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Raymond Chandler

Raymond Thornton Chandler was an American novelist and screenwriter.

In 1932, at age forty-four, Raymond Chandler decided to become a detective fiction writer after losing his job as an oil company executive during the Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published just seven full novels during his lifetime (though an eighth in progress at his death was completed by Robert B. Parker). All but Playback have been realized into motion pictures, some several times. In the year before he died, he was elected president of the Mystery Writers of America. He died on March 26, 1959, in La Jolla, California.

Chandler had an immense stylistic influence on American popular literature, and is considered by many to be a founder, along with Dashiell Hammett, James M. Cain and other Black Mask writers, of the hard-boiled school of detective fiction. Chandler's Philip Marlowe, along with Hammett's Sam Spade, are considered by some to be synonymous with "private detective," both having been played on screen by Humphrey Bogart, whom many considered to be the quintessential Marlowe.

Some of Chandler's novels are considered to be important literary works, and three are often considered to be masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye is praised within an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery".


“It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.”
Raymond Chandler
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“I don’t mind if you don’t like my manners. They’re pretty bad. I grieve over them during the long winter evenings.”
Raymond Chandler
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“A three-piece Mexican band was making the kind of music a Mexican band always makes. Whatever they play, it all sounds the same. They always sing the same song, and it always has nice open vowels an a drawn-out, sugary lilt, and the guy who sings it always strums on a guitar and has a lot to say about amor, mi corazon, a lady who is "linda" but very hard to convince, and he always has too long and too oily hair and when he isn't making with the love stuff he looks as if his knife work in an alley would be efficient and economical.”
Raymond Chandler
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“Authenticity is boring, credibility is important”
Raymond Chandler
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“On the smooth brown hair was a hat that had been taken from its mother too young.”
Raymond Chandler
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“Maybe I can quit drinking one of these days. They all say that, don't they?""It takes about three years.""Three years?" He looked shocked. "Usually it does. It's a different world. You have to get used to a paler set of colors, a quieter lot of sounds. You have to allow for relapses. All the people you used to know well will get to be just a little strange. You won't even like most of them, and they won't like you too well.”
Raymond Chandler
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“The tragedy of life, Howard, is not that the beautiful die young, but that they grow old and mean. It will not happen to me.”
Raymond Chandler
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“I got up on my feet and went over to the bowl in the corner and threw cold water on my face. After a little while I felt a little better, but very little. I needed a drink, I needed a lot of life insurance. I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.”
Raymond Chandler
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“The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement.”
Raymond Chandler
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“You go in through double swing doors. Inside the double doors there is a combination PBX and information desk at which sits one of those ageless women you see around municipal offices everywhere in the world. They were never young and will never be old. They have no beauty, no charm, no style. They don't have to please anybody. They are safe. They are civil without ever quite being polite and intelligent and knowledgeable without any real interest in anything. They are what human beings turn into when they trade life for existence and ambition for security.”
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“Then she laughed. It was almost a racking laugh. It shook her as the wind shakes a tree. I thought there was puzzlement in it, not exactly surprise, but as if a new idea had been added to something already known and it didn't fit. Then I thought that was too much to get out of a laugh.”
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“¿Cómo puedes ser tan duro y tan tierno a la vez?- Si no fuera duro no podría estar vivo, si no fuera tierno no merecería estarlo.”
Raymond Chandler
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“She had eyes like strange sins.”
Raymond Chandler
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“The most durable thing in writing isstyle. It is a projection of personality and you haveto have a personality before you can project it. Itis the product of emotion and perception.”
Raymond Chandler
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“Mostly I just kill time," he said, "and it dies hard.”
Raymond Chandler
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“They just sat there looking back at me. The orange queen was clacking her typewriter. Cop talk was no more treat for her than legs to a dance director. They had the calm weathered faces of healthy men in hard condition. They had the eyes they always have, cloudy and grey like freezing water. The firm set mouth, the hard little wrinkles at the corners of the eyes, the hard hollow meaningless stare, not quite cruel and a thousand miles from kind. The dull ready-made clothes, worn without style, with a sort of contempt; the look of men who are poor and yet proud of their power, watching always for ways to make it felt, to shove it into you and twist it and grin and watch you squirm, ruthless without malice, cruel and yet not always unkind. What would you expect them to be? Civilization had no meaning for them. All they saw of it was the failures, the dirt, the dregs, the aberrations and the disgust.”
Raymond Chandler
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“Most people go through life using up half their energy trying to protect a dignity they never had”
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“Wonderful what Hollywood will do to a nobody. It will make a radiant glamour queen out of a drab little wench who ought to be ironing a truck driver's shirts, a he-man hero with shining eyes and brilliant smile reeking of sexual charm out of some overgrown kid who was meant to go to work with a lunch-box. Out of a Texas car hop with the literacy of a character in a comic strip it will make an international courtesan, married six times to six millionaires and so blasé and decadent at the end of it that her idea of a thrill is to seduce a furniture-mover in a sweaty undershirt.”
Raymond Chandler
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“Philip Marlowe, 38, a private licence operator of shady reputation, was apprehended by police last night while crawling through the Ballona Storm Drain with a grand piano on his back. Questioned at the University Heights Police Station, Marlowe declared he was taking the piano to the Maharajah of Coot-Berar. Asked why he was wearing spurs, Marlowe declared that a client's confidence was sacred. Marlowe is being held for investigation. Chief Hornside said police were not yet ready to say more. Asked if the piano was in tune, Chief Hornside declared that he had played the Minute Waltz on it in thirty-five seconds and so far as he could tell there were no strings in the piano. He intimated that someting else was. A complete statement to the press will be made within twelve hours, Chief Hornside said abruptly. Speculation is rife that Marlowe was attempting to dispose of a body.”
