense of wonder.”
Ray Bradbury
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“What a dreadful surprise. For everyone knows, is absolutely certain, that nothing will ever happen to me. Others die, I go on. There are no consequences and no responsibilities. Except that there are. But lets not talk about em eh? By the time the consequences catch up to you its too late isn't it?”
Ray Bradbury
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“Suddenly the day was gone, night came out from under each tree and spread.”
Ray Bradbury
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“You weren't there, you didn't see,' he said. 'There must be something in books, things we can't imagine, to make a woman stay in a burning house; there must be something there. You don't stay for nothing.”
Ray Bradbury
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“A day without writing was a little death.”
Ray Bradbury
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“No," said a voice, "the only thing wrong on a night like that is that there is a world and you must come back to it.”
Ray Bradbury
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“Really knowing is good. Not knowing, or refusing to know, is bad, or amoral, at least. You can't act if you don't know. Acting without knowing takes you right off the cliff.”
Ray Bradbury
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“A train has a poor memory; it soon puts all behind it.”
Ray Bradbury
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“I suppose it's an unconscious little stream of wit that flows quietly under everything I do or say.”
Ray Bradbury
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“I think the sun is a flower,That blooms for just one hour.”
Ray Bradbury
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“The Official was bending over his desk, staring at the sergeant. "May I ask you a question?""Yes.""Have you ever thought you were Christ?""I can't say that I have. But I have considered that God was good to me to let me find what I was looking for, if that's what you mean.”
Ray Bradbury
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“I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.”
Ray Bradbury
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“The river was mild and leisurely, going away from the people who ate shadows for breakfast and steam for lunch and vapors for supper.”
Ray Bradbury
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“and sleeping put an end to summer, 1928,”
Ray Bradbury
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“This was all he wanted now. Some signs that the immense world would accept him and give him the long time he needed to think all the things that must be thought.”
Ray Bradbury
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“There must be something in books, things we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.”
Ray Bradbury
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“It was only the other night everything was fine and the next thing I know Im drowning. How many times can a man go down and still be alive? I can't breathe ”
Ray Bradbury
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“If she fell, if she broke, you'd find a million fragments in the morning. Bright crystal and clear wine on the parquet flooring, that's all you'd see at dawn.”
Ray Bradbury
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“A red ganglion, no bigger than a scarlet thread, snapped and quivered; a nerve, no greater than a red linen fiber twisted. Deep in her one little mech was gone and the entire machine, imbalanced, was about to steadily shake itself to bits.”
Ray Bradbury
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“He raged for hours. And the skeleton, ever the frail and solelmn philosopher, hung quietly inside, saying not a word, suspended like a delicate insect within a chrysalis, waiting and waiting.”
Ray Bradbury
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“And with the trick, much admired by magicians, of sitting in a green velour chair and-vanishing! Turn your head and you forgot his face. Vanilla pudding.”
Ray Bradbury
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“... bums on the outside, libraries inside.”
Ray Bradbury
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“We are living in a time when flowers are trying to live on flowers, instead of on good rain and black loam.”
Ray Bradbury
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“Remember, Montag, we're the happiness boys. We stand against the small tide of those who want to make everyone unhappy with conflicting theory and thought.”
Ray Bradbury
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“I do a first draft as passionately and as quickly as I can. I believe a story is valid only when it's immediate and passionate, when it dances out of your subconscious. If you interfere in any way, you destroy it.”
Ray Bradbury
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“You could feel the war getting ready in the sky that night. The way the clouds moved aside and came back, and the way the stars looked, a million of the swimming between the clouds, like the enemy disks, and the feeling that the sky might fall upon the city and turn it to chalk dust, and the moon go up in red fire; that was how the night felt.”
Ray Bradbury
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“What should I do?""Throw up in your typewriter every morning.""Yeah.""Clean up every noon.”
Ray Bradbury
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“For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth....Such are the autumn people.”
Ray Bradbury
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“You ask Why to a lot of things and you wind up very unhappy indeed, if you keep at it. The poor girl's better off dead”
Ray Bradbury
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“Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.”
Ray Bradbury
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“I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they're going.”
Ray Bradbury
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“I'm inclined to believe you need the psychiatrist.”
Ray Bradbury
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“But most of all, I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they are going. Sometimes I even go to Fun parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy. Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do you know what? People don't talk about anything.”
Ray Bradbury
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“Authors, full of evil thoughts, lock up your typewriters.”
Ray Bradbury
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“We have everything we need to be happy but we aren't happy. Something is missing...It is not books you need, it's some of the things that are in books. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.”
Ray Bradbury
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“It takes writing a billion bad words before you get to the good ones.”
Ray Bradbury
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