Richard Matheson

“Howlong did it take for a past to die?”

“I wish I were a boy again-unquestioning, with no need to analyze the moment.”

“No longer will you be a weird Robinson Crusoe, imprisoned on an island of night surrounded by oceans of death.”

“That which you believe becomes your world.”

“Despite everything he had or might have (except, of course, another human being), life gave no promise of improvement or even of change. The way things shaped up, he would live out his life with no more than he already had. And how many years was that? Thirty, maybe forty if he didn’t drink himself to death. The thought of forty more years of living as he was made him shudder”

“He stood there for a moment looking around the silent room, shaking his head slowly. All these books, he thought, the residue of a planet’s intellect, the scrapings of futile minds, the leftovers, the potpourri of artifacts that had no power to save men from perishing.”

“Crossing your fingers, Neville? Knocking on wood? He ignored that, beginning to suspect his mind of harboring an alien. Once he might have termed it conscience. Now it was only an annoyance. Morality, after all, had fallen with society. He was his own ethic. Makes a good excuse, doesn’t it, Neville? Oh, shut up.”

“What would a Mohammedan vampire do if faced with a cross?”

“The foraging for food and water, the struggle for life in a world without masters, housed in a body that man had made dependent on himself.”

“And, before science had caught up with the legend, the legend had swallowed science and everything.”

“In a typical desperation for quick answers, easily understood, people had turned to primitive worship as the solution. With less than success. Not only had they died as quickly as the rest of the people, but they had died with terror in their hearts, with a mortal dread flowing in their very veins.”

“Was the life force something more than words, a tangible, mind-controlling potency? Was nature somehow, in him, maintaining its spark against its own encroachments?”

“I don the robe of hermit without a cry.”

“... And suddenly he thought, I'm the abnormal one now. Normalcy was amajority concept, the standard of many and not the standard of justone man.Abruptly that realization joined with what he saw on their faces --awe, fear, shrinking horror -- and he knew that they were afraid ofhim. To them he was some terrible scourge they had never seen, ascourge even worse than the disease they had come to live with. He wasan invisible spectre who had left for evidence of his existence thebloodless bodies of their loved ones. And he understood what they feltand did not hate them. His right hand tightened on the tiny envelopeof pills. So long as the end did not come with violence, so long as itdid not have to be a butchery before their eyes...Robert Neville looked out over the new people of the earth. He knew hedid not belong to them; he knew that, like the vampires, he wasanathema and black terror to be destroyed. And, abruptly, the conceptcame, amusing to him even in his pain.A coughing chuckle filled his throat. He turned and leaned against thewall while he swallowed the pills. Full circle, he thought while thefinal lethargy crept into his limbs. Full circle. A new terror born indeath, a new superstition entering the unassailable fortress offorever.I am legend.”

“He thought about that visionary lady. To die, he thought, never knowing the fierce joy and attendant comfort of a loved one's embrace. To sink into that hideous coma, to sink then into death and, perhaps, return to sterile, awful wanderings. All without knowing what it was to love and be loved.That was a tragedy more terrible than becoming a vampire.”

“A man could get used to anything if he had to.”

“But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad?”

“Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain. ... Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.”

“Such thoughts were a hideous testimony to the world he had accepted; a world in which murder was easier than hope.”

“Normalcy was a majority concept, the standard of many and not the standard of just one man.”

“You bastard, he thought, almost affectionately, watching the minuscule protoplasm fluttering on the slide. You dirty little bastard.”

“A surfeiting of terror soon made terror a cliché.”

“For him the word 'horror' had become obsolete.”

“The vampire was real. It was only that his true story had never been told.”

“He turned away from the bar as if he could leave the question there. But questions had no location; they could follow him around.”

“No, by God, he had no intention of going on like a blind man, plodding down a path of brainless, fruitless existence until old age or accident took him. Either he found the answer or he ditched the whole mess, life included.”

“After a while, though, even the deepest sorrow faltered, even the most penetrating despair lost its scalpel edge.”

“That's what was wrong with drinking too much. You became immune to drunken delights. There was no solace in liquor. Before you got happy, you collapsed.”

“It was a fairy tale, no fooling. It was unreality becoming real. This frightened her. Because people don't care for unreality becoming real. It pricks their well-fed minds, you see, with something like a hunger pang. They prefer the logical stuffiness of expectancy. It is only at certain times that they weaken, letting imagination in. That's the time to get them. (“The Disinheritors”)”

“God, how impossible life is without money. Nothing can ever overcome it, it's everything when it's anything. How can I write in peace with endless worries of money, money, money? (“Disappearing Act”)”

“Because there was only one thing worse than dying. And that was knowing you were going to die. And where. And how. (“Death Ship”)”

“Very well then! I'll write, write write. He let the words soak into his mind and displace all else.A man had a choice, after all. He devoted his life to his work or to his wife and children and home. It could not be combined; not in this day and age. In this insane world where God was second to income and goodness to wealth.”

