Robert Ardrey
Robert Ardrey was born in the South Side of Chicago in 1908. He attended the University of Chicago to study biology, but became the writing protegé of Thornton Wilder. He graduated in the midst of the Great Depression and supported himself with odd jobs while he wrote under Wilder's watchful eye. His first play, Star Spangled, opened on Broadway in 1935.
He continued to have plays produced on Broadway. His most famous, Thunder Rock, became a sensation in wartime London, and is now regarded as an international classic. Ardrey's plays caught the attention of MGM executive Samuel Goldwyn; in 1938 Ardrey moved to Hollywood, where he would become MGM's highest paid writer. He is credited with over a dozen films, including The Three Musketeers (1948, with Gene Kelly), The Wonderful Country (1959, with Robert Mitchum), and Khartoum (1966, directed by Basil Dearden, starring Charlton Heston and Laurence Olivier) for which he was nominated for the Academy Award for Best Screenplay.
In the 1950s, increasingly disenchanted with Hollywood, Ardrey travelled to Africa to write a series of articles. This trip renewed his interest in human origins, and he returned to his academic training in the sciences. In 1956 he moved with his wife and two sons to Geneva, and spent the next five years travelling and researching in Eastern and Southern Africa, conducting research for what would become his first scientific work, African Genesis (1961).
African Genesis and Ardrey's subsequent books were massively popular and deeply controversial. They overturned core assumptions of the social sciences and led to a revolution in thinking about human nature. Fundamentally Ardrey argued that human behavior was not entirely socially determined, rather evolutionarily inherited instincts help determine behavior and format large-scale social phenomena. Subsequent science has largely vindicated his hypotheses.
Robert Ardrey is the winner of a Guggenheim Fellowship and the inaugural Sidney Howard Memorial Award, is a Fellow of the Royal Society of Literature, and received an Academy Award Nomination for best screenplay for his film Khartoum. Time magazine named African Genesis the most notable book of the 1960s.
For more see: https://en.wikipedia.org/wiki/Robert_...
“What we call patriotism, in other words, is a calculable force which, released by a predictable situation, will animate man in a manner no different from other territorial species.”
“A human being is a problem in search of a solution.”
“Man beset by anarchy, banditry, chaos and extinction must at last resort turn to that chamber of horrors, human enlightenment. For he has nowhere else to turn.”
“We were born of risen apes, not fallen angels, and the apes were armed killers besides. And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments?”
“I have lived my life in the shelter of too many northern alliances. I have made alliance with the gentle cow, the health department, the local policeman. In the shelter of such alliances I have got out of bed in the morning with moderate assurance that I shall still be alive at bedtime. But south of the moon my allies vanish, and I have an emptiness in my stomach. I fear the cobras in the garden. I lack a treaty with the lioness. I dread the crocodiles of Lake Victoria, the tsetse fly in the Tanganyika bush, the little airplane with the funny engine, and the mosquito in the soft evening air. But most of all, I am afraid of the African street.”
“The dog barking at you from behind his master's fence acts for a motive indistinguishable from that of his master when the fence was built.”
“Why is man man? As long as we have had minds to think with, stars to ponder upon, dreams to disturb us, curiosity to inspire us, hours free for meditation, words to place our thoughts in order, the question like a restless ghost has prowled the cellars of our consciousness.”
“Classic is our daring, classic our cowardice. Classic is our cruelty, classic our charity.”
“The hunter died when he achieved supremacy. Perhaps the death of the hunter will be the long monument to interglacial man. We denied a future to our sucessor beings.”
“But we were born of risen apes, not fallen angels, and the apes were armed killers besides. And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments? Or our treaties whatever they may be worth; our symphonies however seldom they may be played; our peaceful acres, however frequently they may be converted into battlefields; our dreams however rarely they may be accomplished. The miracle of man is not how far he has sunk but how magnificently he has risen. We are known among the stars by our poems, not our corpses.”