Raymond Chandler
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“There was a sad fellow over on a bar stool talking to the bartender, who was polishing a glass and listening with that plastic smile people wear when they are trying not to scream.”
Raymond Chandler
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“I have a bad habit of starting a book and reading just far enough to make sure I want to read it and look forward to reading and then putting it to one side while I break the ice on a couple more. In that way, when I feel dull and depressed which is too often, I know I have something to read late at night when I do most of it and not that horrid blank feeling of not having anybody to talk to or listen to.”
Raymond Chandler
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“I don't greatly care for passes this early in the morning.”
Raymond Chandler
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“Tall, aren't you?I didn't mean to be.”
Raymond Chandler
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“The coffee shop smell was strong enough to build a garage on.”
Raymond Chandler
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“She poured us some more Scotch. It didn't seem to affect her any more than water affects Boulder Dam.”
Raymond Chandler
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“Ohls showed the motor-cycle officer his badge and we went out on the pier, into a loud fish smell which one night’s hard rain hadn’t even dented.”
Raymond Chandler
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“She was staring after me with an expression she probably would have said was thoughtful.”
Raymond Chandler
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“She's a charming middle-aged lady with a face like a bucket of mud and if she has washed her hair since Coolidge's second term I'll eat my spare tyre, rim and all.”
Raymond Chandler
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“She had a lot of face and chin. She had pewter-colored hair set in a ruthless permanent, a hard beak and moist eyes with the sympathetic expression of wet stones.”
Raymond Chandler
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“The realistic style is easy to abuse: from haste, from lack of awareness, from inability to bridge the chasm that lies between what a writer would like to be able to say and what he actually knows how to say. It is easy to fake; brutality is not strength, flipness is not wit, edge-of-the-chair writing can be as boring as flat writing; dalliance with promiscuous blondes can be very dull stuff when described by goaty young men with no other purpose in mind than to describe dalliance with promiscuous blondes.”
Raymond Chandler
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“There ain't no clean way to make a hundred million bucks.... Somewhere along the line guys got pushed to the wall, nice little businesses got the ground cut out from under them... Decent people lost their jobs.... Big money is big power and big power gets used wrong. It's the system.”
Raymond Chandler
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“You can have a hangover from other things than alcohol. I had one from women.”
Raymond Chandler
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“I had been stalking the bluebottle fly for five minutes, waiting for him to sit down. He didn't want to sit down. He just wanted to do wing-overs and sing the prologue to Pagliacci. I had the fly swatter poised in midair and I was all set. There was a patch of bright sunlight on the corner of the desk and I knew that sooner or later that was where he was going to light. But when he did, I didn't even see him at first. The buzzing stopped and there he was. And then the phone rang.”
Raymond Chandler
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“It’s so hard for women—even nice women—to realize that their bodies are not irresistible.”
Raymond Chandler
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“She’d make for a jazzy week-end, but she’d be wearing for a steady diet.”
Raymond Chandler
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“Such a lot of guns around town and so few brains. You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”
Raymond Chandler
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“It's a swell theory," I said. "Marriott socked me, took the money, then he got sorry and beat his brains out, after first burying the money under a bush.”
Raymond Chandler
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“It was a cool day and very clear. You could see a long way-but not as far as Velma had gone.”
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“Her eyes ate me.”
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“Best putdown of a copy editor ever award goes to Raymond Chandler, who, in a 1947 letter to the editor of the Atlantic Monthly, wrote: "By the way, would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of barroom vernacular, this is done with the eyes wide open and the mind relaxed but attentive.”
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“I caught the rest of it in one of those snob columns in the society section of the paper. I don't read them often, only when I run out of things to dislike......I threw the paper into the corner and turned on the TV set. After the society page dog vomit even the wrestlers looked good.”
Raymond Chandler
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“Sooner or later I may figure out why you like being a kept poodle.”
Raymond Chandler
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“A slice of spumoni wouldn't have melted on her now.”
Raymond Chandler
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“There's always something to do if you don't have to work or consider the cost. It's no real fun but the rich don't know that. They never had any. They never want anything very hard except maybe somebody else's wife and that's a pretty pale desire compared with the way a plumber's wife wants new curtains for the living room.”
Raymond Chandler
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“After a little while I felt a little better, but very little. I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.”
Raymond Chandler
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“To hell with the rich, they make me sick.”
Raymond Chandler
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“I certainly admire people who do things.”
Raymond Chandler
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“Scarcely anything in literature is worth a damn except what is written between the lines.”
Raymond Chandler
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“The challenge is to write about real things magically.”
Raymond Chandler
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“The other part of me wanted to get out and stay out, but this was the part I never listened to. Because if I ever had I would have stayed in the town where I was born and worked in the hardware store and married the boss's daughter and had five kids and read them the funny paper on Sunday morning and smacked their heads when they got out of line and squabbled with the wife about how much spending money they were to get and what programs they could have on the radio or TV set. I might even get rich - small-town rich, an eight-room house, two cars in the garage, chicken every Sunday and the Reader's Digest on the living room table, the wife with a cast-iron permanent and me with a brain like a sack of Portland cement. You take it, friend. I'll take the big sordid dirty crooked city.”
Raymond Chandler
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