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Robertson Davies

William Robertson Davies, CC, FRSC, FRSL (died in Orangeville, Ontario) was a Canadian novelist, playwright, critic, journalist, and professor. He was one of Canada's best-known and most popular authors, and one of its most distinguished "men of letters", a term Davies is sometimes said to have detested. Davies was the founding Master of Massey College, a graduate college at the University of Toronto.

Novels:

The Salterton Trilogy

• Tempest-tost (1951)

• Leaven of Malice (1954)

• A Mixture of Frailties (1958)

The Deptford Trilogy

• Fifth Business (1970)

• The Manticore (1972)

• World of Wonders (1975)

The Cornish Trilogy

• The Rebel Angels (1981)

• What's Bred in the Bone (1985)

• The Lyre of Orpheus (1988)

The Toronto Trilogy (Davies' final, incomplete, trilogy)

• Murther and Walking Spirits (1991)

• The Cunning Man (1994)

http://en.wikipedia.org/wiki/Robertso...


“It is part of the received doctrine of modern biography that all characters are Flawed, and as a Christian priest I am quite ready to agree, but the Flaws the biographers exhibited usually meant that the person under discussion had not seen eye to eye with the biographer on matters of politics, or social betterment, or something impersonal.”
Robertson Davies
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“The great book for you is the book that has the most to say to you at the moment when you are reading. I do not mean the book that is most instructive, but the book that feeds your spirit. And that depends on your age, your experience, your psychological and spiritual need.”
Robertson Davies
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“Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor. "So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out.”
Robertson Davies
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“Wisdom may be rented...on the experience of other people, but we buy it at an inordinate price before we make it our own forever.”
Robertson Davies
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“The recognition of oneself as a part of nature, and reliance on natural things, are disappearing for hundreds of millions of people who do not know that anything is being lost.”
Robertson Davies
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“..but when one human creature dies a whole world of hope and memory and feeling dies with him. To be robbed of the dignity of a natural death is a terrible deprivation.”
Robertson Davies
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“Elsie, who had a lot of energy and no shame...she seduced me. It was not a success, from Elsie's point of view, because the orgasm for women was just coming into general popularity then, and she didn't have one.”
Robertson Davies
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“В операта непременно трябва да има примадона – винаги сопрано, често глупава; тенор в ролята на нейния любовник; трябва да има и контраалт – съперница на сопраното, нещо като магьосница; и бас – злодеят, съперникът, онзи, който заплашва тенора… Сюжетът обаче няма да се развие без присъствието на още един, обикновено баритон – именно него наричат Петия в карето, защото той е излишният, без съответствие от другия пол. Обаче Петия е задължителен, защото именно той знае тайната на произхода на героя или се притичва на помощ на героинята, когато тя е решила, че всичко е загубено, а може дори да бъде причина за нечия смърт, ако това е част от сюжета. Без Петия в карето няма сюжет! В тази роля няма блясък, но е съдържателна, и кариерата на хората, които я изпълняват, често е по-продължителна от съдбата на славеите. Ти Петия ли си?”
Robertson Davies
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“Marriage isn't just domesticity, or the continuance of the race, or institutionalized sex, or a form of property right. And it damned well isn't happiness, as that word is generally used. I think it's a way of finding your soul.”
Robertson Davies
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“What an amusing drama life is when one is not obliged to be one of the characters!”
Robertson Davies
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“The new priest in his whitish lab-coat gives you nothing at all except a constantly changing vocabulary which he -- because he usually doesn't know any Greek -- can't pronounce, and you are expected to trust him implicitly because he knows what you are too dumb to comprehend. It's the most overweening, pompous priesthood mankind has ever endured in all its recorded history, and its lack of symbol and metaphor and its zeal for abstraction drive mankind to a barren land of starved imagination.”
Robertson Davies
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“How much more complicated life is than the attainment of a Ph.D. would lead one to believe!”
Robertson Davies
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“There is really no such thing as a secret; everybody likes to tell, and everybody does tell.”
Robertson Davies
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“Once it was the fashion to represent villages as places inhabited by laughable, livable simpletons, unspotted by the worldliness of city life, though occasionally shrewd in rural concerns. Later it was the popular thing to show villages as rotten with vice, and especially such sexual vice...incest, sodomy, bestiality, sadism, and masochism were supposed to rage behind lace curtains and in the haylofts, while a rigid piety was professed in the streets.”
Robertson Davies
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“...people don't want to believe the truth about themselves. They get some mental picture of themselves and then they devil the poor old body, trying to make it like the picture. When it won't obey-can't obey, of course-they are mad at it, and live in it as if it were an unsatisfactory house they were hoping to move out of.”
