Robert Hayden
Robert Hayden was an American poet, essayist, educator. He was appointed Consultant in Poetry to the Library of Congress in 1976.
Hayden was elected to the American Academy of Poets in 1975. From 1976 - 1978, Hayden was Consultant in Poetry to the Library of Congress (the first African American holder of that post), the position which in 1985 became the Poet Laureate Consultant in Poetry to the Library of Congress. Hayden's most famous and most anthologized poem is Those Winter Sundays[citation needed], which deals with the memory of fatherly love and loneliness.
Other famed poems include The Whipping (which is about a small boy being severely punished for some undetermined offense), Middle Passage (inspired by the events surrounding the United States v. The Amistad affair), Runagate, Runagate, and Frederick Douglass.
Hayden’s influences included Wylie, Cullen, Dunbar, Hughes, Bontemps, Keats, Auden and Yeats. Hayden’s work often addressed the plight of African Americans, usually using his former home of Paradise Valley slum as a backdrop, as he does in the poem Heart-Shape in the Dust. Hayden’s work made ready use of black vernacular and folk speech. Hayden wrote political poetry as well, including a sequence on the Vietnam War.
On the first poem of the sequence, he said, “I was trying to convey the idea that the horrors of the war became a kind of presence, and they were with you in the most personal and intimate activity, having your meals and so on. Everything was touched by the horror and the brutality and criminality of war. I feel that's one of the best of the poems.
“Art is not escape, but a way of finding order in chaos, a way of confronting life.”
“When the rooms were warm, he'd call,and slowly I would rise and dress,fearing the chronic angers of that house,Speaking indifferently to him,Who had driven out the cold and polished my good shoes as well.What did I know, what did I know Of love's austere and lonely offices?”
“Sundays too my father got up earlyand put his clothes on in the blueblack cold, then with cracked hands that achedfrom labor in the weekday weather madebanked fires blaze. No one ever thanked him.I'd wake and hear the cold splintering, breaking.When the rooms were warm, he'd call, and slowly I would rise and dress, fearing the chronic angers of that house, speaking indifferently to him, who had driven out the coldand polished my good shoes as well.What did I know, what did I knowof love's austere and lonely offices?”