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Rebecca West

Cicely Isabel Fairfield, known by her pen name Rebecca West, or Dame Rebecca West, DBE was an English author, journalist, literary critic, and travel writer. She was brought up in Edinburgh, Scotland, where she attended George Watson's Ladies College.

A prolific, protean author who wrote in many genres, West was committed to feminist and liberal principles and was one of the foremost public intellectuals of the twentieth century. She reviewed books for The Times, the New York Herald Tribune, the Sunday Telegraph, and the New Republic, and she was a correspondent for The Bookman. Her major works include Black Lamb and Grey Falcon (1941), on the history and culture of Yugoslavia; A Train of Powder (1955), her coverage of the Nuremberg trials, published originally in The New Yorker; The Meaning of Treason, later The New Meaning of Treason, a study of World War II and Communist traitors; The Return of the Soldier, a modernist World War I novel; and the "Aubrey trilogy" of autobiographical novels, The Fountain Overflows, This Real Night, and Cousin Rosamund. Time called her "indisputably the world's number one woman writer" in 1947. She was made CBE in 1949, and DBE in 1959, in recognition of her outstanding contributions to British letters.


“He probably wanted real power, the power to direct one's environment towards a harmonious end, and not fictitious power, the power to order and be obeyed; and he must have known that he had not been able to exercise real power over Rome. It would have been easier for him if what we were told when we were young was true, and that the decay of Rome was due to immorality. Life, however, is never as simple as that, and human beings rarely so potent. There is so little difference between the extent to which any large number of people indulge in sexual intercourse, when they indulge in it without inhibitions and when they indulge in it with inhibitions, that it cannot often be a determining factor in history. The exceptional person may be an ascetic or a debauchee, but the average man finds celibacy and sexual excess equally difficult. All we know of Roman immorality teaches us that absolute power is a poison, and that the Romans, being fundamentally an inartistic people, had a taste for pornography which they often gratified in the description of individuals and families on which that poison had worked.”
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“She understood children, and knew that they were adults handicapped by a humiliating disguise and had their adult qualities within them.”
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“Now I recall my emotions at that moment, children seem to me a remarkable race. They want so much to murder so many people, and they so rarely murder anybody at all.”
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“...[A] rebel who is inaccurate and mad is a traitor.”
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“There is, of course, no reason for the existence of the male sex except that sometimes one needs help with moving the piano.”
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“A great empire cannot bring freedom by its own decay to those corners in it where a subject people are prevented from discussing the fundamentals of life. The people feel like children turned adrift to fend for themselves when the imperial routine breaks down; and they wander to and fro, given up to instinctive fears and antagonisms and exaltation until reason dares to take control. I had come to Yugoslavia to see what history meant in flesh and blood. I learned now that it might follow, because an empire passed, that a world full of strong men and women and rich food and heady wine might nevertheless seem like a shadow-show: that a man of every excellence might sit by a fire warming his hands in the vain hope of casting out a chill that lived not in the flesh.”
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“Yes,” said Mamma, “this is the worst of life, that love does not give us common sense but is a sure way of losing it. We love people, and we say that we are going to do more for them than friendship, but it makes such fools of us that we do far less, indeed sometimes what we do could be mistaken for the work of hatred.”
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“The King and Queen hid in a secret cupboard in their bedroom for two hours, listening to the searchers grow cold, then warm, then cold again, then warm, and at last hot, and burning hot. The weakly King was hard to kill: when they threw him from the balcony they thought him doubly dead from bullet wounds and sword slashes, but the fingers of his right hand clasped the railing and had to be cut off before he fell to the ground, where the fingers of his left hand clutched the grass.”
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“Behind it was that vast suspension bridge which always troubles me because it reminds me that in this mechanized age I am as little able to understand my environment as any primitive woman who thinks that a waterfall is inhabited by a spirit, and indeed less so, for her opinion might from a poetical point of view be correct.”
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“At the top of a hill our automobile stuck in a snowdrift. Peasants ran out of a cottage near by, shouting with laughter because machinery had made a fool of itself, and dug out the automobile with incredible rapidity. They were doubtless anxious to get back and tell a horse about it.”
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“Allowed to cast themselves for great tragic roles, they were experiencing the exhilaration felt by great tragic actors. It was not lack of control, lack of taste, lack of knowledge that accounted for permission of what was not permitted in the West. Rather was it the reverse. Our people could not have handled patients full of the dangerous thoughts of death and love; these people had such resources that they did not need to empty their patients of such freight.”
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“Only part of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built, that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.”
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“[N]obody likes having salt rubbed into their wounds, even if it is the salt of the earth.”
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“It is always one's virtues and not one's vices that precipitate one into disaster.”
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“There was also a daughter, very short, very plump, very gay, an amazing production for the Gregorievitches. It was as if two very serious authors had set out to collaborate and then had published a limerick.”