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“But in every church there are people who, for reasons which seem sufficient to them, do not approve of their pastor and seek to harry him and bully him into some condition pleasing to themselves. The democracy which the Reformation brought into the Christian Church rages in their bosoms like a fire; they would deny that they regard their clergyman as their spiritual hired hand, whom they boss and oversee for his own good, but that is certainly the impression they give to observers.”
Robertson Davies
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“You'll go far. How do I know? Because life is goosing you so hard you'll never stop climbing.”
Robertson Davies
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“An infant is a seed. Is it an oak seed or a cabbage seed? Who knows. All mothers think their children are oaks, but the world never lacks for cabbages.”
Robertson Davies
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“Education is a great shield against experience. It offers so much, ready-made and all from the best shops, that there's a temptation to miss your own life in pursuing the life of your betters.”
Robertson Davies
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“You are certainly unique. Everyone is unique. Nobody has ever suffered quite like you before because nobody has ever been you before.”
Robertson Davies
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“...the irrational will have its say, perhaps because 'irrational' is the wrong word for it.”
Robertson Davies
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“Who's Mrs. Gummidge?''If you're a good girl and get well soon I'll lend you the book.''Oh, somebody in a book! All you people like Nilla and the Cornishes and that man Darcourt seem to live out of books. As if everything was in books!''Well, Schnak, just about everything is in books. No, that's wrong. We recognize in books what we've met in life. But if you'd read a few books you wouldn't have to meet everything as if it had never happened before, and take every blow right on the chin. You'd see a few things coming...”
Robertson Davies
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“I learned later that the former operator of Abdullah had been a dwarf who cannot have been fastidious about his person, and there was a strong whiff of hot dwarf as I grew hotter myself.”
Robertson Davies
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“Fanaticism is ... compensation for doubt”
Robertson Davies
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“Forgive yourself for being a human creature, Ramezay. That is the beginning of wisdom; that is part of what is meant by the fear of God; and for you it is the only way to save your sanity. Begin now, or you will end up with your saint in the madhouse.”
Robertson Davies
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“And why should it not be terrifying? A little terror, in my view, is good for the soul, when it is terror in the face of a noble object.”
Robertson Davies
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“We have no quarrel with the Freudians, but we do not put the same stress on sexual matters as they do. Sex is very important, but if it were the single most important thing in life, it would all be much simpler, and I doubt if mankind would have worked so hard to live far beyond the age when sex is the greatest joy.”
Robertson Davies
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“The older I grow the less Christ's teaching says to me. I am sometimes very conscious that I am following the path of a leader who died when He was less than half as old as I am now. I see and feel things He never saw or felt. I know things He seems never to have known. Everybody wants a Christ for himself and those who think like him. Very well, am I at fault for wanting a Christ who will show me how to be an old man? All Christ's teaching is put forward with the dogmatism, the certainty, and the strength of youth: I need something that takes account of the accretion of experience, the sense of paradox and ambiguity that comes with years!”
Robertson Davies
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“But I was a lonely creature, and although I would have been very happy to have a friend I just never happened to meet one.”
Robertson Davies
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“I liked the company of most of my colleagues, who were about equally divided among good men who were good teachers, awful men who were awful teachers, and the grotesques and misfits who drift into teaching and are so often the most educative influences a boy meets in school. If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to cope with; don't just give him a bad, dull teacher.”
Robertson Davies
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“I had schooled myself since the war-days never to speak of my enthusiasms; when other people did not share them, which was usual, I was hurt and my pleasure diminished; why was I always excited about things other people did not care about? But I could not hold in.”
Robertson Davies
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“I'm trying to be kind, you know, for I admired your parents. Fine people, and your father was a fair-minded man to every faith. But there are spiritual dangers you Protestants don't even seem to know exist, and this monkeying with difficult, sacred things is a sure way to get yourself into a real old mess. Well I recall, when I was a seminarian, how we were warned one day about a creature called a fool-saint.Ever hear of a fool-saint? I thought not. As a matter of fact, it's a Jewish idea, and the Jews are no fools, y'know. A fool-saint is somebody who seems to be full of holiness and loves everybody and does every good act he can, but because he's a fool it all comes to nothing—to worse than nothing, because it is virtue tainted with madness, and you can't tell where it'll end up. Did you know that Prudence was named as one of the Virtues? There's the trouble with your fool-saint, y'see—no Prudence. Nothing but a lotta bad luck'll rub off on you from one of them. Did you know bad luck could be catching? There's a theological name for it, but I misremember it right now.”
