Robin Wall Kimmerer

“Between takeoff and landing, we are each in suspended animation, a pause between chapters of our lives. When we stare out the window into the sun's glare, the landscape is only a flat projection with mountain ranges reduced to wrinkles in the continental skin. Oblivious to our passage overhead, other stories are unfolding beneath us. Blackberries ripen in the August sun, a woman packs a suitcase and hesitates at her doorway, a letter is opened and the most surprising photograph slides from between the pages. But we are moving too fast and we are too far away; all the stories escape us, except our own. When I turn away from the window, the stories recede into the two-dimensional map of green and brown below. Like a trout disappearing into the shade of an overhanging bank, leaving you staring at the flat surface of the water and wondering if you saw it at all.”

“Just as you can pick out the voice of a loved one in the tumult of a noisy room, or spot your child's smile in a sea of faces, intimate connection allows recognition in an all-too-often anonymous world. This sense of connection arises from a special kind of discrimination, a search image that comes from a long time spent looking and listening. Intimacy gives us a different way of seeing, when visual acuity is not enough.”

“What is it that brings me here to stand like a rock in this river of sound?”

“I think it is this that it is this that draws me to the pond on a night in April, bearing witness to puhpowee. Tadpoles and spores, egg and sperm, mind and yours, mosses and peepers - we are all connected by our common understanding of the calls filling the night at the start of spring. It is the wordless voice of longing that resonates within us, the longing to continue, to participate in the sacred life of the world. ”