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“Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.”
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“Now King Alexander is driving down the familiar streets, curiously unguarded, in a curiously antique car. It can be seen from his attempt to make his stiff hand supple, from a careless flash of his careful black eyes, it can be seen that he is taking the cheers of the crowd with a childish seriousness. It is touching, like a girl putting full faith in the compliments that are paid to her at a ball.”
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“There was a definite process by which one made people into friends, and it involved talking to them and listening to them for hours at a time.”
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“My work expresses an infatuation with human beings. I don’t believe that to understand is necessarily to pardon, but I feel that to understand makes one forget that one cannot pardon.”
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“As we passed by on the stony causeway, women looked up at us from the fields, their faces furrowed with all known distresses. By their sides, lambs skipped in gaiety and innocence, and goats skipped in gaiety but without innocence, and at their feet the cyclamens shone mauve; the beasts and flowers seemed fortunate because they are not human, as those who have passed within the breath of a plague and have escaped it.”
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“Everyone realizes that one can believe little of what people say about each other, but it is not so widely realized that even less can one trust what people say about themselves.”
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“For the sake of my country, and perhaps a little for the sake of my soul, I have given up the deep peace of being in opposition.”
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“Embraces do not matter; they merely indicate the will to love and may as well be followed by defeat as victory. But disregard means that now there needs to be no straining of the eyes, no stretching forth of the hands, no pressing of the lips, because theirs is such a union that they are no longer aware of the division of their flesh.”
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“It's my profession to bring people from various outlying districts of the mind to the normal. There seems to be a general feeling it's the place where they ought to be. Sometimes I don't see the urgency myself.”
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“The trouble about man is twofold. He cannot learn truths which are too complicated; he forgets truths which are too simple.”
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“Reason's a thing we dimly see in sleep. ”
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“He is looking down on the two crystal balls that the old man's foul, strong hands have rolled across to him. In one he sees Margaret, not in her raincoat and her nodding plumes, but as she is transfigured in the light of eternity. Long he looks there; then drops a glance to the other, just long enough to see that in its depths Kitty and I walk in bright dresses through our glowing gardens. We had suffered no transfiguration, for we are as we are, and there is nothing more to us. The whole truth about us lies in our material seeming. He sighs a deep sigh of delight and puts out his hand to the ball where Margaret shines. His sleeve catches the other one and sends it down to crash in a thousand pieces on the floor. The old man's smile continues to be lewd and benevolent; he is still not more interested in me than in the bare-armed woman. Chris is wholly inclosed in his intentness on his chosen crystal. No one weeps for this shattering of our world.”
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“It's the soul's duty to be loyal to its own desires. It must abandon itself to its master passion.”
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“she repaid us by giving life the quality that but for her was only to be found in music ”
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“the world had gone too far in its enthusiasm for moderation and the thing had to be stopped”
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“She did not suddenly start being disagreeable this afternoon, she was so good at it, she had evidently practised whatever are the scales and arpeggios of rudeness every day of her life.”
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“You must always believe that life is as extraordinary as music says it is.”
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“I had come to Yugoslavia to see what history meant in flesh and blood.”
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“Before a war military science seems a real science, like astronomy; but after a war it seems more like astrology.”
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“The main difference between men and women is that men are lunatics and women are idiots.”
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“works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.”
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“It isn't only living people who die, it is great stretches of living, which can die even when the people who lived there still exist.”
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“I always have beauty around me, for I have but to go to my piano, and trace one of the million designs that have been made by my masters.”
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“Each of us has always hoped that a stranger would come who would scatter holy water on the image of the other and lay it for ever”
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“Man is but a reed, the most feeble thing in nature; but he is a thinking reed. The entire universe need not arm itself to crush him. A vapour, a drop of water suffices to kill him. But if the universe were to crush him, man would still be more noble than that which killed him, because he knows that he dies and the advantage which the universe has over him; the universe knows nothing of this.”
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“Any authentic work of art must start an argument between the artist and his audience.”
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“we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously”
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“Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.”
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“I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat, or a prostitute.”
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