Robertson Davies
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“If you don't hurry up and let life know what you want, life will damned soon show you what you'll get.”
Robertson Davies
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“God, youth is a terrible time! So much feeling and so little notion of how to handle it!”
Robertson Davies
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“There was a moment, however, when the King and I were looking directly into each other's eyes, and in that instant I had a revelation that takes much longer to explain than to experience. Here am I, I reflected, being decorated as a hero, and in the eyes of everybody here I am indeed a hero; but I know that my heroic act was rather a dirty job I did when I was dreadfully frightened; I could just as easily have muddled it and been ingloriously killed. But it doesn't much matter, because people seem to need heroes; so long as I don't lose sight of the truth, it might as well be me as anyone else. And here before me stands a marvellously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great, and Charles the First, and even King Arthur, for anything I know to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I.”
Robertson Davies
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“Of course some of us had some geography in school and had studied maps, but a school map is a terribly uncommunicative thing.”
Robertson Davies
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“They were anxious to make men of us, by which they meant making us like themselves.”
Robertson Davies
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“Can I be a modern girl, if I acknowledge such thoughts? I must be modern; I live now. But like everybody else, as Hollier says, I live in a muddle of eras, and some of my ideas belong to today, and some to an ancient past, and some to periods of time that seem more relevant to my parents than to me. If I could sort them and control them I might know better where I stand, but when I most want to be contemporary the Past keeps pushing in, and when I long for the Past (like when I wish Tadeusz had not died, and were with me now to guide and explain and help me to find where I belong in life) the Present cannot be pushed away. When I hear girls I know longing to be what they call liberated, and when I hear others rejoicing in what they think of as liberation, I feel a fool, because I simply do not know where I stand.”
Robertson Davies
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“...one's family is made up of supporting players in one's personal drama. One never supposes that they starred in some possibly gaudy and certainly deeply felt show of their own.”
Robertson Davies
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“There is no nonsense so gross that society will not, at some time, make a doctrine of it and defend it with every weapon of communal stupidity.”
Robertson Davies
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“Money, it is often said, does not bring happiness; it must be added, however, that it makes it possible to support unhappiness with exemplary fortitude.”
Robertson Davies
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“Having me in the dining-room was almost the equivalent of having a Raeburn on the walls; I was classy, I was heavily varnished, and I offended nobody.”
Robertson Davies
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“My position was a common one; I wanted to do the right thing but could not help regretting the damnable expense.”
Robertson Davies
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“Faustina is a great work of the Creator. She has nothing of what you call brains; she doesn't need them for her destiny... It is to be glorious for a few years: not to outlive some dull husband and live on his money till she is eighty, going to lectures and comparing the attractions of winter tours that offer the romance of the Caribbean.”
Robertson Davies
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“He [Jesus] had a terrible temper, you know, undoubtedly inherited from His Father.”
Robertson Davies
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“Men have this climacteric, you know, like women. Doctors deny it, but I have met some very menopausal persons in their profession.”
Robertson Davies
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“I seemed to be the only person I knew without a plan that would put the world on its feet and wipe the tear from every eye.”
Robertson Davies
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“...so Leola thought that a modest romance with a hero in embryo could do no harm - might even be a patriotic duty.”
Robertson Davies
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“I was afraid and did not know what I feared, which is the worst kind of fear.”
Robertson Davies
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“He liked to make his hearers jump, now and then, and he said that our gravel pit was much the same sort of place as Gehenna. My elders thought this far-fetched, but I saw no reason why hell should not have, so to speak, visible branch establishments throughout the earth, and I have visited quite a few of them since.”
Robertson Davies
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