“God help me, he thought. God help all us poor wretches who could create and find we must lose our hearts for it because we cannot afford to spend our time at it. (“Mad House”)”

“In less than an hour I have to hold class for a group of idiot freshmen. And, on a desk in the living room, is a mountain of midterm examinations with essays I must suffer through, feeling my stomach turn at their paucity of intelligence, their adolescent phraseology. And all that tripe, all those miles of hideous prose, had been would into an eternal skein in his head. And there it sat unraveling into his own writing until he wondered if he could stand the thought of living anymore. I have digested the worst, he thought. Is it any wonder that I exude it piecemeal? (“Mad House”)”

“Then he went into the dining room, consulting his watch. It was ten thirty already. More than half the morning was gone. More than half the time for sitting and trying to write the prose that would make people sit up and gasp. It happened that way more often now than he would even admit to himself. Sleeping late, making up errands, doing anything to forestall the terrible moment when he must sit down before his typewriter and try to wrench some harvest from the growing desert of his mind. (“Mad House”)”

“Maybe I can do some writing then. The phrase made him sick. It had no meaning anymore. Like a word that is repeated until it becomes gibberish that sentence, for him, had been used to extinction. It sounded silly; like some bit of cliché from a soap opera. Hero saying in dramatic tones – Now, by God, maybe I can do some writing. Senseless. For a moment, though, he wondered if it was true. Now that she was leaving could he forget about her and really get some work done? Quit his job? Go somewhere and hold up in a cheap furnished room and write? You have $123.89 in the bank, his mind informed him. He pretended it was the only thing that kept him from it. But, far back in his mind, he wondered if he could write anything. Often the question threw itself at him when he was least expecting it. You have four hours every morning, the statement would rise like a menacing wraith. You have time to write many thousands of words. Why don't you? And the answer was always lost in a tangle of becauses and wells and endless reasons that he clung to like a drowning man at straws.(“Mad House”)”

“You can get used to horror, he thought. When it has lost immediacy and is no longer pungent and has become a steady diet. When it has degraded to a chain of mind-numbing events. (“Lover When You're Near Me”)”

“I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. (“Advance Notice”)”

“We've forgotten much. How to struggle, how to rise to dizzy heights and sink to unparalleled depths. We no longer aspire to anything. Even the finer shades of despair are lost to us. We've ceased to be runners. We plod from structure to conveyance to employment and back again. We live within the boundaries that science has determined for us. The measuring stick is short and sweet. The full gamut of life is a brief, shadowy continuum that runs from gray to more gray. The rainbow is bleached. We hardly know how to doubt anymore. (“The Thing”)”

“Quiet is here and all in me. ("Dress of White Silk")”

“In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand.”

“Really now, search your soul, lovie-is the vampire so bad?All he does is drink blood.”

“All right, little boy, he tried kidding himself, calm down now. Santa Claus is coming to town with all the nice answers. No longer will you be a weird Robinson Crusoe, imprisoned on an island of night surrounded by oceans of death. ”

“Goddamn your bones, that is the first step.”

“It is June 27, 1912. You are lying in your bed in the Grand Hotel and it is 6 p.m. on the evening of June 27, 1912. Your mind accepts this absolutely. 6 p.m. on June 27, 1912. Elise McKenna is in this hotel at this very moment. Her manager, William Fawcett Robinson, is in this hotel at this very moment. Now, this moment, here. Both in the Grand Hotel on this evening of June 27, 1912. 6 p.m. on June 27, 1912. Elise McKenna, now, in this hotel. She and her company are in this hotel at this very moment. Now on June 27, 1912, 6 p.m. Your mind accepts this, absolutely. You have traveled back in time, soon you will open your eyes. You will walk into the corridor, and you will go downstairs and you will find Elise McKenna, who is in this hotel at this very moment.”

“The man of my dreams is almost faded now. The one I have created in my mind. The sort of man each woman dreams of in her most secret and deepest part of her heart. I could almost see him now before me. What would I say to him if he were really here? Forgive me, I've never known this feeling. I've lived without it all my life. Is it any wonder that I fail to recognize it? You brought it to me for the first time. Is there any way I can tell you how my life has changed? Anyway at all, to let you know what sweetness you have given me? There's so much to say-- and I can't find the words-- except for these... I love you. That is what I would say to him if he were really here. ”

“Let the jagged edge of sobriety be now dulled.”

“How shall I typify what happened? Passion play? Somewhat. Weird tale? Indubitably. Horror story? Pretty close. Grotesque melodrama? Certainly. Black comedy? Your point of view will determine that. Perhaps it was a combination of them all... So, to the story. A chronicle of greed and cruelty, horror and rapacity, sadism and murder. Love, American style.”

“She doesn't have to even give me supper. Im not hungry anyway.Im full. (Dress of White Silk)”

“He kept thinking about Mary. What a fool he'd been to let her go. To think, with the thoughtless assurance of youth, that the world was replete with endless possibilities. He'd thought it a mistake to choose so early in life and embrace the present good. He'd been a great one for looking for greener pastures. He'd kept looking until all his pastures were brown with time. ("Old Haunts")”